Difference between revisions of "Film Analysis"
From Angl-Am
| Line 10: | Line 10: | ||
(1) Camera Distance | (1) Camera Distance | ||
| − | + | * the establishing shot | |
| − | + | * extreme long shot | |
| − | + | * long shot | |
| − | + | * medium long shot | |
| − | + | * full shot | |
| − | + | * medium close shot | |
| − | + | * close shot | |
| − | + | * close-up | |
| − | + | * extreme close-up | |
| − | (2) Camera Angle | + | (2) Camera Angle |
| − | + | * extreme low angle | |
| − | + | * low angle | |
| − | + | * normal camera height | |
| − | + | * high angle | |
| − | + | * bird’s eye view | |
| − | + | * Dutch angles | |
| − | (3) | + | (3) Editing |
| − | + | * Cut, fade out/in, dissolve and wipe | |
| − | (4) | + | (4) Camera Movement |
| − | + | * pan (swish pan) | |
| − | + | * tilt | |
| − | + | * tracking shot | |
| − | + | * crane shot | |
| − | (5) | + | (5) Zoom, hand-held camera, Steadicam and static camera |
| − | (6) | + | (6) Lens Type |
| − | + | * wide angle | |
| − | (7) | + | (7) Lighting |
| − | + | * low and high key | |
| − | (8) | + | (8) Deep focus |
(9) Two diametrically opposed editing principles: Montage vs. the Long Take | (9) Two diametrically opposed editing principles: Montage vs. the Long Take | ||
| − | (10) Parallel Editing / Cross cutting | + | (10) Parallel Editing / Cross cutting |
(11) Time: Flash-forwards and Flashbacks | (11) Time: Flash-forwards and Flashbacks | ||
| − | (12) Colour-coding (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. | + | (12) Colour-coding |
| + | |||
| + | (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. | ||
| + | |||
| + | (14) DV = Digital video | ||
[[Category:Handout]] | [[Category:Handout]] | ||
Revision as of 09:40, 20 June 2007
Formal Elements of Film Analysis
Narrative Film The Essentials of Film Analysis
Imagetrack
Getting Started: Scenes vs. Sequences
(1) Camera Distance
- the establishing shot
- extreme long shot
- long shot
- medium long shot
- full shot
- medium close shot
- close shot
- close-up
- extreme close-up
(2) Camera Angle
- extreme low angle
- low angle
- normal camera height
- high angle
- bird’s eye view
- Dutch angles
(3) Editing
- Cut, fade out/in, dissolve and wipe
(4) Camera Movement
- pan (swish pan)
- tilt
- tracking shot
- crane shot
(5) Zoom, hand-held camera, Steadicam and static camera
(6) Lens Type
- wide angle
(7) Lighting
- low and high key
(8) Deep focus
(9) Two diametrically opposed editing principles: Montage vs. the Long Take
(10) Parallel Editing / Cross cutting
(11) Time: Flash-forwards and Flashbacks
(12) Colour-coding
(13) Tying everything up: Mise en scène—An image’s setting, subjects and composition.
(14) DV = Digital video
