Difference between revisions of "2018-19 AM Excavation Sites: Archaeology in/and Literature from Ozymandias to Ondaatje"

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*'''Venue:''' A14 1-113
 
*'''Venue:''' A14 1-113
  
 +
*'''Course Description''': In this seminar, we will explore the intersections between archaeology and literature with a focus on the young science's representation in works of fiction and poetry from the early 19C until today. We will read poems by P.B. Shelley, D.G. Rossetti, and Oscar Wilde; excerpts from Thomas Hardy's ''Tess of the d'Urbervilles'', Barry Unsworth's historical fiction, and Deborah Levy's short fiction; as well as longer narrative texts by H. Rider Haggard, Agatha Christie, and Michael Ondaatje. Topics will include archaeological sites at home & abroad, archaeology & empire, archaeology & gender, archaeology & mystery, archaeology as a metaphor (e.g. excavating deep psychological structures), amateur vs. professional archaeology, and the archaeologist as a fictional character.
  
*'''Course Description''':
+
Please, '''buy and read''' the following novels:  
 
+
In this seminar, we will explore the intersections between archaeology and literature with a focus on the young science's representation in works of fiction and poetry from the early 19C until today. We will read poems by P.B. Shelley, D.G. Rossetti, and Oscar Wilde; excerpts from Thomas Hardy's ''Tess of the d'Urbervilles'', Barry Unsworth's historical fiction, and Deborah Levy's short fiction; as well as longer narrative texts by H. Rider Haggard, Agatha Christie, and Michael Ondaatje. Topics will include archaeological sites at home & abroad, archaeology & empire, archaeology & gender, archaeology & mystery, archaeology as a metaphor (e.g. excavating deep psychological structures), amateur vs. professional archaeology, and the archaeologist as a fictional character.
+
 
+
Please, buy and read the following novels:  
+
 
*H. Rider Haggard, ''King Solomon's Mines''. 1885. Oxford: Oxford World's Classics, 2016. [978-0198722953]
 
*H. Rider Haggard, ''King Solomon's Mines''. 1885. Oxford: Oxford World's Classics, 2016. [978-0198722953]
 
*Agatha Christie, ''Murder in Mesopotamia''. 1936. London: HarperCollins, 2016. [978-0008164874]  
 
*Agatha Christie, ''Murder in Mesopotamia''. 1936. London: HarperCollins, 2016. [978-0008164874]  
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===Session 1: 18.10.2018===
 
===Session 1: 18.10.2018===
 
*Course syllabus, requirements, etc.
 
*Course syllabus, requirements, etc.
*Introduction: Deep History, Antiquarianism vs. Archaeology, Archaeology & Literature
+
*Introduction: Antiquarianism vs. Archaeology, Archaeology & Literature & Deep History
 
+
*Course Reading: Guillermo Abril und Carlos Spottorno, "Mitten ins Herz." Süddeutsche Zeitung Magazin 38 (21.Sept 2018): xx-xx.
*Primary Literature: Guillermo Abril und Carlos Spottorno. "Mitten ins Herz." Süddeutsche Zeitung Magazin 38 (21.Sept 2018)
+
*Secondary Literature: Julia Reid, "Archaeology and Anthropology" (2017)
+
  
 
===Session 2: 25.10.2018===
 
===Session 2: 25.10.2018===
*Archaology in 19C Poetry
+
*Archaeology and 19C Literature
*Primary Literature: PB Shelley, "Ozymandias" (
+
*Context: Julia Reid, "Archaeology and Anthropology" (2017)
*Secondary Literature:  
+
*Primary Literature: PB Shelley, "Ozymandias" (1818)
 +
*Secondary Literature: Anne Janowitz, "Shelley's Monument to Ozymandias" (1984)
  
 
===Session 3: 01.11.2018===
 
===Session 3: 01.11.2018===
*19C Poetry: Wilde, "Sphinx"; Rossetti, Hardy, etc.
+
*Archaeology and Victorian Literature
 +
*Context: Angie Blumberg, "Victorian Literature and Archaeology" (2018)
 +
*Primary Literature: Dante Gabriel Rossetti, "The Burden of Nineveh"
 +
*Secondary Reading: Andrew M. Stauffer, "Dante Gabriel Rossetti and the Burdens of Nineveh" (2005)
 +
 
 +
*Further Primary Reading Oscar Wilde, "Sphinx"; Hardy, etc.
 +
*Further Secondary Literature: Iain Ross, "Charmides and The Sphinx: Wilde's Engagements with Keats"(2008)
  
 
===Session 4: 08.11.2018===
 
===Session 4: 08.11.2018===
 
*Theory and Methods I: JLS issue
 
*Theory and Methods I: JLS issue
 +
*Course Reading: Alexandra Warwick and Martin Willis, "Introduction: The Archaeological Imagination" (2012)
  
 
===Session 5: 15.11.2018===
 
===Session 5: 15.11.2018===
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===Session 10: 20.12.2018===
 
===Session 10: 20.12.2018===
*Theory and Methods III:  
+
*Theory and Methods III: ZAA / Aspects of the Science Novel
 
   
 
   
 
===Session 11: 10.01.2019===
 
===Session 11: 10.01.2019===

Revision as of 10:05, 12 October 2018

  • Modul: ang615 Motifs - Themes - Issues (and their Media)
  • Lecturer: Anna Auguscik
  • Course I: 3.02.151
  • Time: Thu, 8-10am
  • Venue: A14 0-031
  • Course II: 3.02.152
  • Time: Wed, 10-12am
  • Venue: A14 1-113
  • Course Description: In this seminar, we will explore the intersections between archaeology and literature with a focus on the young science's representation in works of fiction and poetry from the early 19C until today. We will read poems by P.B. Shelley, D.G. Rossetti, and Oscar Wilde; excerpts from Thomas Hardy's Tess of the d'Urbervilles, Barry Unsworth's historical fiction, and Deborah Levy's short fiction; as well as longer narrative texts by H. Rider Haggard, Agatha Christie, and Michael Ondaatje. Topics will include archaeological sites at home & abroad, archaeology & empire, archaeology & gender, archaeology & mystery, archaeology as a metaphor (e.g. excavating deep psychological structures), amateur vs. professional archaeology, and the archaeologist as a fictional character.

Please, buy and read the following novels:

  • H. Rider Haggard, King Solomon's Mines. 1885. Oxford: Oxford World's Classics, 2016. [978-0198722953]
  • Agatha Christie, Murder in Mesopotamia. 1936. London: HarperCollins, 2016. [978-0008164874]
  • Michael Ondaatje, Anil's Ghost. 2000. London: Vintage, 2011. [978-0099554455]

PLEASE NOTE: All primary materials will be made available at the CvO bookshop.

  • Additional materials for preparation, as well as the detailed syllabus, will be made available here and/or on Stud.IP. There will be a Handapparat in our library.
  • Course Requirements
  • Requirements for 6 KP: regular attendance and a (oral/)written contribution in the form of either a presentation + written outline (10-12 pp) or seminar paper (15 pp), with based on the topic of the seminar.
  • As part of the "Aktive Teilnahme" regulation:
    Die aktive Teilnahme besteht aus folgenden Komponenten
    - regelmäßige Anwesenheit: max. 3 Abwesenheiten und gegebenenfalls Nacharbeit
    - Vor- und Nachbereitung des Seminarstoffs (Expertengruppen, Vorbereitung/Lektüre von Texten) 
    - Entwicklung einer wissenschaftlichen Fragestellung aus dem Problembereich des Seminars, durch:
      *Übernahme von Ergebnispräsentationen (Gruppenarbeit) und 
      *(falls HA schriftlich, falls P+Ausarbeitung mündlich als Teil der Präsentation)
       Entwicklung einer Research Paper Outline im Laufe des Semesters: 
       Wahl eines Themenbereichs (bis letzte Sitzung vor Weihnachten),
       Abstract mit Fragestellung inkl. Forschungsbibliographie (RPO) (bis xx), 
       Vorstellung der Fragestellung (letzte Semestersitzung).


Session 1: 18.10.2018

  • Course syllabus, requirements, etc.
  • Introduction: Antiquarianism vs. Archaeology, Archaeology & Literature & Deep History
  • Course Reading: Guillermo Abril und Carlos Spottorno, "Mitten ins Herz." Süddeutsche Zeitung Magazin 38 (21.Sept 2018): xx-xx.

Session 2: 25.10.2018

  • Archaeology and 19C Literature
  • Context: Julia Reid, "Archaeology and Anthropology" (2017)
  • Primary Literature: PB Shelley, "Ozymandias" (1818)
  • Secondary Literature: Anne Janowitz, "Shelley's Monument to Ozymandias" (1984)

Session 3: 01.11.2018

  • Archaeology and Victorian Literature
  • Context: Angie Blumberg, "Victorian Literature and Archaeology" (2018)
  • Primary Literature: Dante Gabriel Rossetti, "The Burden of Nineveh"
  • Secondary Reading: Andrew M. Stauffer, "Dante Gabriel Rossetti and the Burdens of Nineveh" (2005)
  • Further Primary Reading Oscar Wilde, "Sphinx"; Hardy, etc.
  • Further Secondary Literature: Iain Ross, "Charmides and The Sphinx: Wilde's Engagements with Keats"(2008)

Session 4: 08.11.2018

  • Theory and Methods I: JLS issue
  • Course Reading: Alexandra Warwick and Martin Willis, "Introduction: The Archaeological Imagination" (2012)

Session 5: 15.11.2018

  • 19C Fiction: Haggard

Session 6: 22.11.2018

  • 19C Fiction: Haggard

Session 7: 29.11.2018

  • Theory and Methods II: Modernism/modernity issue

Session 8: 06.12.2018

  • 20C Fiction: Agatha Christie

Session 9: 13.12.2018

  • 20C Fiction: Agatha Christie

Session 10: 20.12.2018

  • Theory and Methods III: ZAA / Aspects of the Science Novel

Session 11: 10.01.2019

  • Archaeology in 21C Fiction
  • Primary Literature: Michael Ondaatje, Anil's Ghost (2000)
  • Secondary Literature: Michael Barry, "Archaeology and Teleology in Ondaatje's Anil's Ghost" (2015)

Session 12: 17.01.2019

  • Archaeology in 21C Fiction
  • Primary Literature: Michael Ondaatje, Anil's Ghost (2000)

Session 13: 24.01.2019

  • Final Discussion
  • evaluation
  [Hand in RPOs until xx at the latest]

Session 14: 31.01.2019

  • discussion of RPOs
  • feedback on evaluation
  [Hand in research papers until 15 March]

Materials

  • cf. three novels above
  • additional primary material:
    • Thomas Hardy, Tess of the d'Urbervilles [1891]. Oxford World's Classics, 2008. [978-0199537051]
    • Barry Unsworth, Land of Marvels. London: Windmill, 2009. [978-0099534549]
    • Deborah Levy, Black Vodka. Bucks: And Other Stories, 2013. [978-1908276162]

Tools

Further Reading

Links