Difference between revisions of "Film Analysis"
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'''Narrative Film''' | '''Narrative Film''' | ||
+ | The Essentials of Film Analysis | ||
− | + | Imagetrack | |
− | : | + | Getting Started: Scenes vs. Sequences |
− | + | ||
− | + | ||
− | |||
− | |||
− | |||
− | |||
− | + | (1) Camera Distance | |
− | + | the establishing shot | |
− | + | extreme long shot | |
− | + | long shot | |
+ | medium long shot | ||
+ | full shot | ||
+ | medium close shot | ||
+ | close shot | ||
+ | close-up | ||
+ | extreme close-up | ||
− | + | (2) Camera Angle | |
− | :: | + | extreme low angle |
+ | low angle | ||
+ | normal camera height | ||
+ | high angle | ||
+ | bird’s eye view | ||
+ | Dutch angles | ||
+ | |||
+ | (3) Editing | ||
+ | Cut, fade out/in, dissolve and wipe | ||
+ | |||
+ | (4) Camera Movement | ||
+ | pan (swish pan) | ||
+ | tilt | ||
+ | tracking shot | ||
+ | crane shot | ||
+ | |||
+ | (5) Zoom, hand-held camera, Steadicam and static camera | ||
+ | |||
+ | (6) Lens Type | ||
+ | wide angle | ||
+ | |||
+ | (7) Lighting | ||
+ | |||
+ | low and high key | ||
+ | |||
+ | (8) Deep focus | ||
+ | |||
+ | (9) Two diametrically opposed editing principles: Montage vs. the Long Take | ||
+ | |||
+ | (10) Parallel Editing / Cross cutting | ||
+ | |||
+ | (11) Time: Flash-forwards and Flashbacks | ||
+ | |||
+ | (12) Colour-coding (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. (14) DV = Digital video | ||
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[[Category:Handout]] | [[Category:Handout]] |
Revision as of 19:17, 19 June 2007
Formal Elements of Film Analysis
Narrative Film The Essentials of Film Analysis
Imagetrack
Getting Started: Scenes vs. Sequences
(1) Camera Distance
the establishing shot
extreme long shot
long shot
medium long shot
full shot
medium close shot
close shot
close-up
extreme close-up
(2) Camera Angle extreme low angle low angle normal camera height high angle bird’s eye view Dutch angles
(3) Editing Cut, fade out/in, dissolve and wipe
(4) Camera Movement pan (swish pan) tilt tracking shot crane shot
(5) Zoom, hand-held camera, Steadicam and static camera
(6) Lens Type wide angle
(7) Lighting
low and high key
(8) Deep focus
(9) Two diametrically opposed editing principles: Montage vs. the Long Take
(10) Parallel Editing / Cross cutting
(11) Time: Flash-forwards and Flashbacks
(12) Colour-coding (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. (14) DV = Digital video