Difference between revisions of "2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1"
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|bgcolor="#efefef" valign="top" align="left" nowrap|Oct. 30, 2007 | |bgcolor="#efefef" valign="top" align="left" nowrap|Oct. 30, 2007 | ||
|bgcolor="#efefef" valign="top" align="left"|The Invention of History<br> | |bgcolor="#efefef" valign="top" align="left"|The Invention of History<br> | ||
− | — | + | — Different views on the periodization of literature. |
|bgcolor="#efefef" valign="top" align="left"|Samuel Madden, ''Memoirs of the Twentieth Century'' (London, 1733). [http://galenet.galegroup.com/servlet/ECCO?vrsn=1.0&dd=0&locID=bis&b1=KE&srchtp=b&d1=0497900500&SU=All&c=6&ste=10&d4=0.33&stp=Author&dc=tiPG&n=10&docNum=CW101860441&b0=madden%2C+samuel&tiPG=1 ECCO] | |bgcolor="#efefef" valign="top" align="left"|Samuel Madden, ''Memoirs of the Twentieth Century'' (London, 1733). [http://galenet.galegroup.com/servlet/ECCO?vrsn=1.0&dd=0&locID=bis&b1=KE&srchtp=b&d1=0497900500&SU=All&c=6&ste=10&d4=0.33&stp=Author&dc=tiPG&n=10&docNum=CW101860441&b0=madden%2C+samuel&tiPG=1 ECCO] | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Nov. 6, 2007 | |bgcolor="#efefef" valign="top" align="left" nowrap|Nov. 6, 2007 | ||
|bgcolor="#efefef" valign="top" align="left"|The Rise of Literature, Part I<br> | |bgcolor="#efefef" valign="top" align="left"|The Rise of Literature, Part I<br> | ||
− | — | + | — What the term literature meant in Defoe's days and how our modern meaning of the word developed. |
|bgcolor="#efefef" valign="top" align="left"|The Journal ''Memoirs of Literature'' (1711). [http://galenet.galegroup.com/servlet/ECCO?vrsn=1.0&dd=0&locID=bis&b1=KE&srchtp=b&d1=1293000201&SU=All&c=6&ste=10&d4=0.33&stp=Author&dc=tiPG&n=10&docNum=CW117345912&b0=memoirs+of+literature&tiPG=1 ECCO] | |bgcolor="#efefef" valign="top" align="left"|The Journal ''Memoirs of Literature'' (1711). [http://galenet.galegroup.com/servlet/ECCO?vrsn=1.0&dd=0&locID=bis&b1=KE&srchtp=b&d1=1293000201&SU=All&c=6&ste=10&d4=0.33&stp=Author&dc=tiPG&n=10&docNum=CW117345912&b0=memoirs+of+literature&tiPG=1 ECCO] | ||
− | |bgcolor="#efefef" valign="top" align="left" nowrap| | + | |bgcolor="#efefef" valign="top" align="left" nowrap|Sec.Lit.: [http://www.uni-oldenburg.de/anglistik/lit-wiss/simons/marteaus-europa.html O. Simons (2001), p.85-95.] |
|- | |- | ||
|bgcolor="#efefef" valign="top" align="center"|4 | |bgcolor="#efefef" valign="top" align="center"|4 | ||
|bgcolor="#efefef" valign="top" align="left" nowrap|Nov. 13, 2007 | |bgcolor="#efefef" valign="top" align="left" nowrap|Nov. 13, 2007 | ||
|bgcolor="#efefef" valign="top" align="left"|The Rise of Literature, Part II<br> | |bgcolor="#efefef" valign="top" align="left"|The Rise of Literature, Part II<br> | ||
− | — | + | — The complex discourse about literature: literary histories, national philologies and an exchange supported by the media. |
|bgcolor="#efefef" valign="top" align="left"|Hyppolite Taine, ''Introduction to the History of English Literature'' (1863). [http://www.bartleby.com/39/46.html Bartleby] | |bgcolor="#efefef" valign="top" align="left"|Hyppolite Taine, ''Introduction to the History of English Literature'' (1863). [http://www.bartleby.com/39/46.html Bartleby] | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Nov. 20, 2007 | |bgcolor="#efefef" valign="top" align="left" nowrap|Nov. 20, 2007 | ||
|bgcolor="#efefef" valign="top" align="left"|Epic Poetry, Dubious History and the Novel, Part I<br> | |bgcolor="#efefef" valign="top" align="left"|Epic Poetry, Dubious History and the Novel, Part I<br> | ||
− | — | + | — From ''Beowulf'' (750/1010) to Malory's ''La More Darthur'' (1485)<br> |
|bgcolor="#efefef" valign="top" align="left"|''Beowulf'' (composed c. 750/ manuscript source c. 1010) [http://www.heorot.dk/beo-ru.html Benjamin Slade's edition]<hr> Sir Thomas Malory, ''Le Morte Darthur'' (1471/1485) [http://eebo.chadwyck.com/search/full_rec?SOURCE=pgimages.cfg&ACTION=ByID&ID=22102180&FILE=../session/1188480744_15972&SEARCHSCREEN=CITATIONS&VID=25050&PAGENO=1&ZOOM=&VIEWPORT=&SEARCHCONFIG=config.cfg&DISPLAY=ALPHA&HIGHLIGHT_KEYWORD= EEBO], [http://www.pierre-marteau.com/editions/1485-morte-darthur.html Marteau] | |bgcolor="#efefef" valign="top" align="left"|''Beowulf'' (composed c. 750/ manuscript source c. 1010) [http://www.heorot.dk/beo-ru.html Benjamin Slade's edition]<hr> Sir Thomas Malory, ''Le Morte Darthur'' (1471/1485) [http://eebo.chadwyck.com/search/full_rec?SOURCE=pgimages.cfg&ACTION=ByID&ID=22102180&FILE=../session/1188480744_15972&SEARCHSCREEN=CITATIONS&VID=25050&PAGENO=1&ZOOM=&VIEWPORT=&SEARCHCONFIG=config.cfg&DISPLAY=ALPHA&HIGHLIGHT_KEYWORD= EEBO], [http://www.pierre-marteau.com/editions/1485-morte-darthur.html Marteau] | ||
− | <hr>Jehan de Mandeville, ''Voyages'' (c.1370/ printed edition 1496 [http://eebo.chadwyck.com/search/full_rec?SOURCE=pgimages.cfg&ACTION=ByID&ID=99855799&FILE=../session/1188484332_18760&SEARCHSCREEN=CITATIONS&VID=21302&PAGENO=1&ZOOM=&VIEWPORT=&SEARCHCONFIG=config.cfg&DISPLAY=ALPHA&HIGHLIGHT_KEYWORD= EEBO]/ 1705 [http://galenet.galegroup.com/servlet/ECCO?vrsn=1.0&dd=0&locID=bis&b1=KE&srchtp=b&d1=0400800700&SU=All&c=6&ste=10&d4=0.33&stp=DateAscend&dc=tiPG&n=10&docNum=CW101559081&b0=mandeville&tiPG=1 ECCO]). | + | <hr>Jehan de Mandeville, ''Voyages'' (c.1370/ printed edition 1496 [http://eebo.chadwyck.com/search/full_rec?SOURCE=pgimages.cfg&ACTION=ByID&ID=99855799&FILE=../session/1188484332_18760&SEARCHSCREEN=CITATIONS&VID=21302&PAGENO=1&ZOOM=&VIEWPORT=&SEARCHCONFIG=config.cfg&DISPLAY=ALPHA&HIGHLIGHT_KEYWORD= EEBO]/ 1705 [http://galenet.galegroup.com/servlet/ECCO?vrsn=1.0&dd=0&locID=bis&b1=KE&srchtp=b&d1=0400800700&SU=All&c=6&ste=10&d4=0.33&stp=DateAscend&dc=tiPG&n=10&docNum=CW101559081&b0=mandeville&tiPG=1 ECCO]). |
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
|- | |- | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Nov. 27, 2007 | |bgcolor="#efefef" valign="top" align="left" nowrap|Nov. 27, 2007 | ||
|bgcolor="#efefef" valign="top" align="left"|Epic Poetry, Dubious History and the Novel, Part II<br> | |bgcolor="#efefef" valign="top" align="left"|Epic Poetry, Dubious History and the Novel, Part II<br> | ||
− | — | + | — The "rise of the novel". |
|bgcolor="#efefef" valign="top" align="left"|Daniel Defoe, ''Robinson Crusoe'' (1719). [http://galenet.galegroup.com/servlet/ECCO?vrsn=1.0&dd=0&locID=bis&b1=KE&srchtp=b&d1=0653600100&SU=All&c=5&ste=10&d4=0.33&stp=DateAscend&dc=tiPG&n=10&docNum=CW113746641&b0=Robinson+crusoe&tiPG=1 ECCO], [http://www.pierre-marteau.com/editions/1719-robinson-crusoe.html Marteau] | |bgcolor="#efefef" valign="top" align="left"|Daniel Defoe, ''Robinson Crusoe'' (1719). [http://galenet.galegroup.com/servlet/ECCO?vrsn=1.0&dd=0&locID=bis&b1=KE&srchtp=b&d1=0653600100&SU=All&c=5&ste=10&d4=0.33&stp=DateAscend&dc=tiPG&n=10&docNum=CW113746641&b0=Robinson+crusoe&tiPG=1 ECCO], [http://www.pierre-marteau.com/editions/1719-robinson-crusoe.html Marteau] | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Dec. 4, 2007 | |bgcolor="#efefef" valign="top" align="left" nowrap|Dec. 4, 2007 | ||
|bgcolor="#efefef" valign="top" align="left"|Epic Poetry, Dubious History and the Novel, Part III<br> | |bgcolor="#efefef" valign="top" align="left"|Epic Poetry, Dubious History and the Novel, Part III<br> | ||
− | — | + | — The modern novel, a field of intense debate |
|bgcolor="#efefef" valign="top" align="left"|Salman Rushdie, ''Satanic Verses'' (1988). | |bgcolor="#efefef" valign="top" align="left"|Salman Rushdie, ''Satanic Verses'' (1988). | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Dec. 11, 2007 | |bgcolor="#efefef" valign="top" align="left" nowrap|Dec. 11, 2007 | ||
|bgcolor="#efefef" valign="top" align="left"|Drama, Part I<br> | |bgcolor="#efefef" valign="top" align="left"|Drama, Part I<br> | ||
− | — | + | — From the middle ages to Shakespeare |
|bgcolor="#efefef" valign="top" align="left"|William Shakespeare, ''Hamlet'' (1603). [http://eebo.chadwyck.com/search/full_rec?SOURCE=pgimages.cfg&ACTION=ByID&ID=99846524&FILE=../session/1188476924_15773&SEARCHSCREEN=CITATIONS&VID=11497&PAGENO=1&ZOOM=&VIEWPORT=&SEARCHCONFIG=config.cfg&DISPLAY=ALPH&HIGHLIGHT_KEYWORD= EEBO], [http://www.pierre-marteau.com/editions/1603-hamlet.html Marteau] | |bgcolor="#efefef" valign="top" align="left"|William Shakespeare, ''Hamlet'' (1603). [http://eebo.chadwyck.com/search/full_rec?SOURCE=pgimages.cfg&ACTION=ByID&ID=99846524&FILE=../session/1188476924_15773&SEARCHSCREEN=CITATIONS&VID=11497&PAGENO=1&ZOOM=&VIEWPORT=&SEARCHCONFIG=config.cfg&DISPLAY=ALPH&HIGHLIGHT_KEYWORD= EEBO], [http://www.pierre-marteau.com/editions/1603-hamlet.html Marteau] | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Dec. 18, 2007 | |bgcolor="#efefef" valign="top" align="left" nowrap|Dec. 18, 2007 | ||
|bgcolor="#efefef" valign="top" align="left"|Drama, Part II<br> | |bgcolor="#efefef" valign="top" align="left"|Drama, Part II<br> | ||
− | — | + | — From the restoration to the present. |
|bgcolor="#efefef" valign="top" align="left"|Edward Bond, ''Saved'' (1965) | |bgcolor="#efefef" valign="top" align="left"|Edward Bond, ''Saved'' (1965) | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Jan. 8, 2008 | |bgcolor="#efefef" valign="top" align="left" nowrap|Jan. 8, 2008 | ||
|bgcolor="#efefef" valign="top" align="left"|Poetry<br> | |bgcolor="#efefef" valign="top" align="left"|Poetry<br> | ||
− | — | + | — Once a broad field comrising epic, drama and smaller genres, today a subsection of literature. |
|bgcolor="#efefef" valign="top" align="left"|T. S. Eliot, ''The Waste Land'' (1922). [http://en.wikisource.org/wiki/The_Waste_Land Wikisource] | |bgcolor="#efefef" valign="top" align="left"|T. S. Eliot, ''The Waste Land'' (1922). [http://en.wikisource.org/wiki/The_Waste_Land Wikisource] | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Jan. 15, 2008 | |bgcolor="#efefef" valign="top" align="left" nowrap|Jan. 15, 2008 | ||
|bgcolor="#efefef" valign="top" align="left"|Literary Theory, Part I<br> | |bgcolor="#efefef" valign="top" align="left"|Literary Theory, Part I<br> | ||
− | — | + | — The development of literature. |
|bgcolor="#efefef" valign="top" align="left"| | |bgcolor="#efefef" valign="top" align="left"| | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
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|bgcolor="#efefef" valign="top" align="left" nowrap|Feb. 5, 2008 | |bgcolor="#efefef" valign="top" align="left" nowrap|Feb. 5, 2008 | ||
|bgcolor="#efefef" valign="top" align="left"|Literary Theory, Part I<br> | |bgcolor="#efefef" valign="top" align="left"|Literary Theory, Part I<br> | ||
− | — | + | — The ongoing and open discussion |
|bgcolor="#efefef" valign="top" align="left"| | |bgcolor="#efefef" valign="top" align="left"| | ||
|bgcolor="#efefef" valign="top" align="left" nowrap| | |bgcolor="#efefef" valign="top" align="left" nowrap| | ||
|} | |} | ||
</center> | </center> | ||
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[[Category:Basismodul]] | [[Category:Basismodul]] | ||
[[Category:Winter 2007-2008|2008-1]] | [[Category:Winter 2007-2008|2008-1]] |
Revision as of 17:29, 30 August 2007
Session | Date | Topic | Reading | Presentation |
---|---|---|---|---|
1 | Oct. 23, 2007 | Course Outline. | ||
2 | Oct. 30, 2007 | The Invention of History — Different views on the periodization of literature. |
Samuel Madden, Memoirs of the Twentieth Century (London, 1733). ECCO | |
3 | Nov. 6, 2007 | The Rise of Literature, Part I — What the term literature meant in Defoe's days and how our modern meaning of the word developed. |
The Journal Memoirs of Literature (1711). ECCO | Sec.Lit.: O. Simons (2001), p.85-95. |
4 | Nov. 13, 2007 | The Rise of Literature, Part II — The complex discourse about literature: literary histories, national philologies and an exchange supported by the media. |
Hyppolite Taine, Introduction to the History of English Literature (1863). Bartleby | |
5 | Nov. 20, 2007 | Epic Poetry, Dubious History and the Novel, Part I — From Beowulf (750/1010) to Malory's La More Darthur (1485) |
Beowulf (composed c. 750/ manuscript source c. 1010) Benjamin Slade's edition Sir Thomas Malory, Le Morte Darthur (1471/1485) EEBO, Marteau Jehan de Mandeville, Voyages (c.1370/ printed edition 1496 EEBO/ 1705 ECCO). |
|
6 | Nov. 27, 2007 | Epic Poetry, Dubious History and the Novel, Part II — The "rise of the novel". |
Daniel Defoe, Robinson Crusoe (1719). ECCO, Marteau | |
7 | Dec. 4, 2007 | Epic Poetry, Dubious History and the Novel, Part III — The modern novel, a field of intense debate |
Salman Rushdie, Satanic Verses (1988). | |
8 | Dec. 11, 2007 | Drama, Part I — From the middle ages to Shakespeare |
William Shakespeare, Hamlet (1603). EEBO, Marteau | |
9 | Dec. 18, 2007 | Drama, Part II — From the restoration to the present. |
Edward Bond, Saved (1965) | |
10 | Jan. 8, 2008 | Poetry — Once a broad field comrising epic, drama and smaller genres, today a subsection of literature. |
T. S. Eliot, The Waste Land (1922). Wikisource | |
11 | Jan. 15, 2008 | Literary Theory, Part I — The development of literature. |
||
12 | Jan. 22, 2008 | Written Test | ||
13 | Jan. 29, 2008 | Feedback on Test and Look Ahead | ||
14 | Feb. 5, 2008 | Literary Theory, Part I — The ongoing and open discussion |