Difference between revisions of "Literary and Cultural Studies:Writing academic texts"

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==What to aim at: Your paper has to be a contribution to the ongoing scientific debate==
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The process of writing research papers can be divided in three phases:
  
Your paper is supposed to be a contribution to the ongoing scientific debate.
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==Phase 1: Research – Finding Your Topic==
  
* Can you summarize the ongoing public debate?
+
* Start from an observation or a question that you found remarkable in some manner. (Try to grasp what it is that strikes you about this phenomenon.)
* Can you summarize the scientific debate? Where does it differ from the debate you find in blogs and in Wikipedia?
+
* Check the state of research: Has this been asked or observed before (long ago, only recently)? Do critics agree or are there controversies? For this purpose, you need to use bibliographic tools (such as the MLA bibliography), and to read and excerpt the materials that make reference to your topic.
* Did scientific research deal with your question? If not: Why not? Why do you think it should?
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* Return to the primary material you plan to analyse, picking out passages and aspects that are particularly relevant to your topic.
  
Can you define what kind of contribution you eventually made with your work? There are different options:
 
* You may have recapitulated the debate in order to evaluate the present positions
 
* You supported an existing argument with your own look at a certain text
 
* You modified a perspective you found in public statements choosing a more scientific approach 
 
  
==The Preface==
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==Phase 2: Structure – Planning Your Paper and Formulating your Thesis==
  
Has to be rewritten in the end:
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Once you have looked at the state of research and examined your materials, review the results: How do the various results of your research fit together? Are they sufficient to account for your initial question in a satisfactory way? If so, good. If not, even better. In either case, you can now go about presenting your evidence and your evaluation of it to an academic audience.
  
* Lead into the topic: Why is it interesting? What are present problems? How far have they been solved?
+
* Define your goal (i.e. formulate your thesis): Make up your mind about what precisely you want to demonstrate concerning the topic you have chosen. Try to state this as completely, precisely and concisely as possible. (This usually takes several attempts, and is done parallel to the two following steps.)
* What is your contribution?
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* Choose a structure that leads to your goal: Arrange the results of your research (both primary and secondary materials) in such a way that all the relevant materials, information and arguments are presented in such an order that they lead to the goal that you have set yourself. In order to reach a particular result, it is usually necessary to take several steps of analysis and reflection.
:* What statement can you make?
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* Make the structure of your argument explicit: The structure of your outline (i.e. the headings in the table of contents) should match the line of argument you have chosen, and should provide the reader with a ‘map’ of the steps of analysis and reflection that he or she is invited to take.
:* What kind of look did you offer (method)
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:* What results were you aiming at?
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:* What structure did you chose in oder to deal with the problem?
+
  
==Research done by others==
 
Summarise the present view(s)
 
*Are there different viewpoints
 
*Is it possible to present them in a discussion - did new arguments evolve in the course of the debate? (This will enable you to state more clearly where you are with your contribution.)
 
  
Quote research
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==Phase 3: Writing and Revising your Paper==
* As a cource of your knowledge
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* In the opening and during your paper where it offers opinions and perspectives you want to evaluate.
+
  
See our [[Literary Studies:Research guide]] for further help.
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Once you have arranged the results of your research in such a way that they lead towards demonstrating the proposition you have formulated, you are ready to start writing.  
 +
Term papers usually are written in this order:
  
==Streamline your presentation==
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* The introduction: state what you are going to examine and what you are hoping to show, how you are going to proceed (between which alternative methods did you choose) and give reasons for both (why is the topic relevant to an academic debate? why do you choose to treat the topic in the way you have chosen?).
 +
NOTE: In your response to the questions what?, how? and why? take into account the current state of research (which you have established in phase 1 and 2). If an extensive report on research should be necessary, you may give this an extra chapter heading after the introduction.
 +
* The chapters that make up your main part (i.e. the headings in the table of contents) should match the line of argument you have chosen, and should provide the reader with a ‘map’ of the steps of analysis and reflection that he or she is invited to take.
 +
* The conclusion does not introduce any new analytical steps. You should summarise at a higher level of abstraction, the results of the analytical steps you have taken. Then address the question of what follows from your analysis. What questions remain unsolved? What new questions have become visible in the course of your analysis? What direction could the debate take at this juncture?
 +
* Revision. Having written a first draft of your text, check your text and your argument for cohesion, and especially revise the introduction, if necessary.
  
===Avoid any knowledge you just want to add for readers who have never heard about the period, the author, how people lived in these days===
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==Final Steps==
  
Any such "knowledge" is extremely controversial. Your two pages on "The Victorian Era" or "The Elizabethan Age" will contain less information than the respective Wikipedia articles. You should neither offer such views from Wikipedia nor out of the best books you found. Your reader is a participant of the scientific debate; he or she wants to see how you react on his or her arguments. He or she does not want to learn anything on Shakespeare and his age from your work, on "The situation of man in the 20th century", on "The history of the role of women in this our age" or any other such topic. (If it was helpful for you to get some such knowledge, this is the moment to step beyond the learner's position, do not even look back on it).
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===Settle for a Title===
  
===Chapters===
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If you have not decided on your title before, this is the time to do it. Titles usually consist of two parts. The subtitle should indicate the material(s) and topic(s) dealt with. The main title should indicate the special perspective you wish to establish on the material(s) and topic(s) (one example from the bibliography above: main title: The Unwritten War, subtitle: American Writers and the Civil War).
  
Every chapter you write must strictly refer to your question. Begin each chapter with a look back on the question. You move from chapter to chapter with a look at what you were able to prove and what questions arose with these your observations.
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===Check for Formal Correctness===
  
===Headlines===
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Reread for typing errors, spelling, grammar and syntax, incomplete sentences, style, formatting specifications.
Use your headlines
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Make sure the chapter headings in the table of contents and the headings used in the paper are the same.
*to state the respective field of your observation and
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Make sure that all the sources you are quoting are listed in the bibliography, and that the bibliography does not contain any entries that are not referred to in the paper.
*to make a statement in the respective question
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Make sure that you have documented all sources for ideas or statements that you take over from other sources (avoid the appearance of plagiarism).
  
===The conclusion and the introduction===
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==Further Questions?==  
Use the conclusion to think of questions you have or might not you have been able to answer. Evaluate your own work.
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* It can be that the question imploded - there is no bigger work to write on this, you did not forsee the result
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* It can be that you realised one has to do quite different work to answer your question - state what kind of work that would need, so that others can do it (or you yourself in a bigger piece of research)
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==Can I risk to state my own opinion - even if it contradicts my professor's?==
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Here are some further considerations about aspects of the research, structuring and writing process. If you feel you could do with further guidance, you may try thinking about these points.  
Yes! The most interesting work is the one which leads your readers to second thoughts.
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Yet, some people misunderstand this point: If you simply state your opinion without reflecting the other opinions your readers might arrive at, they will complain that you failed to notice the failures of your work.
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=== Joining a Discussion / Joining a Conversation===
  
==How does your professor evaluate your work?==
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Before you start and while you are writing you may find it helpful to think of your paper as a contribution to a conversation or a discussion. Before you make a contribution to a conversation, you will want to be aware of the issues that have been talked about and of the things that have been said before.
 +
* You will not generally make statements simply ‘because they are true’ (even if they are true). If you refer to something that has been said before, you will tend to indicate somehow that you are aware of this.
 +
* Neither will you just say once more what someone has just said before you. If you introduce information, you will tend to make clear, why you are mentioning this.
 +
* In any case, you will generally check that your contribution is relevant to this conversation. You will also make clear what your own position is in the conversation: Is your purpose to agree with previous speakers and support what they have said? Is it to contradict them? Is it to add a different angle or to start a new topic?
 +
There are differences, of course: In everyday conversations you will check the relevance of your contribution more or less intuitively. In written academic work, this process must be made explicit as part of your contribution, and it usually takes a good deal longer.
 +
As you are doing your research and finding your topic, structuring your ideas and your argument, and finally writing and revising your paper, it may help you to bear this in mind.
  
He or she will try to understand what you wanted to do and with what circumspection you did it.
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===Providing a Map and Putting up Signposts===
  
The excellent piece of work is one fully aware of present research and assuming a position in it - up to the point that your reader realises: you would defend this your work against critical questions - you anticipate them, you know why you would still say what you said as you have an aim to continue with that thought.
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As you are writing, make sure you signpost your paper: Where will you be taking the reader, by what means and by what route are you going to do this, and why should a reader want to go there with you? Make sure that you have addressed these questions in your introduction. Give your readers a map, and set up signposts at appropriate places (e.g. at the beginning and / or end of chapters) in order to prevent them from getting lost, and make sure that at the end they know where you have taken them and why they should want to be there.  
  
The good piece of work shows that you have learned to evaluate research and to make your statement. The self critical option is not there, your work is not yet designed to lead you on.
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===Relating to the Work of other Critics and Scholars===
  
The moderate piece of work shows you understood the question, you were able to summarise other thoughts, you could arrive at at least one of these views with your own work.
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* If other scholars have already dealt with this topic, ask: Do they agree with each other? Is there a current controversy? Were there controversies in the past? What were the points that were debated, what arguments were used (what kind of references were made to the primary materials you have analysed)? Was there a shift in opinion?
 +
* If few or no other scholars have dealt with this topic (made this observation, raised this question): why have they overlooked it? Is it simply too obvious, too easy to answer? Have they focused on something else instead (on what, and why)? What has prevented them from making this observation (or raising this question)? What would be gained by raising this question? Were they right or wrong to ignore this question (Perhaps it is too obvious or trivial? Perhaps they were prevented from perceiving its relevance by some kind of unjustified bias?)
  
Basically we aim at performances you can offer anywhere else in the public. Hence, do avoid references to "our seminar" and all thoughts of your professor as your reader. Think of a public audience.
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===Defining Your Own Position===
 +
 
 +
Your line of argument will depend on where you stand in relation to this state of research. Is your goal to compare and evaluate critically the (different) existing research positions and measure them by the degree of insight and relevance they have for the question that you have chosen? Is your goal to add new perspective to the research?
 +
 
 +
Once you have looked at the state of research and the primary material as it relates to the topic that interests you, you can formulate a proposition that you will seek to substantiate. Here are a few typical lines of argument that may help you decide, which argument should guide your structure:
 +
* One typical line of argument: Scholars have always agreed that this phenomenon should be described as [x], but I disagree. The reasons [if any] they have given, are the following… The reasons why I disagree are the following.  
 +
* Another typical line of argument: Scholars have never been able to agree about whether we should describe this phenomenon as [a] or as [b]. Those who favour [a] argue that …, those who favour [b] argue that …, a critical evaluation of their arguments shows that … [a is right / b is right / both are partly right and partly wrong / both are wrong and c is right]…
 +
* A third typical line of argument: Scholars have never noticed [a]. They have been talking about [b] and [c], however. In my judgment, the following reason(s) may be responsible for the fact that they have done so. I will now try to show why they were right [wrong] to ignore [a], for the following reasons…
 +
* …
  
==Practical hints / Style sheet==
 
  
*Observe the [[Literary and Cultural Studies:Style sheet]]
 
*Take a look at the [[Literary Studies:Research guide]]
 
*Remember the advice that helped you in your first [[Survive Assignments|assignments]]
 
  
 
==Links==
 
==Links==
 
* [http://andromeda.rutgers.edu/~jlynch/EngPaper/ Jack Lynch's advice to his students at Rutgers]
 
* [http://andromeda.rutgers.edu/~jlynch/EngPaper/ Jack Lynch's advice to his students at Rutgers]
 +
* [http://www.angl-am.uni-oldenburg.de/intro-to-literature/d/1998_Aczel_How_to_Write_an_Essay.pdf Richard Aczel, ''How to Write an Essay'' (1998) Excerpt]
  
 
[[Category:Writing academic texts]]
 
[[Category:Writing academic texts]]

Latest revision as of 22:16, 20 October 2011

The process of writing research papers can be divided in three phases:

Phase 1: Research – Finding Your Topic

  • Start from an observation or a question that you found remarkable in some manner. (Try to grasp what it is that strikes you about this phenomenon.)
  • Check the state of research: Has this been asked or observed before (long ago, only recently)? Do critics agree or are there controversies? For this purpose, you need to use bibliographic tools (such as the MLA bibliography), and to read and excerpt the materials that make reference to your topic.
  • Return to the primary material you plan to analyse, picking out passages and aspects that are particularly relevant to your topic.


Phase 2: Structure – Planning Your Paper and Formulating your Thesis

Once you have looked at the state of research and examined your materials, review the results: How do the various results of your research fit together? Are they sufficient to account for your initial question in a satisfactory way? If so, good. If not, even better. In either case, you can now go about presenting your evidence and your evaluation of it to an academic audience.

  • Define your goal (i.e. formulate your thesis): Make up your mind about what precisely you want to demonstrate concerning the topic you have chosen. Try to state this as completely, precisely and concisely as possible. (This usually takes several attempts, and is done parallel to the two following steps.)
  • Choose a structure that leads to your goal: Arrange the results of your research (both primary and secondary materials) in such a way that all the relevant materials, information and arguments are presented in such an order that they lead to the goal that you have set yourself. In order to reach a particular result, it is usually necessary to take several steps of analysis and reflection.
  • Make the structure of your argument explicit: The structure of your outline (i.e. the headings in the table of contents) should match the line of argument you have chosen, and should provide the reader with a ‘map’ of the steps of analysis and reflection that he or she is invited to take.


Phase 3: Writing and Revising your Paper

Once you have arranged the results of your research in such a way that they lead towards demonstrating the proposition you have formulated, you are ready to start writing. Term papers usually are written in this order:

  • The introduction: state what you are going to examine and what you are hoping to show, how you are going to proceed (between which alternative methods did you choose) and give reasons for both (why is the topic relevant to an academic debate? why do you choose to treat the topic in the way you have chosen?).

NOTE: In your response to the questions what?, how? and why? take into account the current state of research (which you have established in phase 1 and 2). If an extensive report on research should be necessary, you may give this an extra chapter heading after the introduction.

  • The chapters that make up your main part (i.e. the headings in the table of contents) should match the line of argument you have chosen, and should provide the reader with a ‘map’ of the steps of analysis and reflection that he or she is invited to take.
  • The conclusion does not introduce any new analytical steps. You should summarise at a higher level of abstraction, the results of the analytical steps you have taken. Then address the question of what follows from your analysis. What questions remain unsolved? What new questions have become visible in the course of your analysis? What direction could the debate take at this juncture?
  • Revision. Having written a first draft of your text, check your text and your argument for cohesion, and especially revise the introduction, if necessary.

Final Steps

Settle for a Title

If you have not decided on your title before, this is the time to do it. Titles usually consist of two parts. The subtitle should indicate the material(s) and topic(s) dealt with. The main title should indicate the special perspective you wish to establish on the material(s) and topic(s) (one example from the bibliography above: main title: The Unwritten War, subtitle: American Writers and the Civil War).

Check for Formal Correctness

Reread for typing errors, spelling, grammar and syntax, incomplete sentences, style, formatting specifications. Make sure the chapter headings in the table of contents and the headings used in the paper are the same. Make sure that all the sources you are quoting are listed in the bibliography, and that the bibliography does not contain any entries that are not referred to in the paper. Make sure that you have documented all sources for ideas or statements that you take over from other sources (avoid the appearance of plagiarism).

Further Questions?

Here are some further considerations about aspects of the research, structuring and writing process. If you feel you could do with further guidance, you may try thinking about these points.

Joining a Discussion / Joining a Conversation

Before you start and while you are writing you may find it helpful to think of your paper as a contribution to a conversation or a discussion. Before you make a contribution to a conversation, you will want to be aware of the issues that have been talked about and of the things that have been said before.

  • You will not generally make statements simply ‘because they are true’ (even if they are true). If you refer to something that has been said before, you will tend to indicate somehow that you are aware of this.
  • Neither will you just say once more what someone has just said before you. If you introduce information, you will tend to make clear, why you are mentioning this.
  • In any case, you will generally check that your contribution is relevant to this conversation. You will also make clear what your own position is in the conversation: Is your purpose to agree with previous speakers and support what they have said? Is it to contradict them? Is it to add a different angle or to start a new topic?

There are differences, of course: In everyday conversations you will check the relevance of your contribution more or less intuitively. In written academic work, this process must be made explicit as part of your contribution, and it usually takes a good deal longer. As you are doing your research and finding your topic, structuring your ideas and your argument, and finally writing and revising your paper, it may help you to bear this in mind.

Providing a Map and Putting up Signposts

As you are writing, make sure you signpost your paper: Where will you be taking the reader, by what means and by what route are you going to do this, and why should a reader want to go there with you? Make sure that you have addressed these questions in your introduction. Give your readers a map, and set up signposts at appropriate places (e.g. at the beginning and / or end of chapters) in order to prevent them from getting lost, and make sure that at the end they know where you have taken them and why they should want to be there.

Relating to the Work of other Critics and Scholars

  • If other scholars have already dealt with this topic, ask: Do they agree with each other? Is there a current controversy? Were there controversies in the past? What were the points that were debated, what arguments were used (what kind of references were made to the primary materials you have analysed)? Was there a shift in opinion?
  • If few or no other scholars have dealt with this topic (made this observation, raised this question): why have they overlooked it? Is it simply too obvious, too easy to answer? Have they focused on something else instead (on what, and why)? What has prevented them from making this observation (or raising this question)? What would be gained by raising this question? Were they right or wrong to ignore this question (Perhaps it is too obvious or trivial? Perhaps they were prevented from perceiving its relevance by some kind of unjustified bias?)

Defining Your Own Position

Your line of argument will depend on where you stand in relation to this state of research. Is your goal to compare and evaluate critically the (different) existing research positions and measure them by the degree of insight and relevance they have for the question that you have chosen? Is your goal to add new perspective to the research?

Once you have looked at the state of research and the primary material as it relates to the topic that interests you, you can formulate a proposition that you will seek to substantiate. Here are a few typical lines of argument that may help you decide, which argument should guide your structure:

  • One typical line of argument: Scholars have always agreed that this phenomenon should be described as [x], but I disagree. The reasons [if any] they have given, are the following… The reasons why I disagree are the following.
  • Another typical line of argument: Scholars have never been able to agree about whether we should describe this phenomenon as [a] or as [b]. Those who favour [a] argue that …, those who favour [b] argue that …, a critical evaluation of their arguments shows that … [a is right / b is right / both are partly right and partly wrong / both are wrong and c is right]…
  • A third typical line of argument: Scholars have never noticed [a]. They have been talking about [b] and [c], however. In my judgment, the following reason(s) may be responsible for the fact that they have done so. I will now try to show why they were right [wrong] to ignore [a], for the following reasons…


Links