Difference between revisions of "2007-08 AM Patterns of Participation: Literature and Criticism in the 19th and 20th Centuries"
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==08.11.2007== | ==08.11.2007== | ||
− | Nineteenth-Century Concepts of Criticism: Oscar Wilde, “The Critic as Artist” (1889) | + | Nineteenth-Century Concepts of Criticism: Oscar Wilde, “The Critic as Artist” (1889) |
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+ | '''Questions for next week's discussion (15.11.07):''' | ||
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+ | Wilde: ''The Critic as Artist'' | ||
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+ | How does Wilde arrive at the position in the final paragraph? | ||
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+ | What are the implications of this essay for public society? (For example, do they participate or not?) | ||
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==15.11.2007== | ==15.11.2007== | ||
Nineteenth-Century Concepts of Criticism: Matthew Arnold, | Nineteenth-Century Concepts of Criticism: Matthew Arnold, |
Revision as of 22:50, 12 November 2007
- Time: Thursdays 2-4 pm
Contents
25.10.2007
Introduction. Technicalities.
01.11.2007
[meeting postponed, Akkreditierung]
08.11.2007
Nineteenth-Century Concepts of Criticism: Oscar Wilde, “The Critic as Artist” (1889)
Questions for next week's discussion (15.11.07):
Wilde: The Critic as Artist
How does Wilde arrive at the position in the final paragraph?
What are the implications of this essay for public society? (For example, do they participate or not?)
15.11.2007
Nineteenth-Century Concepts of Criticism: Matthew Arnold, “The Function of Criticism at the Present Time” (1864)
22.11.2007
[meeting postponed, Conference]
29.11.2007
Public Poetry: Alfred Tennyson, “The Charge of the Light Brigade.” (1854) W. B. Yeats, “Easter 1916.” (1919)
06.12.2007
Public Poetry: W. H. Auden, “Spain 1936” / “September 1, 1939.”
13.12.2007
Poets as Critics: Political Journalism by T.S.Eliot and Ezra Pound; [alternatively/ additionally]: Eliot and the Poetics of Modernism: T. S. Eliot, “Tradition and the Individual Talent” vs. Wordsworth, “Preface to the Lyrical Ballads”
20.12.2007
Writers as Critics: Virginia Woolf, “Mr. Bennett and Mrs. Brown” (1922); Virginia Woolf, The Common Reader (1925) Virginia Woolf’s contributions to the Times Literary Supplement
10.01.2008
Exclusionist Writing? V. Woolf. Selected Texts from Monday and Tuesday (1921) <http://ebooks.adelaide.edu.au/w/woolf/virginia/w91m/>
17.01.2008
Implicit and Explicit Politics in James Joyce, A Portrait of the Artist as a Young Man (1916)
24.01.2008
Implicit and Explicit Poetics in James Joyce, A Portrait of the Artist as a Young Man (1916)
31.01.2008
Course Evaluation. – Final Discussion.
07.02.2008
Feedback on Course Evaluation. – Discussion of Term Paper Projects.