Difference between revisions of "2015 Ü Key Concepts in Cultural Studies"

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__TOC__
 
__TOC__
  
==Session One, April 24/25: Working With Key Concepts in Cultural Studies I ==
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==Session One, April 04/05: Working With Key Concepts in Cultural Studies I ==
  
 
'''Welcome'''
 
'''Welcome'''
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Preliminaries and General Course Information.
 
Preliminaries and General Course Information.
  
* Introduction to the BM 7 [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_curriculum_BM7.pdf Curriculum, Aims and Goals]
+
*Introduction to the BM 7 [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_curriculum_BM7.pdf Curriculum, Aims and Goals]
* Introduction to the BM 7 Programme [http://www.anglistik.uni-oldenburg.de/download//BM7/BM7_Course_Outline_Summer2014.pdf BM 7 Programme]
+
  
'''Analytical Tools: Culture, Discourse, Media, Identity'''
+
'''Analytical Tools'''
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]
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* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. "Culture." ''Keywords for American Cultural Studies.'' Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]
 
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. "Culture." ''Keywords for American Cultural Studies.'' Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]
  
==Session Two, May 01: No Class: Please Join the Friday Groups!==
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==Session Two, April 11/12: Working with Key Concepts in Cultural Studies II ==
==Session Two, May 02: Working with Key Concepts in Cultural Studies II==
+
  
'''Analytical Tools: Culture, Discourse, Media, Identity'''
+
'''Analytical Tools'''
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]
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* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. "Culture." ''Keywords for American Cultural Studies.'' Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]
 
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. "Culture." ''Keywords for American Cultural Studies.'' Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]
  
==Session Three, May 08/09: Working with Key Concepts in Cultural Studies III==
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==Session Three, April 18/19: Analyzing Print Media: Slave Narrative I ==
* Culture, Discourse, Media, Identity
+
 
+
'''Analytical Tools: Culture, Discourse, Media, Identity'''
+
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]
+
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]
+
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]
+
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]
+
 
+
==Session Four, May 15/16: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==
+
  
 
'''Primary Material'''
 
'''Primary Material'''
* Douglass, Frederick. Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.
+
* Jacobs, Harriet. ''Incidents in the Life of a Slave Girl.'' Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. Print.
  
 
'''Secondary Material'''
 
'''Secondary Material'''
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_the_peculiar_institution.pdf Foner, Eric. “The Peculiar Institution.” Forever Free: The Story of Emancipation and Reconstruction. New York: Vintage, 2005. 3-33. Print.]
+
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Boyer_Old-South.pdf Boyer, Paul S. "Chapter 12: The Old South and Slavery, 1830-1860." ''The Enduring Vision: A History of the American People.'' Sixth Edition. Boston: Houghton Mifflin, 2008. 354-67. Print.]
  
 
'''Analytical Tools'''
 
'''Analytical Tools'''
 
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]
 
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]
  
==Session Five, May 22/23: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==
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==Session Four, April 25/26: Analyzing Print Media: Slave Narrative II ==
  
 
'''Primary Material'''
 
'''Primary Material'''
* Douglass, Frederick. Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.
+
* Jacobs, Harriet. ''Incidents in the Life of a Slave Girl.'' Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. Print.
  
 
'''Secondary Material'''
 
'''Secondary Material'''
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_true_likenesses.pdf Foner, Eric. “True Likenesses.” Forever Free: The Story of Emancipation and Reconstruction. New York: Vintage, 2005. 34-40. Print.]
+
* Smith, Valerie. "Form and Ideology in Three Slave Narratives." ''Self-Discovery and Authority in Afro-American Narrative.'' Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. ''Incidents in the Life of a Slave Girl.'' Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.
  
 
'''Analytical Tools'''
 
'''Analytical Tools'''
 
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]
 
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]
  
==Session Six, May 29: No Class: Please Join the Friday Groups!==
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==Session Five, May 02/03: Analyzing Print Media: Slave Narrative III ==
==Session Six, May 30: Mid-Term Recap==
+
 
+
==Session Seven, June 05/06: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==
+
  
 
'''Primary Material'''
 
'''Primary Material'''
* Douglass, Frederick. ''Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself.'' Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.
+
* Jacobs, Harriet. ''Incidents in the Life of a Slave Girl.'' Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. Print.
  
 
'''Secondary Material'''
 
'''Secondary Material'''
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2009_nwankwo_douglass_black-atlantic.pdf Nwankwo, Ifeoma C.K. “Douglass’ Black Atlantic: The Caribbean.” ''The Cambridge Companion to Frederick Douglass''. Ed. Maurice S. Lee. Cambridge: CUP, 2009. 146-59. Print.]
+
* Accomando, Christina. "'The Laws Were Laid Down to Me Anew': Harriet Jacobs and the Reframing of Legal Fictions" ''African American Review'' 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. ''Incidents in the Life of a Slave Girl.'' Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.
  
 
'''Analytical Tools'''
 
'''Analytical Tools'''
 
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]
 
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]
  
     [http://www.anglistik.uni-oldenburg.de/download/BM7/Assignment_1_ang070_SoSe_2014.pdf WRITTEN ASSIGNMENT I, due: Thursday, June 12, 2014]
+
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_sose2013_Assignment_1.pdf ASSIGNMENT I, due: Monday, May 16, 2013]
  
==Session Eight, June 12/13: Analyzing Visual Media: Graphic Novel I (Introduction: Medium, Genre, Context)==
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==Session Six, May 16/17: Analyzing Visual Media: Graphic Novel I ==
  
 
'''Primary Material'''
 
'''Primary Material'''
* Moore, Alan and David Lloyd. ''V for Vendetta''. New York: Vertigo, 2008. Print.
+
* [http://www.anglistik.uni-oldenburg.de/download/BM7/materials/2004_spiegelman_no_towers.pdf Spiegelman, Art. ''In the Shadow of No Towers''. New York: Pantheon Books, 2004. Print.]
  
 
'''Secondary Material'''
 
'''Secondary Material'''
* [http://www.anglistik.uni-oldenburg.de/download/BM7/McCloud_Chapter2_TheVocabularyofComics.pdf McCloud, Scott. ''Understanding Comics: The Invisible Art''. New York: HarperPerennial, 1994. 24-59. Print.]
+
* Spiegelman,Art. "Introduction." ''In the Shadow of No Towers.'' New York: Pantheon, 2004.
  
 
'''Analytical Tools'''
 
'''Analytical Tools'''
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]
  
==Session Nine, June 19/20: Analyzing Visual Media: Graphic Novel II (Focal Point: Reading Graphic Narratives)==
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==Session Seven, May 23/24: Analyzing Visual Media: Graphic Novel II ==
  
 
'''Primary Material'''
 
'''Primary Material'''
* Moore, Alan and David Lloyd. V for Vendetta. New York: Vertigo, 2008. Print.
+
* [http://www.anglistik.uni-oldenburg.de/download/BM7/materials/2004_spiegelman_no_towers.pdf Spiegelman, Art. ''In the Shadow of No Towers''. New York: Pantheon Books, 2004. Print.]
  
 
'''Secondary Material'''
 
'''Secondary Material'''
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2009_little_constructing_the_readers_perspective_in_v_for_endetta.pdf Little, Ben. "Constructing the Reader's Perspective in V for Vendetta." International Journal of Comic Art 11.1 (2009): 182-202. Print.]
+
* [http://www.anglistik.uni-oldenburg.de/download/BM7/espiritu_putting_grief_into_boxes.pdf Espiritu, Karen. "'Putting Grief Into Boxes': Trauma and the Crisis of Democracy in Art Spiegelman's In ''In the Shadow of No Towers''." ''Review of Education/Pedagogy/Cultural Studies'' 28.2 (2006) 179-201. Print.]
  
 
'''Analytical Tools'''
 
'''Analytical Tools'''
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]
  
==Session Ten, June 26/27: Analyzing Visual Media: Graphic Novel III (Focal Point: Graphic Narratives and Identity Formation)==
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==Session Eight, May 30/31: Analyzing Visual Media: Graphic Novel III ==
  
 
'''Primary Material'''
 
'''Primary Material'''
* Moore, Alan and David Lloyd. V for Vendetta. New York: Vertigo, 2008. Print.
+
* [http://www.anglistik.uni-oldenburg.de/download/BM7/materials/2004_spiegelman_no_towers.pdf Spiegelman, Art. ''In the Shadow of No Towers''. New York: Pantheon Books, 2004. Print.]
  
 
'''Secondary Material'''
 
'''Secondary Material'''
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2009_greenblatt_i_for_integrity.pdf Greenblatt, Jordana. "I for Integrity: (Inter-)Subjectivities and Sidekicks in Alan Moore's V for Vendetta and Frank Miller's Batman: The Dark Knight Returns." ImageTexT: Interdisciplinary Comic Studies 4.3 (2009): no pag. Web.]
+
* [http://www.anglistik.uni-oldenburg.de/download/BM7/espiritu_putting_grief_into_boxes.pdf Espiritu, Karen. "'Putting Grief Into Boxes': Trauma and the Crisis of Democracy in Art Spiegelman's In ''In the Shadow of No Towers''." ''Review of Education/Pedagogy/Cultural Studies'' 28.2 (2006) 179-201. Print.]
  
 
'''Analytical Tools'''
 
'''Analytical Tools'''
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]
  
     [http://www.anglistik.uni-oldenburg.de/download/BM7/Assignment_II_VForVendetta.pdf WRITTEN ASSIGNMENT II, due: Thursday, July 03, 2014]
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     [http://www.anglistik.uni-oldenburg.de/download/BM7/Assignment_VisualMedia_2013-05-23.pdf ASSIGNMENT II, due: Monday, June 03, 2013]
  
==Session Eleven, July 03/04: Analyzing Audiovisual Media: Film I (Introduction: Medium, Genre, Context)==
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==Session Nine, June 06/07: Analyzing Audiovisual Media: Film I ==
  
 
'''Primary Material'''
 
'''Primary Material'''
* ''Calamity Jane''. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.
+
* ''Breakfast on Pluto.'' Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.
  
 
''' Secondary Material'''
 
''' Secondary Material'''
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* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]
  
==Session Twelve, July 10/11: Analyzing Audiovisual Media: Film II (Focal Point: Gender and Identity)==
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==Session Ten, June 13/14: Analyzing Audiovisual Media: Film II ==
  
 
'''Primary Material'''
 
'''Primary Material'''
* ''Calamity Jane''. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.
+
* ''Breakfast on Pluto.'' Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.
  
 
''' Secondary Material'''
 
''' Secondary Material'''
* [http://www.anglistik.uni-oldenburg.de/download/BM7/1991_butler_imitation_and_gender_insubordination.pdf Butler, Judith. “Imitation and Gender Insubordination.” Inside/ Out: Lesbian Theories, Gay Theories. Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]
+
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Nunes_National-Security.pdf Nunes, Charlotte. "In the Name of National Security: Torture and Imperialist Ideology in Sheridan's ''In the Name of the Father'' and Jordan's ''Breakfast on Pluto''." ''Human Rights Quarterly'' 31.4 (2009): 916-33. Print.]
  
 
'''Analytical Tools'''
 
'''Analytical Tools'''
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]
  
==Session Thirteen, July 17/18: Analyzing Audiovisual Media: Film III (Focal Point: Gender, Genre, and Media)==
+
==Session Eleven, June 20/21: Analyzing Audiovisual Media: Film III ==
  
 
'''Primary Material'''
 
'''Primary Material'''
* ''Calamity Jane''. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.
+
* ''Breakfast on Pluto.'' Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.
  
 
''' Secondary Material'''
 
''' Secondary Material'''
* * [http://www.anglistik.uni-oldenburg.de/download/BM7/1999_savoy_doris_day.pdf Savoy, Eric. "'That Ain't All She Ain't': Doris Day and Queer Performativity." Out Takes: Essays on Queer Performativity and Film. Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]
+
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2013_Lassen_Pluto-1.pdf Lassen, Christian. "The Passion of Saint Kitten, or: Desperately Seeking Mitzi, the Phantom Lady. Camp Responses to Interpellation and Subjection in Neil Jordan's ''Breakfast on Pluto''."] ''Anglistentag 2012 Potsdam: Proceedings.'' Eds. N.N. Trier: WVT, 2013. Forthcoming.
 +
 
 
'''Analytical Tools'''
 
'''Analytical Tools'''
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]
 
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]
  
'''Historical context: 1950s in the US [http://www.anglistik.uni-oldenburg.de/download/BM7/Foner_Chapter24_AnAffluentSociety.pdf Foner "An Affluent Society"] (optional reading)'''
+
    [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III, due: Monday, June 24, 2013]
  
    [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Ass3_Film_2014_Calamity_Jane.pdf WRITTEN ASSIGNMENT III, due: Thursday, July 17, 2014]
+
==Session Twelve, June 27/28: Presentation and Discussion of RPOs==
 
+
==Session Fourteen, July 24/25: Presentation and Discussion of RPOs / Recap in Preparation for Written Test==
+
  
 
'''Skills and Activities'''
 
'''Skills and Activities'''
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1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture <br>
 
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture <br>
2. As the material basis for your analysis you will need to pick material from the Übungen: ''Narrative of the Life of Frederick Douglass'', ''V for Vendetta'', ''Calamity Jane''<br>
+
2. As the material basis for your analysis you will need to pick material from the Übungen: ''Incidents in the Life of a Slave Girl'', ''In the Shadow of No Towers'', ''Breakfast on Pluto''<br>
  
 
You have access to the scholarly discourse on the material from the Übung through the MLA database.
 
You have access to the scholarly discourse on the material from the Übung through the MLA database.
  
 +
==Session Thirteen, July 04/05: Recap in Preparation for Written Test / Course Evaluation ==
 +
 +
In preparation for the recap meeting, please review the handouts ''Conceptual Tools for the Analysis of Graphic Novels and Comics'' and ''Conceptual Tools for the Analysis of Film'' and ''Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse''.
  
     WRITTEN TEST: Saturday, July 26, 2014, 10:00-12:00, A14 Hörsaal 1 und 2
+
     WRITTEN TEST: Saturday, July 06, 2013, 10:00-12:00, A14 Hörsaal 1 und 2
  
  
 
[[Category:Basismodul]]
 
[[Category:Basismodul]]
 
[[Category:Summer 2015]]
 
[[Category:Summer 2015]]

Revision as of 10:15, 13 March 2015

    PLEASE NOTE: THIS PAGE IS STILL UNDER CONSTRUCTION. NOT ALL INFORMATION IS VERIFIED AND RELIABLE YET.


Please note: The ang070 module consists of

  • a seminar ("S/Ü: Introduction to the Critical and Scholarly Discussion of Literature", offered in the previous winter term),
  • a tutorial ("TUT: Introduction to the Critical and Scholarly Discussion of Literature", offered in the previous winter term),
  • a (biweekly) lecture ("Historical Backgrounds and Critcal Concepts", offered this term )and
  • a seminar ("Key Concepts of Cultural Studies", offered this term).

If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact Michaela Koch.

On this page you will find detailed information on the lecture "Historical Backgrounds and Critical Concepts" and on the courses "Key Concepts in Cultural Studies".


Course: Key Concepts in Cultural Studies

Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The VL/Ü Key Concepts of Cultural Studies consists of 6 lectures on "Historical Backgrounds and Critical Concepts" and 13 courses/Übungen on "Key Concepts of Cultural Studies".

The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:

  • 1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)
  • 2. How is the material situated and what institutions are responsible for its existence and discussion?
  • 3. What function and effect for identity formation can the material have?

Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a wiki account which will enable you to participate in online discussions.

The texts for our courses will come from a common pool, though each course may have a different choice.

The "analytical tools" will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these 'tools' are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:

   Jacobs, Harriet. Incidents in the Life of a Slave Girl. Ed. Keir Elam. The Arden Shakespeare, third series. London: A&C Black, 2008.
   Spiegelman, Art. In the Shadow of No Towers. Ed. Katherine Linehan. New York and London: Norton, 2003.
   Fight Club. Dir. OPerf.

Course work: You will be asked to complete a Written Test (Date: Saturday, July 26, 2014, 10:00-12:00, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15). For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography). The RPO is to be formatted according to the style sheet.


Two useful links for all assignments:


Session One, April 04/05: Working With Key Concepts in Cultural Studies I

Welcome

Preliminaries and General Course Information.

Analytical Tools

Further Reading

Session Two, April 11/12: Working with Key Concepts in Cultural Studies II

Analytical Tools

Further Reading

Session Three, April 18/19: Analyzing Print Media: Slave Narrative I

Primary Material

  • Jacobs, Harriet. Incidents in the Life of a Slave Girl. Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. Print.

Secondary Material

Analytical Tools

Session Four, April 25/26: Analyzing Print Media: Slave Narrative II

Primary Material

  • Jacobs, Harriet. Incidents in the Life of a Slave Girl. Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. Print.

Secondary Material

  • Smith, Valerie. "Form and Ideology in Three Slave Narratives." Self-Discovery and Authority in Afro-American Narrative. Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. Incidents in the Life of a Slave Girl. Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.

Analytical Tools

Session Five, May 02/03: Analyzing Print Media: Slave Narrative III

Primary Material

  • Jacobs, Harriet. Incidents in the Life of a Slave Girl. Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. Print.

Secondary Material

  • Accomando, Christina. "'The Laws Were Laid Down to Me Anew': Harriet Jacobs and the Reframing of Legal Fictions" African American Review 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. Incidents in the Life of a Slave Girl. Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.

Analytical Tools

    ASSIGNMENT I, due: Monday, May 16, 2013

Session Six, May 16/17: Analyzing Visual Media: Graphic Novel I

Primary Material

Secondary Material

  • Spiegelman,Art. "Introduction." In the Shadow of No Towers. New York: Pantheon, 2004.

Analytical Tools

Session Seven, May 23/24: Analyzing Visual Media: Graphic Novel II

Primary Material

Secondary Material

Analytical Tools

Session Eight, May 30/31: Analyzing Visual Media: Graphic Novel III

Primary Material

Secondary Material

Analytical Tools

    ASSIGNMENT II, due: Monday, June 03, 2013

Session Nine, June 06/07: Analyzing Audiovisual Media: Film I

Primary Material

  • Breakfast on Pluto. Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.

Secondary Material

Analytical Tools

Session Ten, June 13/14: Analyzing Audiovisual Media: Film II

Primary Material

  • Breakfast on Pluto. Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.

Secondary Material

Analytical Tools

Session Eleven, June 20/21: Analyzing Audiovisual Media: Film III

Primary Material

  • Breakfast on Pluto. Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.

Secondary Material

Analytical Tools

    ASSIGNMENT III, due: Monday, June 24, 2013

Session Twelve, June 27/28: Presentation and Discussion of RPOs

Skills and Activities

Brief Report on 'Work in Progress': Your Term Paper Projects

     [BM7 - Introduction to Litertary and Cultural Studies - Research Paper Outline (due on Aug 15)]

Guidelines for finding your RPO topic:

1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture
2. As the material basis for your analysis you will need to pick material from the Übungen: Incidents in the Life of a Slave Girl, In the Shadow of No Towers, Breakfast on Pluto

You have access to the scholarly discourse on the material from the Übung through the MLA database.

Session Thirteen, July 04/05: Recap in Preparation for Written Test / Course Evaluation

In preparation for the recap meeting, please review the handouts Conceptual Tools for the Analysis of Graphic Novels and Comics and Conceptual Tools for the Analysis of Film and Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse.

    WRITTEN TEST: Saturday, July 06, 2013, 10:00-12:00, A14 Hörsaal 1 und 2