Difference between revisions of "2007-08 AM Patterns of Participation: Literature and Criticism in the 19th and 20th Centuries"
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| − | == | + | ==25.10.2007== |
| + | Introduction. Technicalities. | ||
| + | |||
| + | ==01.11.2007== | ||
| + | [meeting postponed, Akkreditierung] | ||
| + | |||
| + | ==08.11.2007== | ||
| + | Nineteenth-Century Concepts of Criticism: Oscar Wilde, “The Critic as Artist” (1889) | ||
| + | ==15.11.2007== | ||
| + | Nineteenth-Century Concepts of Criticism: Matthew Arnold, | ||
| + | “The Function of Criticism at the Present Time” (1864) | ||
| + | |||
| + | ==22.11.2007== | ||
| + | [meeting postponed, Conference] | ||
| + | ==29.11.2007== | ||
| + | Public Poetry: | ||
| + | Alfred Tennyson, “The Charge of the Light Brigade.” (1854) | ||
| + | W. B. Yeats, “Easter 1916.” (1919) | ||
| + | |||
| + | ==06.12.2007== | ||
| + | Public Poetry: W. H. Auden, “Spain 1936” / “September 1, 1939.” | ||
| + | ==13.12.2007== | ||
| + | Poets as Critics: Political Journalism by T.S.Eliot and Ezra Pound; | ||
| + | [alternatively/ additionally]: Eliot and the Poetics of Modernism: T. S. Eliot, “Tradition and the Individual Talent” vs. Wordsworth, “Preface to the Lyrical Ballads” | ||
| + | |||
| + | ==20.12.2007== | ||
| + | Writers as Critics: Virginia Woolf, “Mr. Bennett and Mrs. Brown” (1922); | ||
| + | Virginia Woolf, The Common Reader (1925) | ||
| + | Virginia Woolf’s contributions to the Times Literary Supplement | ||
| + | |||
| + | ==10.01.2008== | ||
| + | Exclusionist Writing? V. Woolf. Selected Texts from Monday and Tuesday (1921) <http://ebooks.adelaide.edu.au/w/woolf/virginia/w91m/> | ||
| + | ==17.01.2008== | ||
| + | Implicit and Explicit Politics in James Joyce, A Portrait of the Artist as a Young Man (1916) | ||
| + | ==24.01.2008== | ||
| + | Implicit and Explicit Poetics in James Joyce, A Portrait of the Artist as a Young Man (1916) | ||
| + | ==31.01.2008== | ||
| + | Course Evaluation. – Final Discussion. | ||
| + | ==07.02.2008== | ||
| + | Feedback on Course Evaluation. – Discussion of Term Paper Projects. | ||
| + | |||
| + | |||
Revision as of 13:30, 30 October 2007
- Time: Thursdays 2-4 pm
Contents
25.10.2007
Introduction. Technicalities.
01.11.2007
[meeting postponed, Akkreditierung]
08.11.2007
Nineteenth-Century Concepts of Criticism: Oscar Wilde, “The Critic as Artist” (1889)
15.11.2007
Nineteenth-Century Concepts of Criticism: Matthew Arnold, “The Function of Criticism at the Present Time” (1864)
22.11.2007
[meeting postponed, Conference]
29.11.2007
Public Poetry: Alfred Tennyson, “The Charge of the Light Brigade.” (1854) W. B. Yeats, “Easter 1916.” (1919)
06.12.2007
Public Poetry: W. H. Auden, “Spain 1936” / “September 1, 1939.”
13.12.2007
Poets as Critics: Political Journalism by T.S.Eliot and Ezra Pound; [alternatively/ additionally]: Eliot and the Poetics of Modernism: T. S. Eliot, “Tradition and the Individual Talent” vs. Wordsworth, “Preface to the Lyrical Ballads”
20.12.2007
Writers as Critics: Virginia Woolf, “Mr. Bennett and Mrs. Brown” (1922); Virginia Woolf, The Common Reader (1925) Virginia Woolf’s contributions to the Times Literary Supplement
10.01.2008
Exclusionist Writing? V. Woolf. Selected Texts from Monday and Tuesday (1921) <http://ebooks.adelaide.edu.au/w/woolf/virginia/w91m/>
17.01.2008
Implicit and Explicit Politics in James Joyce, A Portrait of the Artist as a Young Man (1916)
24.01.2008
Implicit and Explicit Poetics in James Joyce, A Portrait of the Artist as a Young Man (1916)
31.01.2008
Course Evaluation. – Final Discussion.
07.02.2008
Feedback on Course Evaluation. – Discussion of Term Paper Projects.
