2013 Negotiating History in Contemporary Fiction
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PLEASE NOTE: THIS PAGE IS STILL UNDER CONSTRUCTION. NOT ALL INFORMATION IS VERIFIED AND RELIABLE YET.
- Time: Mon, 08:00 - 10:00
- Venue: A01 0-007
- Lecturer: Anna Auguscik
- Modul: AM 15 Motifs - Themes - Issues (and their Media)
- Course Description: [...] Please, make sure to purchase and read these novels in advance. Your reading of them is prerequisite to the course. Please follow this link to a wiki course page, where you will find a preliminary course program, course requirements and course materials:
- Students should purchase and read in advance:
- Margaret Atwood, The Blind Assassin (2000)
- Sebastian Barry The Secret Scripture (2003)
- Additional materials for preparation, as well as the detailed syllabus, will be made available here.
- Course Requirements
- Requirements for 6 KP: regular attendance and an oral contribution in the form of a presentation, with a term paper of ca. 10 pp. based on the topic of the presentation.
- Requirements for 9 KP: regular attendance and an oral contribution in the form of a presentation, with a term paper of ca. 15-20 pp. based on the topic of the presentation.
- As part of the "Aktive Teilnahme" regulation:
Die aktive Teilnahme besteht aus folgenden Komponenten - regelmäßige Anwesenheit: max. 3 Abwesenheiten und gegebenenfalls Nacharbeit - Vor- und Nachbereitung des Seminarstoffs (z. B. Protokolle, Aufgaben, Vorbereitung/Lektüre von Texten) - Entwicklung einer wissenschaftlichen Fragestellung aus dem Problembereich des Seminars, z.B. durch: *Übernahme von Impulsreferaten und *(nur falls Seminararbeit angestrebt, verschriftlicht, ansonsten als Teil der Präsentation) Entwicklung einer Research Paper Outline im Laufe des Semesters (die Zeitangaben verstehen sich als Empfehlungen): Wahl eines Themenbereichs (3.-5.Woche), Eingrenzung (ca. 8.-10.Woche), Abstract mit Fragestellung inkl. Forschungsbibliographie (RPO) (ca. 12.Woche), Vorstellung der Fragestellung in der letzten Semestersitzung.
Contents
- 1 Session 1 Mo., 08.04.2013
- 2 Session 2 Mo., 15.04.2013
- 3 Session 3 Mo., 22.04.2013
- 4 Session 4 Mo., 29.04.2013
- 5 Session 5 Mo., 06.05.2013
- 6 Session 6 Mo., 13.05.2013
- 7 Session 7 Mo., 27.05.2013
- 8 Session 8 Mo., 03.06.2013
- 9 Session 9 Mo., 10.06.2013
- 10 Session 10 Mo., 17.06.2013
- 11 Session 11 Mo., 24.06.2013
- 12 Session 12 Mo., 01.07.2013
- 13 Bibliography
- 14 Further Reading
Session 1 Mo., 08.04.2013
- Introduction
Session 2 Mo., 15.04.2013
cancelled due to visit to the London Book Fair (15-17 April)
Session 3 Mo., 22.04.2013
- Atwood, TBA: narration, characterization, themes and plot structure
Session 4 Mo., 29.04.2013
- Barry, TSS: narration, characterization, themes and plot structure
Session 5 Mo., 06.05.2013
- Atwood, TBA and Barry, TSS: critical and marketing profiles
[Specify research interest until 10 May]
Session 6 Mo., 13.05.2013
Session 7 Mo., 27.05.2013
Session 8 Mo., 03.06.2013
Session 9 Mo., 10.06.2013
Session 10 Mo., 17.06.2013
[Hand in RPOs until 21 June]
Session 11 Mo., 24.06.2013
- evaluation
Session 12 Mo., 01.07.2013
- discussion of evaluation
- discussion of RPOs
Bibliography
Reading Material
- Margaret Atwood, The Blind Assassin (2000)
- Sebastian Barry The Secret Scripture (2003)
and
Tools
- Handout: Traditions in our discourse about literature
- Handout: Narratology