Difference between revisions of "2012 AM The Role of the Critic"
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− | == | + | ==17.04.12: Introduction - The Critic as [...]== |
critic, n.1 | critic, n.1 | ||
1. One who pronounces judgement on any thing or person; esp. one who passes severe or unfavourable judgement; a censurer, fault- | 1. One who pronounces judgement on any thing or person; esp. one who passes severe or unfavourable judgement; a censurer, fault- | ||
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*The Role of the Critic Questionnaire | *The Role of the Critic Questionnaire | ||
− | == | + | ==24.04.12: Contemporary Criticism: VGL I== |
'''Topics''' | '''Topics''' | ||
*journalistic reviews | *journalistic reviews | ||
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*[http://www.independent.co.uk/arts-entertainment/books/features/independent-book-group-vernon-god-little-by-dbc-pierre-6168494.html The Independent, "Vernon God Little, by DBC Pierre", Boyd Tonkin, Literary Editor, Friday, 4 June 2004] (321 words, book group review) | *[http://www.independent.co.uk/arts-entertainment/books/features/independent-book-group-vernon-god-little-by-dbc-pierre-6168494.html The Independent, "Vernon God Little, by DBC Pierre", Boyd Tonkin, Literary Editor, Friday, 4 June 2004] (321 words, book group review) | ||
− | == | + | ==01.05.12: no course== |
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+ | ==08.05.12: Contemporary Criticism: VGL II== | ||
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'''Topics''' | '''Topics''' | ||
*essayistic reviews | *essayistic reviews | ||
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*Havely, Cicely Palser. "Vernon God Little by DBC Pierre: Vernon God Little was the winner of the 2003 Man Booker Prize. Although its author is not American, this intricate and disturbing novel can be compared with many American classics. Cicely Palser Havely suggests you read it while it is still fresh." The English Review Sept. 2004: 16+. Literature Resource Center. Web. 11 Mar. 2012. | *Havely, Cicely Palser. "Vernon God Little by DBC Pierre: Vernon God Little was the winner of the 2003 Man Booker Prize. Although its author is not American, this intricate and disturbing novel can be compared with many American classics. Cicely Palser Havely suggests you read it while it is still fresh." The English Review Sept. 2004: 16+. Literature Resource Center. Web. 11 Mar. 2012. | ||
− | == | + | ==15.05.12: Contemporary Criticism: CI I== |
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'''Topics''' | '''Topics''' | ||
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− | == | + | ==22.05.12: Contemporary Criticism: CI II== |
'''Topics''' | '''Topics''' | ||
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'''Further Reading''' | '''Further Reading''' | ||
− | == | + | [Specify research interest until 25 May] |
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+ | ==29.05.12: Contemporary Criticism: Academic Criticism of CI and VGL== | ||
'''Topics''' | '''Topics''' | ||
+ | *academic criticism | ||
− | '''Reading''' | + | '''Reading VGL''' |
+ | *Göran Nieragden. "Thank You, Holden Caulfield, and Goodbye: Fresh Ideas for Teaching Adolescent(s) Fiction-the What and the How." English Studies: A Journal of English Language and Literature 91.5 (Aug. 2010): 567-578. | ||
+ | *Himansu S. Mohapatra. "The Real within the Hyper-Real: Identity and Social Location in Vernon God Little." Ravenshaw Journal of Literary and Cultural Studies 1.1 (Winter 2011): 67-77. [http://ravenshawuniversity.ac.in/File/RJLCS%202011.pdf] | ||
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+ | '''Further Reading VGL''' | ||
+ | *Gillian Fenwick. "Vernon God Little, by DBC Pierre." Booker Prize Novels: 1969-2005. Ed. Merritt Moseley. Detroit, MI: Gale, 2006. 342-347. Dictionary of Literary Biography 326. | ||
+ | *Maria De Pilar Blanco. "DBC Pierre's Blood Meridian: Cosmopolitan Returns and the Imagination of History." Symbiosis: A Journal of Anglo-American Literary Relations 11.1 (Apr. 2007): p59-74. | ||
+ | |||
+ | '''Reading CI''' | ||
*James Berger. Aleterity and Autism: Mark Haddon's Curious Incident in the Neurological Spectrum. Autism and Representation. Ed. Mark Osteen. New York, NY: Routledge, 2008. 271-288. | *James Berger. Aleterity and Autism: Mark Haddon's Curious Incident in the Neurological Spectrum. Autism and Representation. Ed. Mark Osteen. New York, NY: Routledge, 2008. 271-288. | ||
*Gyasi Burks-Abbott. Mark Haddon's Popularity and the Curious Incidents in My Life as an Autistic. Autism and Representation. Ed. Mark Osteen. New York, NY: Routledge, 2008. p289-296. | *Gyasi Burks-Abbott. Mark Haddon's Popularity and the Curious Incidents in My Life as an Autistic. Autism and Representation. Ed. Mark Osteen. New York, NY: Routledge, 2008. p289-296. | ||
*Stefania Ciocia. Postmodern Investigations: The Case of Christopher Boone in The Curious Incident of the Dog in the Night-Time. Children's Literature in Education: An International Quarterly 40.4 (Dec. 2009): 320-332.Postmodern | *Stefania Ciocia. Postmodern Investigations: The Case of Christopher Boone in The Curious Incident of the Dog in the Night-Time. Children's Literature in Education: An International Quarterly 40.4 (Dec. 2009): 320-332.Postmodern | ||
− | '''Further Reading''' | + | '''Further Reading VGL''' |
*Vivienne Muller. "Constituting Christopher: Disability Theory and Mark Haddon's The Curious Incident of the Dog in the Night-Time." Papers: Explorations into Children's Literature 16.2 (Dec. 2006): 118-125. | *Vivienne Muller. "Constituting Christopher: Disability Theory and Mark Haddon's The Curious Incident of the Dog in the Night-Time." Papers: Explorations into Children's Literature 16.2 (Dec. 2006): 118-125. | ||
*Clare Walsh and John McRae. "Schema Poetics and Crossover Fiction". Contemporary Stylistics. Ed. Marina Lambrou and Peter Stockwell. London, England: Continuum, 2007. 106-117. | *Clare Walsh and John McRae. "Schema Poetics and Crossover Fiction". Contemporary Stylistics. Ed. Marina Lambrou and Peter Stockwell. London, England: Continuum, 2007. 106-117. | ||
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*Christiana Gregoriou. "The Poetics of Deviance and the Curious Incident of the Dog in the Night-Time." The Millennial Detective: Essays on Trends in Crime Fiction, Film and Television, 1990-2010. Ed. Malcah Effron and Stephen Knight. Jefferson, NC: McFarland, 2011. 97-111. | *Christiana Gregoriou. "The Poetics of Deviance and the Curious Incident of the Dog in the Night-Time." The Millennial Detective: Essays on Trends in Crime Fiction, Film and Television, 1990-2010. Ed. Malcah Effron and Stephen Knight. Jefferson, NC: McFarland, 2011. 97-111. | ||
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− | == | + | ==05.06.12: Traditions and Historical Perspectives I == |
'''Topics''' | '''Topics''' | ||
'''Reading''' | '''Reading''' | ||
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'''Further Reading''' | '''Further Reading''' | ||
− | == | + | ==12.06.12: Traditions and Historical Perspectives II == |
'''Topics''' | '''Topics''' | ||
'''Reading''' | '''Reading''' | ||
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'''Further Reading''' | '''Further Reading''' | ||
− | == | + | ==19.06.12: Traditions and Historical Perspectives III == |
'''Topics''' | '''Topics''' | ||
'''Reading''' | '''Reading''' | ||
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'''Further Reading''' | '''Further Reading''' | ||
− | == | + | ==26.06.12: Traditions and Historical Perspectives IV: Media vs. Academia == |
'''Topics''' | '''Topics''' | ||
*academic analysis, essayistic criticism and journalistic reviews (Bordwell) | *academic analysis, essayistic criticism and journalistic reviews (Bordwell) | ||
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− | + | ==03.07.12: Traditions and Historical Perspectives V: The Digital Age == | |
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'''Topics''' | '''Topics''' | ||
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'''Further Reading''' | '''Further Reading''' | ||
− | == | + | [Hand in RPOs until 06 July] |
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+ | ==10.07.12: Podium Discussion: The Role of the Critic == | ||
Podium discussion with a practicing German literary critic | Podium discussion with a practicing German literary critic | ||
− | == | + | ==17.07.12: Final Discussion: The Role of the Critic & Term Papers== |
+ | *discussion of RPOs | ||
==Bibliography== | ==Bibliography== |
Revision as of 21:41, 17 April 2012
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Die aktive Teilnahme besteht aus folgenden Komponenten
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Contents
17.04.12: Introduction - The Critic as [...]critic, n.1 1. One who pronounces judgement on any thing or person; esp. one who passes severe or unfavourable judgement; a censurer, fault- finder, caviller. 1598 Shakespeare Love's Labour's Lost iii. i. 171, I that haue been loues whip‥A Crietick, nay, a night-watch Constable. 1598 J. Florio Worlde of Wordes, Those notable Pirates in this our paper-sea, those sea-dogs, or lande-Critikes, monsters of men. 1606 T. Dekker Newes from Hell To Rdr. sig. A4v, Take heed of Criticks. they bite (like fish) at any thing, especially at bookes. 1692 E. Walker tr. Epictetus Enchiridion xlix, Nor play the Critick, nor be apt to jeer. 1702 Eng. Theophrastus 5 How strangely some words lose their primitive sense! By a Critick, was originally understood a good judge; with us nowadays it signifies no more than a Fault finder. 1766 J. Fordyce Serm. Young Women (1777) I. iv. 192 We are never safe in the company of a critic. 2. One skilful in judging of the qualities and merits of literary or artistic works; one who writes upon the qualities of such works; a professional reviewer of books, pictures, plays, and the like; also one skilled in textual or biblical criticism. 1605 Bacon Of Aduancem. Learning i. sig. K3v, Certaine Critiques are vsed to say‥That if all Sciences were lost, they might bee found in Virgill. 1697 R. Bentley Diss. Epist. Phalaris Introd. 7 To pass a Censure on all kinds of Writings, to shew their Excellencies and Defects, and especially to assign each‥to their proper Authors, was the chief Province‥of the Ancient Critics. 1780 Johnson Lett. to Mrs. Thrale 27 July, Mrs. Cholmondely‥told me I was the best critick in the world; and I told her, that nobody in the world could judge like her of the merit of a critick. 1825 Macaulay Milton in Edinb. Rev. Aug. 306 The poet, we believe, understood the nature of his art better than the critic [sc. Johnson]. 1870 B. Disraeli Lothair (new ed.) xxxv, You know who the Critics are? The men who have failed in Literature and Art. 3. Comb. (freq. in appositive use). 1680 Earl of Rochester et al. Poems 16 A great Inhabiter of the Pit; Where Critick-like, he sits and squints. 1754 W. Cowper in W. Hayley Life W.C. (1803) I. 16 This simile were apt enough, But I've another, critic-proof! 1906 Westm. Gaz. 29 Sept. 14/2 There have been murmurs‥against the critic-dramatist. 1938 H. Read Coll. Ess. Lit. Crit. i. i. 17 When such a critic-poet attempts to probe down into such a fundamental question as the form and structure of poetry. 1965 Canad. Jrnl. Linguistics 11 40 Critic-centred comments on the text. (Second edition, 1989; online version December 2011. <http://www.oed.com/view/Entry/44587>; accessed 23 February 2012. Earlier version first published in New English Dictionary, 1893.)
24.04.12: Contemporary Criticism: VGL ITopics
Reading
Further Reading
01.05.12: no course08.05.12: Contemporary Criticism: VGL IITopics
Reading
Further Reading
15.05.12: Contemporary Criticism: CI ITopics Reading
Further Reading
22.05.12: Contemporary Criticism: CI IITopics Reading
Further Reading [Specify research interest until 25 May] 29.05.12: Contemporary Criticism: Academic Criticism of CI and VGLTopics
Reading VGL
Further Reading VGL
Reading CI
Further Reading VGL
05.06.12: Traditions and Historical Perspectives ITopics Reading Further Reading 12.06.12: Traditions and Historical Perspectives IITopics Reading Further Reading 19.06.12: Traditions and Historical Perspectives IIITopics Reading Further Reading 26.06.12: Traditions and Historical Perspectives IV: Media vs. AcademiaTopics
Reading
Further Reading
03.07.12: Traditions and Historical Perspectives V: The Digital AgeTopics Reading
Further Reading [Hand in RPOs until 06 July] 10.07.12: Podium Discussion: The Role of the CriticPodium discussion with a practicing German literary critic 17.07.12: Final Discussion: The Role of the Critic & Term Papers
BibliographyNovels
Criticism of VGL and Criticism of CI Further Reading Tools
Quotes
Ideas
Links
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