Difference between revisions of "2007-08 BM1: Session 6"
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<small>Back to [[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1]]</small> | <small>Back to [[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1]]</small> | ||
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+ | *'''The rise of the novel''' was originally - from the 16th into the 18th century - understood as the rise of realistic shorter stories (today called "novellas") defeating the rivaling romances | ||
+ | :*'''Novels''' - such as Cervantes' ''Novelas exemplares'' (1613) - were supposed to | ||
+ | ::*teach through '''good and bad examples''' of what men and women did in peculiar ("novel", i.e. new) situations | ||
+ | ::*entertain with their rapidly evolving plots of '''intrigues''' (i.e. secret plans) | ||
+ | ::*avoid all lofty romantic language | ||
+ | ::*end with a point - a surprising turn of the events which the story teller could be expected to use for a more or less serious moral conclusion | ||
+ | :*'''Romances''' - such as the ''Amadis'' which had driven Cervantes' ''Don Quixote'' into a comical heroism - were supposed to | ||
+ | ::*be '''long epic works''' of high and '''beautiful language''' | ||
+ | ::*be constructed as in successions of '''adventures''', | ||
+ | ::*celebrate the deeds of '''great heroes''', | ||
+ | ::*inspire an '''emulation''' of the hero's spirit. | ||
+ | *The "rise of the novel" as defined in 1957 by Ian Watt in his book of the same title | ||
+ | :*turned French fictional works of the 17th century into original "romances", | ||
+ | :*claimed the new romances written by Defoe and his followers to be the first real "modern novels". | ||
+ | *Research of the last two decades has detected a production of "novels" written before Defoe as the original (or "proto-") novel. Authors from Aphra Behn to Eliza Haywood have become "mothers of the English novel" in that development. |
Revision as of 17:54, 3 September 2007
Back to 2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1
- The rise of the novel was originally - from the 16th into the 18th century - understood as the rise of realistic shorter stories (today called "novellas") defeating the rivaling romances
- Novels - such as Cervantes' Novelas exemplares (1613) - were supposed to
- teach through good and bad examples of what men and women did in peculiar ("novel", i.e. new) situations
- entertain with their rapidly evolving plots of intrigues (i.e. secret plans)
- avoid all lofty romantic language
- end with a point - a surprising turn of the events which the story teller could be expected to use for a more or less serious moral conclusion
- Romances - such as the Amadis which had driven Cervantes' Don Quixote into a comical heroism - were supposed to
- be long epic works of high and beautiful language
- be constructed as in successions of adventures,
- celebrate the deeds of great heroes,
- inspire an emulation of the hero's spirit.
- The "rise of the novel" as defined in 1957 by Ian Watt in his book of the same title
- turned French fictional works of the 17th century into original "romances",
- claimed the new romances written by Defoe and his followers to be the first real "modern novels".
- Research of the last two decades has detected a production of "novels" written before Defoe as the original (or "proto-") novel. Authors from Aphra Behn to Eliza Haywood have become "mothers of the English novel" in that development.