Difference between revisions of "Film Analysis"

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'''Narrative Film'''
 
'''Narrative Film'''
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The Essentials of Film Analysis
  
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(Helmut Korte, ''Einführung in die systematische Fimlanalyse. Ein Arbeitsbuch'', Berlin: Erich Schmidt Verlag, 2nd ed. 2001, 1st ed. 2000.)
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Imagetrack
  
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:Einstellung
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Getting Started: Scenes vs. Sequences
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::Einstellungsgrößen (p. 25 ff):
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::Panorama, Totale, Halbtotale, knee-shot, nah, groß, Detail.
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:Kamerabewegungen:
 
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::Ranfahrt, Rückfahrt, Seitfahrt, Parallelfahrt.
 
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::Schwenk
 
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::[zoom]
 
  
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:Einstellungverbindungen:
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(1) Camera Distance
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::Überblendung
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the establishing shot
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::Schnitt (weich oder hart)
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 extreme long shot
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::Schuss-Gegenschuss (‘Over-the-shoulder-shot’)
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 long shot
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 medium long shot
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 full shot
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 medium close shot
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 close shot
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 close-up
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 extreme close-up
  
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:Kamera-, Blickperspektive: [unten oben]
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(2) Camera Angle
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::Subjektive Kamera (‘Point of view shot’)
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 extreme low angle
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 low angle
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 normal camera height
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 high angle
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 bird’s eye view
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 Dutch angles
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(3) Editing
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 Cut, fade out/in, dissolve and wipe
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(4) Camera Movement
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 pan (swish pan)
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 tilt
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 tracking shot
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 crane shot
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(5) Zoom, hand-held camera, Steadicam and static camera
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(6) Lens Type
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 wide angle
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(7) Lighting
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 low and high key
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(8) Deep focus
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(9) Two diametrically opposed editing principles: Montage vs. the Long Take
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(10) Parallel Editing / Cross cutting
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(11) Time: Flash-forwards and Flashbacks
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(12) Colour-coding (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. (14) DV = Digital video
  
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:Transkriptionen:
 
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::Einstellungsprotokoll (numerierung pro einstellung; länge in sekunden; Kameraaktivitäten; Beschreibung des Bildinhalts, Handlungsablaufs etc.; Tontrakt: Dialoge, Geräusche, Musik)
 
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::Sequenzprotokoll
 
  
 
[[Category:Handout]]
 
[[Category:Handout]]

Revision as of 19:17, 19 June 2007

Formal Elements of Film Analysis

Narrative Film The Essentials of Film Analysis

Imagetrack

Getting Started: Scenes vs. Sequences


(1) Camera Distance  the establishing shot  extreme long shot  long shot  medium long shot  full shot  medium close shot  close shot  close-up  extreme close-up

(2) Camera Angle  extreme low angle  low angle  normal camera height  high angle  bird’s eye view  Dutch angles

(3) Editing  Cut, fade out/in, dissolve and wipe

(4) Camera Movement  pan (swish pan)  tilt  tracking shot  crane shot

(5) Zoom, hand-held camera, Steadicam and static camera

(6) Lens Type  wide angle

(7) Lighting

 low and high key

(8) Deep focus

(9) Two diametrically opposed editing principles: Montage vs. the Long Take

(10) Parallel Editing / Cross cutting

(11) Time: Flash-forwards and Flashbacks

(12) Colour-coding (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. (14) DV = Digital video

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