Difference between revisions of "2008 MM Origins of the Novel 1473-1700"

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(• 16.04.2008: Thie rise of the novel)
(• 23.04.2008: The market of novels)
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==• 23.04.2008: The market of novels==
 
==• 23.04.2008: The market of novels==
 
Where do we find the word, what does it signify? How does it relate to the ''novella''?
 
Where do we find the word, what does it signify? How does it relate to the ''novella''?
 +
 +
Tasks:
 +
*search The ESTC for the term novel, create an overview of the quantitative production.
 +
*take a look at Ian Watt's Rise of the Novel and get a gist of the argument. What does he say about the early market?
  
 
==• 30.04.2008: Rogue stories==
 
==• 30.04.2008: Rogue stories==

Revision as of 21:03, 9 April 2008

  • We 16 - 18,
  • A10 1-121a
  • Olaf Simons
  • Klausurvorbereitend: English Literature

The modern novel is still generally seen as a production beginning in the period around 1700 – if Defoe was not its father, Aphra Behn, a generation earlier, had to be its mother. Traditionally a production of “romances” was believed to have preceded the early novel – French baroque romances the expert on English literature could dare to ignore.

The seminar will step into the territory before 1700 and look at the various beginnings offered here be it in the form of shorter prose stories (“novels” in the original sense of the word), of “romances”, or of more or less fictitious diaries and histories, of works of taste and of “low” entertainments.

A body of six texts will be discussed in group, individual research should use the debate to branch out into individual fields of interest.

• 09.04.2008

Course outline

• 16.04.2008: Thie rise of the novel

Work to be done: Read eithe of Manley's Novels 3 and 4 and compare them with the respective parallel novel in Painter (Nos. 42-43). Direct links to pdf files on the institute's server: Painter [1] - Manley [2]

• 23.04.2008: The market of novels

Where do we find the word, what does it signify? How does it relate to the novella?

Tasks:

  • search The ESTC for the term novel, create an overview of the quantitative production.
  • take a look at Ian Watt's Rise of the Novel and get a gist of the argument. What does he say about the early market?

• 30.04.2008: Rogue stories

• 07.05.2008: Rogue stories

• 14.05.2008: Chap books - the market of cheap books

• 21.05.2008: Pornography - if the term is appropriate

• 28.05.2008: Secret histories and politics

• 04.06.2008: Secret histories and politics

• 11.06.2008: Romances - the French market

• 18.06.2008: King Arthur and the Amadis

• 25.06.2008: The history of romances

• 02.07.2008: The history of the novel

• 09.07.2008: Look back

Texts

Literature

  • Watt, Ian, The Rise of the Novel. Studies in Defoe, Richardson, and Fielding (London, 1957).
  • Richetti, John J., Popular Fiction before Richardson. Narrative Patterns 1700-1739 (Oxford, 1969).
  • Spufford, Magaret, Small Books and Pleasant Histories (London, 1981). IBIT: bub 276.3 eng AW 8473
  • Davis, Lennard J., Factual Fictions. The Origins of the English Novel (New York, 1983). IBIT: ang 527.3 CE 7661 nicht ausgel., vorgemerkt für Handapparat 907 - who is that???
  • McKeon, Michael, "Generic Transformation and Social Change: Rethinking the Rise of the Novel," Cultural Critique, 1 (1985). [repr. in Damrosch, Leopold Jr., Modern Essays on Eighteenth Century Literature (New York/ Oxford, 1988), p.159-81.
  • Spencer, Jane, The Rise of Woman Novelists. From Aphra Behn to Jane Austen (Oxford, 1986).
  • Spender, Dale, Mothers of the Novel. 100 Good Women Writers Before Jane Austen (London/ New York, 1986). IBIT: ang 527.5 fra BK 1326
  • McKeon, Michael, The Origins of the English Novel 1600-1740 (Baltimore: Johns Hopkins University Press, 1987). IBIT: ang 356 BP 8276,2002
  • Todd, Janet, The Sign of Angellica. Women, Writing, and Fiction, 1660-1800 (London, 1989). IBIT: ang 356 BP 8276,2002
  • Hunter, Paul J., Before Novels. The Cultural Contexts of Eighteenth Century English Fiction (New York/ London, 1990).
  • Relihan, Constance Caroline, Fashioning authority: the development of Elizabethan novelistic discourse (Kent, Ohio/ London: Kent State University Press, 1994). ISBN 0873384954
  • Watt, Tessa, Cheap print and popular piety: 1550-1640 [=Cambridge studies in early modern British history] (Cambridge: 1994). ISBN 0-521-45827-7, ISBN 0-521-38255-6
  • Doody, Margaret Anne, The true story of the novel (London: Fontana Press, 1996). ISBN 0-00-686379-5
  • Relihan, Constance C. (ed.), Framing Elizabethan fictions: contemporary approaches to early modern narrative prose (Kent, Ohio/ London: Kent State University Press, 1996). ISBN 0873385519
  • Reconsidering The Rise of the Novel - Eighteenth Century Fiction, Volume 12, Number 2-3, ed. David Blewett (January-April 2000). ASIN: B000MV7YGA Amazon
  • Michael McKeon, Theory of the Novel: A Historical Approach (Baltimore: Johns Hopkins University Press, 2000).
  • Simons, Olaf, Marteaus Europa, oder, Der Roman, bevor er Literatur wurde (Amsterdam: Rodopi, 2001).
  • Relihan, Constance C./ Goran V. Stanivukovic (eds.), Prose fiction and early modern sexuality in England, 1570-1640 (New York/ Basingstoke: Palgrave Macmillan, 2003). ISBN 1403963886
  • Mentz, Steve, Romance for sale in early modern England: the rise of prose fiction (Aldershot [etc.]: Ashgate, 2006). ISBN 0-7546-5469-9
  • Raymond, Joad, Pamphlets and pamphleteering in early modern Britain [=Cambridge studies in early modern British history] (Cambridge [etc.]: Cambridge Univ. Press, 2006). ISBN 0-521-02877-9