Difference between revisions of "2009-10 AM Fictions of India - Expert Group on Narration"
Amelie Ernst (Talk | contribs) |
Amelie Ernst (Talk | contribs) |
||
| (16 intermediate revisions by one user not shown) | |||
| Line 1: | Line 1: | ||
| − | Mulk Raj Anand "Untouchable": Narration | + | '''Mulk Raj Anand "Untouchable": Narration''' ''(Group: Impersonal narration and the ideology of the text: The representation of India and Bakha's consciousness)'' |
| + | |||
| + | |||
| + | '''1.1 Modernism''' | ||
| − | |||
Any of various movements in art, architecture, literature, etc., generally characterized by a deliberate break with classical and traditional forms or methods of expression; the work or ideas of the adherents of such a movement. | Any of various movements in art, architecture, literature, etc., generally characterized by a deliberate break with classical and traditional forms or methods of expression; the work or ideas of the adherents of such a movement. | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | 1.3 Epiphany | + | '''1.2 Stream of consciousness''' |
| + | |||
| + | 1.Psychol. An individual's thoughts and conscious reaction to external events experienced subjectively as a continuous flow. Also loosely, an uncontrolled train of thought or association. | ||
| + | |||
| + | 2.Literary Criticism. A method of narration which depicts events through this flow in the mind of a character; an instance of this. → cf. p. 51/52 | ||
| + | |||
| + | |||
| + | '''1.3 Epiphany''' | ||
| + | |||
1. A manifestation or appearance of some divine or superhuman being. | 1. A manifestation or appearance of some divine or superhuman being. | ||
| − | |||
| − | |||
| − | |||
| − | 1.4 Shifts in perspective & narrator's visibility | + | 2. |
| + | a) A sudden manifestation of the essence or meaning of something. | ||
| + | b) A comprehension or perception of reality by means of a sudden intuitive realization → cf. p. 52 | ||
| + | |||
| + | |||
| + | '''1.4 Shifts in perspective & narrator's visibility''' | ||
| + | |||
Dominant focalization on Bakha, but: several shifts of perspective (→ cf. p. 22-26) which show us thoughts and feelings of characters other than Bakha which include even minor characters such as Havildar’s cook or the little babu brother in these shifts of perspective. | Dominant focalization on Bakha, but: several shifts of perspective (→ cf. p. 22-26) which show us thoughts and feelings of characters other than Bakha which include even minor characters such as Havildar’s cook or the little babu brother in these shifts of perspective. | ||
→ cf. p. 29 | → cf. p. 29 | ||
| Line 24: | Line 33: | ||
showing = reader experiences fiction on his/ her own → “critical distance” | showing = reader experiences fiction on his/ her own → “critical distance” | ||
| − | 1.5 Personal & impersonal narration | + | |
| + | '''1.5 Personal & impersonal narration''' | ||
| + | |||
neutral - restricted (impersonal): The narrator takes no figure‘s perspective. | neutral - restricted (impersonal): The narrator takes no figure‘s perspective. | ||
personal - limited: The narrator takes the perspective of one or several figures. | personal - limited: The narrator takes the perspective of one or several figures. | ||
→ cf. p. 29; 102/103 | → cf. p. 29; 102/103 | ||
Latest revision as of 01:12, 1 February 2010
Mulk Raj Anand "Untouchable": Narration (Group: Impersonal narration and the ideology of the text: The representation of India and Bakha's consciousness)
1.1 Modernism
Any of various movements in art, architecture, literature, etc., generally characterized by a deliberate break with classical and traditional forms or methods of expression; the work or ideas of the adherents of such a movement.
1.2 Stream of consciousness
1.Psychol. An individual's thoughts and conscious reaction to external events experienced subjectively as a continuous flow. Also loosely, an uncontrolled train of thought or association.
2.Literary Criticism. A method of narration which depicts events through this flow in the mind of a character; an instance of this. → cf. p. 51/52
1.3 Epiphany
1. A manifestation or appearance of some divine or superhuman being.
2. a) A sudden manifestation of the essence or meaning of something. b) A comprehension or perception of reality by means of a sudden intuitive realization → cf. p. 52
1.4 Shifts in perspective & narrator's visibility
Dominant focalization on Bakha, but: several shifts of perspective (→ cf. p. 22-26) which show us thoughts and feelings of characters other than Bakha which include even minor characters such as Havildar’s cook or the little babu brother in these shifts of perspective. → cf. p. 29
Describing the setting, commenting (→ cf. p.58), reporting what characters do not know, do not say (→ cf. p. 102/103)
telling = guide reader's response to fiction showing = reader experiences fiction on his/ her own → “critical distance”
1.5 Personal & impersonal narration
neutral - restricted (impersonal): The narrator takes no figure‘s perspective. personal - limited: The narrator takes the perspective of one or several figures. → cf. p. 29; 102/103
