Difference between revisions of "Film Analysis"
From Angl-Am
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| − | = | + | ==Imagetrack== |
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Getting Started: Scenes vs. Sequences | Getting Started: Scenes vs. Sequences | ||
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(1) Camera Distance | (1) Camera Distance | ||
| − | * | + | *the establishing shot |
| − | * | + | *extreme long shot |
| − | * | + | *long shot |
| − | * | + | *medium long shot |
| − | * | + | *full shot |
| − | * | + | *medium close shot |
| − | * | + | *close shot |
| − | * | + | *close-up |
| − | * | + | *extreme close-up |
| − | (2) | + | (2) Camera Angle |
| − | * | + | *extreme low angle |
| − | * | + | *low angle |
| − | * | + | *normal camera height |
| − | * | + | *high angle |
| − | * | + | *bird’s eye view |
| − | * | + | *Dutch angles |
| − | (3) | + | (3) Editing |
| − | * | + | *Cut, fade out/in, dissolve and wipe |
| − | (4) | + | (4) Camera Movement |
| − | * | + | *pan (swish pan) |
| − | * | + | *tilt |
| − | * | + | *tracking shot |
| − | * | + | *crane shot |
| − | (5) | + | (5) Zoom, hand-held camera, Steadicam and static camera |
| − | (6) | + | (6) Lens Type |
| − | * | + | *wide angle |
| − | (7) | + | (7) Lighting |
| − | * | + | *low and high key |
| − | (8) | + | (8) Deep focus |
(9) Two diametrically opposed editing principles: Montage vs. the Long Take | (9) Two diametrically opposed editing principles: Montage vs. the Long Take | ||
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(14) DV = Digital video | (14) DV = Digital video | ||
| + | ==Imagetrack== | ||
[[Category:Handout]] | [[Category:Handout]] | ||
Revision as of 12:10, 21 June 2007
Imagetrack
Getting Started: Scenes vs. Sequences
(1) Camera Distance
- the establishing shot
- extreme long shot
- long shot
- medium long shot
- full shot
- medium close shot
- close shot
- close-up
- extreme close-up
(2) Camera Angle
- extreme low angle
- low angle
- normal camera height
- high angle
- bird’s eye view
- Dutch angles
(3) Editing
- Cut, fade out/in, dissolve and wipe
(4) Camera Movement
- pan (swish pan)
- tilt
- tracking shot
- crane shot
(5) Zoom, hand-held camera, Steadicam and static camera
(6) Lens Type
- wide angle
(7) Lighting
- low and high key
(8) Deep focus
(9) Two diametrically opposed editing principles: Montage vs. the Long Take
(10) Parallel Editing / Cross cutting
(11) Time: Flash-forwards and Flashbacks
(12) Colour-coding
(13) Tying everything up: Mise en scène—An image’s setting, subjects and composition.
(14) DV = Digital video
