Difference between revisions of "2010 BM1 Introduction to the Critical and Scholarly Discussion of Literature"
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==Session Eight, June 03: Analysing Narrative Fiction I: Narration and Focalisation== | ==Session Eight, June 03: Analysing Narrative Fiction I: Narration and Focalisation== | ||
'''Analytical Tools''' | '''Analytical Tools''' | ||
− | *Handout: [ | + | *Handout: [http://www.angl-am.uni-oldenburg.de/downloads/handout_narratology.pdf Narratology] |
*Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan, Chapter 6, 72-86] | *Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan, Chapter 6, 72-86] | ||
*[[Rimmon-Kenan, Narrative Fiction: Contemporary Poetics, London 1983|Excerpt from Rimmon-Kenan]] | *[[Rimmon-Kenan, Narrative Fiction: Contemporary Poetics, London 1983|Excerpt from Rimmon-Kenan]] | ||
'''Texts''' | '''Texts''' | ||
− | * | + | *Herman Melville, Benito Cereno |
'''Skills and Activities''' | '''Skills and Activities''' |
Revision as of 10:46, 25 March 2010
this site is under construction!!!
Please note: The BM1 (literature) and BM2 (culture) modules consist of a seminar and a tutorial each. All students beginning in the winter term 2009/10 need to enroll for one of the tutorials called "Reasearch Methods". Additionally, you will choose between a seminar under BM 1 (literature) or BM 2 (culture) for the winter term and then study the other one in the summer term. In the summer term you will enroll for the second tutorial, "Exploring History and Theory".
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The seminar part of the Basismodul 1 focuses on techniques of textual analysis in the context of discussing literature. We are offering three parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a wiki account which will enable you to participate in online discussions.
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.
The "analytical tools" will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these 'tools' are taken is not obligatory, and it can be done either before or after each session.
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books.
Courses A-C:
- William Shakespeare. King Lear. Ed. R.A. Foakes. London: A & C Black (3rd Series), 1997.
- Herman Melville. "Benito Cereno". Melville's Short Novels. Ed. Dan McCall. New York, London: Norton, 2002.
Course work: You will be asked to hand in three assignments (max. 3 pages, in session 4, 7 and 11 respectively) and produce a Research Paper Outline (2 pages, due: tba). The assignments are to be formatted according to the style sheet, and will require you to analyse poetry, drama and fiction respectively. For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).
Two useful links for all assignments:
- Useful Hints for Assignments
- Literary Studies:Writing academic texts - esp. for the research paper outline
Contents
- 1 Session One, April 8: Introduction. Technicalities.
- 2 Session Two, April 15: Analysing Poetry I: Poetic Conventions, Rhyme and Metre
- 3 Session Three, April 22: Analysing Poetry II: Figurative Speech
- 4 Session Four, April 29: Analysing Drama I: Rhetoric
- 5 Session Five, May 6: Analysing Drama II: Dramatic Communication and Plot Structure
- 6 Session Six, May 20: Analysing Drama III: Characterisation
- 7 Session Seven, May 27: Critical Debate and literary Theory I
- 8 Session Eight, June 03: Analysing Narrative Fiction I: Narration and Focalisation
- 9 Session Nine, Dec 14-18: Film Analysis
- 10 Session Ten, Jan 04-08: Fiction 1
- 11 Session Eleven, Jan 11-15: Fiction 2
- 12 Session Twelve, Jan 18-22: Critical Debate and Literary Theory 2
- 13 Session Thirteen, Jan 25-29: Look Back and Look Ahead: Textual Analysis and Wider Research Debates
- 14 Session Fourteen, Feb 01-05: Term Paper Projects
- 15 Further Reading
Session One, April 8: Introduction. Technicalities.
Welcome
- Introduction to the BM 1 Curriculum, Aims and Goals
- Introduction to the BM 1 Programme
Texts
- Poetry Reader includes:
- Sir Philip Sidney, "Loving in Truth" from Astrophil and Stella (1591)
- Sir Philip Sidney, "Not at first sight" from Astrophil and Stella (1591)
- William Percy, "Sonnet II" from Sonnets to the Fairest Coelia (1594)
- William Shakespeare, "Sonnet CXXX" from The Sonnets (1609)
- George Herbert, "The Deniall" (1633)
- William Wordsworth, "Scorn Not the Sonnet" (1827)
- Walt Whitman, "One's Self I Sing" (1867)
- Christina Rossetti, "I wish I could remember" from A Pageant and Other Poems (1881)
- Langston Hughes, "I, Too" (1925)
- e.e. Cummings, "Pity This Busy Monster, Manunkind" (1944)
Skills and Activities
Preliminaries for seminar communication.
Session Two, April 15: Analysing Poetry I: Poetic Conventions, Rhyme and Metre
Analytical Tools
- Handout Analysing Poetry
- Sources: Culler 161-178; Ludwig, 31-33; Cambridge Companion to Literatures in English
Texts
- Poetry Reader
Skills and Activities
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.
Session Three, April 22: Analysing Poetry II: Figurative Speech
Analytical Tools
- Handout: Figurative Speech
- Sources: Ludwig, 47-60; Leech, 147-157
Texts
- Poetry Reader
Skills and Activities
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).
Assignment I: Poetry (distributed on April 23, due on April 30)
Session Four, April 29: Analysing Drama I: Rhetoric
Analytical Tools
- Handout: Rhetoric
- Sources: Plett 3-22, 102-105
- Excerpt from Plett
Texts
- Shakespeare. King Lear.
Skills and Activities
A speech from the Shakespeare play
Session Five, May 6: Analysing Drama II: Dramatic Communication and Plot Structure
Analytical Tools
- Handout: Analysing Dramatic Communication
- Sources: Pfister 49 - 57, 86 - 94, 126 - 147
- Excerpt from Pfister
Texts
- Shakespeare, King Lear
Skills and Activities
Dramatic Structures and Communication; Exposition.
Session Six, May 20: Analysing Drama III: Characterisation
Analytical Tools
Texts
- Shakespeare, King Lear
Skills and Activities
Characters and Genre Aspects. [assignment 1 returned]
Assignment II: Drama (distributed on May 21, due on May 28)
Session Seven, May 27: Critical Debate and literary Theory I
History and Variety of Editions of Shakespeare's King Lear, History of scholarly and public interest in Shakespeare as a person and an author, Postmodern conceptions of text and authorship
Material
- Brief Overview of Theoretical Approaches and Movements
- Brief Overview of Theoretical Approaches and Movements, Variety A
- Major Theoretical Approaches and Movements in Relation to Wider Social Issues and
- Theory and the Wider Market of Debates - A First Draft
Texts
- Shakespeare, King Lear
- Ina Schabert (Ed.), Das Shakespeare-Handbuch, 120-133 (Biography).
- Ina Schabert (Ed.), Das Shakespeare-Handbuch, 185-193 (Verfasserschaftstheorien).
- Ina Schabert (Ed.), Das Shakespeare-Handbuch, 196-243 (Editionsgeschichte).
- Michel Foucault, "What is an Author?". -- In Foucault's essay, concentrate on pages 108 - 113, where the four characteristics of the author function are discussed, and look especially at the third characteristic which is described on pages 110 and 111.
Skills and Activities
Film Screening: Terry Gilliam (dir.), 12 Monkeys (1995 film), Venue: HS G, Time: Wed, 9 Dec, 19.45-22.15
Session Eight, June 03: Analysing Narrative Fiction I: Narration and Focalisation
Analytical Tools
- Handout: Narratology
- Sources: Rimmon-Kenan, Chapter 6, 72-86
- Excerpt from Rimmon-Kenan
Texts
- Herman Melville, Benito Cereno
Skills and Activities
Narration, Focalization.
Session Nine, Dec 14-18: Film Analysis
Analytical Tools
- Handout: Film Analysis
- Sources: David Bordwell et al.; Korte, Einführung in die Systematische Filmanalyse (2000)
Texts
Skills and Activities
Spectacle, Narratives and Fiction. Film Analysis. [Fiction worksheet] [assignment 2 returned]
Session Ten, Jan 04-08: Fiction 1
Analytical Tools
- Handout: Narratology
- Sources: Rimmon-Kenan, Chapter 6, 72-86
- Excerpt from Rimmon-Kenan
Texts
- Henry James, Turn of the Screw [1898]
Skills and Activities
Narration, Focalization.
Session Eleven, Jan 11-15: Fiction 2
Analytical Tools
- Handout: Narratology
- Sources: Rimmon-Kenan, Chapter 5, 59-71
Texts
- Henry James, Turn of the Screw [1898]
Characterization.
Assignment III: Fiction (distributed on 15 Jan, due on 22 Jan)
Session Twelve, Jan 18-22: Critical Debate and Literary Theory 2
Material
- Brief Overview of Theoretical Approaches and Movements
- Brief Overview of Theoretical Approaches and Movements, Variety A
- Major Theoretical Approaches and Movements in Relation to Wider Social Issues and
- Theory and the Wider Market of Debates - A First Draft
Texts
Skills and Activities Skills and Activities
[assignment 3 due]
Session Thirteen, Jan 25-29: Look Back and Look Ahead: Textual Analysis and Wider Research Debates
Skills and Activities
Picking up loose ends (Hamlet, Turn of the Screw, Ghosts etc.) How to write a Research Paper Project. [assignment 3 returned]
Session Fourteen, Feb 01-05: Term Paper Projects
Skills and Activities
Brief Report on 'Work in Progress': Your Term Paper Projects
Assignment 4: Term Paper Projects (Due: 28.02.2010)