Literary Theory Reading List

A preliminary list of literary theory and criticism. For a rough overview, see bm1-lit-theory-timeline-2.pdf.

Short List

20th century literary theory and criticism

• Sigmund Freud, "Fragment of an Analysis of a Case of Hysteria" [Dora] (1905)
• Viktor Shklovsky, "Art as Technique" (1917)
• T.S. Eliot, "Tradition and the Individual Talent" (1919)
• Mikhail Mikhailovich Bakhtin, "Epic and Novel" (1941)
• Roman Jakobson, "Linguistics and Poetics" (1958)
• Jacques Derrida, "Structure, Sign, and Play in the Discourse of the Human Sciences" (1966)
• Roland Barthes, "The Death of the Author" (1967)
• Michel Foucault, "What is an Author?" (1968)
• Edward Said, "The Scope of Orientalism" (1978)
• Stephen Greenblatt, "The Improvisation of Power" (1980)
• Pierre Bourdieu, "The Field of Cultural Production, or: The Economic World Reversed" (1983)
• Frederic Jameson, "The Cultural Logic of Late Capitalism" (1984)
• Judith Butler, Gender Trouble (1990)

Long List

Historical

• Plato: Symposium (385 BCE); Ion; Republic (380 BC) [Book 3, 10]; Phaedrus (370 BC)
• Aristotle: Rhetoric (4th century BC); Poetics (350 BC)
• Plotinus: On the Intellectual Beauty (c. 270 BC)
• Horace: Ars Poetica, or The Epistle to the Pisones (18 BC)
• St. Augustine: De Ordine; De Musica; On Christian Doctrine (397 CE)
• Longinus: On the Sublime (1st century CE)
• Boethius: The Consolation of Philosophy (524 CE)
• Al-Jahiz: Kitab al-Bayan wa al-Tabyin (The Book of eloquence and demonstration); Kitab al-Hayawan (Book of Animals)
• ibn al-Mu'tazz: Kitab al-Badi
• Dante Alighieri: "Letter to Can Grande della Scala"
• Leonardo da Vinci: Notebooks
• Marsilio Ficino: Commentary on Plato's Symposium
• Giovanni Boccaccio: The Definition of Poetry
• Christine de Pisan: "Querrelle della Rose"
• Sir Philip Sidney: Defence of Poesie (1595)
• Huet: A Treatise of Romances and their Original (1672)
• Nicholas Boileau: The Art of Poetry (1683)
• John Dryden: "An Essay of Dramatic Poesy"; "Defense of the Essay of Dramatic Poetry"; "Grounds of Criticism in Tragedy"; "Heads of an Answer to Rymer"; "Parallel Betwixt Poetry and Painting"
• Alexander Pope: "An Essay on Criticism" (1711); Preface to his edition of Shakespeare; "Peri Bathous, Or the Art of Sinking in Poetry" (1727)
• Samuel Johnson: Rasselas [Book 10]; "Life of Cowley"; "Preface to Shakespeare"; "Milton"; "Life of Dryden"; "Life of Pope"; "Life of Gray"
• Giambattista Vico: The New Science [Books 1-3]
• Gotthold Lessing: Laocoön [Chapters 2,3,16]
• Edmund Burke: A Philosophical Enquiry into Our Ideas of the Sublime and of the Beautiful (1757)
• Jean-Jacques Rousseau: Essay on the origin of language (1781)
• Immanuel Kant: Critique of Judgement [Part I] (1790)
• Mary A. Wollstonecraft: A Vindication of the Rights of Women (1792)
• Friedrich Schiller: "On the Aesthetic Education of Man"; "On Naive and Sentimental Poetry"
• G.W.F. Hegel: Introduction to The Philosophy of Fine Art ["Introduction"; "The Master-Slave Relationship"; "Scepticism and the Unhappy Consciousness"; "Spirit in Self-estrangement"; "The Beautiful Soul"]
• Madame de Stael: "Essay on Fiction"
• William Wordsworth: Preface to Lyrical Ballads
• Samuel T. Coleridge: Biographia Literaria [Chapters 1, 4, 5, 7, 12-15, 17-20]
• Percy B. Shelley: Defense of Poetry
• Victor Hugo: Preface to Cromwell
• Charles Baudelaire: The Salon of 1859; Painter of Modern Life; "On the Essence of Laughter"
• Arthur Schopenhauer: The World as Will and Representation (1819)
• David Hume: "Of the Standard of Taste"
• Joseph Addison: "The Pleasures of Imagination" [In: Spectator Nos. 411-421 (1712)]
• John Ruskin: Modern Painters (1843); Sesame and Lilies (1864-1865); Lectures on Art (1870)
• Matthew Arnold: "Science and Poetry", "Culture and Anarchy"; "The Function of Criticism at the Present Time"; "Preface to Poems" (1853); "Wordsworth"; "Shelley"; "Sweetness and Light"; "Literature and Science"
• Friedrich Nietzsche: The Birth of Tragedy (1872); "On Truth and Lies in their Non-Moral Sense"; On the Genealogy of Morals (1887)
• Walter Pater: The Renaissance ["Conclusion"] (1873)
• Henry James: "The Art of Fiction" (1888); Prefaces to The American, Portrait of a Lady, The Ambassadors
• Oscar Wilde: Intentions ["The Critic as Artist"; "The Decay of Lying"] (1891)
• Stephen Mallarmé: "Crise de vers" (1895)
• Leo Tolstoy: What Is Art? (1897)
• Gertrude Stein: Writings and Lectures ("Composition as Explanation", "What Are Masterpieces and Why Are There So Few of Them", "Poetry and Grammar"); The Making of Americans in Selected Writings (1934)
• Erich Auerbach: Scenes from the Drama of European Literature ["Figura"]; Mimesis: The Representation of Reality in Western Literature [Chapter 1] (1946)
• Marcel Proust: Contre Sainte-Beuve (1954)

Positivism

• Auguste Comte: "Discours sur l'esprit positif" (1844)
• Hippolyte Adolphe Taine: History of English Literature [Introduction] (1863)
• T.H. Huxley: "The Scientific Aspect of Positivism", "On the Physical Basis of Life" (1869)

Marxism

• Karl Marx: The German Ideology (1845); "Consciousness Derived from Material conditions"; "The Eighteenth Brumaire of Louis Bonaparte"
• Georg Lukács: Theory of the Novel (1916) [Part I, 1-5; Part II, 4]; The Historical Novel (1937) [Chapter 1]; "Realism in the Balance" (1938)
• Louis Althusser: Reading Capital (1965); "Ideology and Ideological State Apparatuses: Notes Toward an Investigation"
• Walter Benjamin: Illuminations ["The Work of Art in the Age of Mechanical Reproduction", "Author as Producer", "Theses on the Philosophy of History"] (1969, posthumously)
• Theodor Adorno: "Lyric Poetry and Society" (1974); with Max Horkheimer: Dialectic of Enlightenment (1944)
• Raymond Williams: Marxism and Literature ["Dominant, Residual and Emergent"; "Structures of Feeling"] (1977)
• Frederic Jameson: The Political Unconscious ["On Interpretation"] (1981); Postmodernism, or The Cultural Logic of Late Capitalism (1991)

Psychoanalysis, Anthropology

• Sigmund Freud: "Fragment of an Analysis of a Case of Hysteria" [Dora] (1905); "The Relation of the Poet to Day-Dreaming" (1908); "The Dynamics of Transference" (1912); "Repression" (1915); "From the History of an Infantile Neurosis" [Wolf-Man] (1918); "The Uncanny" (1919); Beyond the Pleasure Principle (1920); "Medusa's Head" (1922); "A Note upon the 'Mystic Writing-Pad'" (1925); "Fetishism" (1927); Civilization and Its Discontents (1930); "Femininity" (1933)
• Carl Gustav Jung: Modern Man in Search of a Soul ["Psychology and Literature"] (1933)
• Jacques Lacan: Ecrits: A Selection [Chapters 1, 5, 8, and 9] (1966); "Seminar on The Purloined Letter"
• Julia Kristeva: Desire in Language ["The Bounded Text", "Word, Dialogue, and Novel", "The Novel as Polylogue"] (1969); Revolution in Poetic Language ["Part 1: The Semiotic and the Symbolic"] (1974); Tales of Love ["Stabat Mater"] (1983)
• Shoshana Felman: "To Open The Question" (1977)
• René Girard: Violence and the Sacred [Chapters 1 and 2] (1972; engl. 1977); Le Bouc émissaire (1985)
• Eric Gans, The Origin of Language (1981)
• Slavoj Žižek: Interrogating the Real (2005)

(Russian) Formalism

• Viktor Shklovsky: "Art as Technique" (1917)
• Vladimir Propp: The Morphology of the Folktale (1928)
• Yurii Tynyanov and Roman Jakobson: "Problems in the Study of Language and Literature" (1928; engl. 1971)

New Criticism

• T.S. Eliot: "Tradition and the Individual Talent" (1919); "The Metaphysical Poets"; "Hamlet and His Problems"
• I.A. Richards: Principles of Literary Criticism (1924)
• F. R. Leavis: For Continuity ["The Literary Mind"] (1933); The Great Tradition ["The Great Tradition"] (1948)
• Kenneth Burke: The Philosophy of Literary Form ["The Philosophy of Literary Form"] (1939); A Grammar of Motives ["The Problem of the Intrinsic", "The Four Master Tropes"] (1945)
• René Wellek and Austin Warren: Theory of Literature [Part 1, Chs. 1-4; Part 3, Introduction and Chs. 7-11; Part 4, Introduction and Chs. 12, 17, 18] (1949)
• W. K. Wimsatt: The Verbal Icon [Parts 1 and 4] (1954)
• Wayne Booth: The Rhetoric of Fiction (1961)

Structuralism, Semiotics

• Roman Jakobson: Fundamentals of Language ["The Metaphoric and Metonymic Poles"] (1956); Style in Language ["Linguistics and Poetics" (1958)] (1960)
• Mikhail Mikhailovich Bakhtin: The Dialogic Imagination ("Epic and Novel" (1941), "Discourse in the Novel"); Problems of Dostoevsky's Poetics ["The Hero, and the Position of the Author with Regard to the Hero in Dostoevsky's Art"]; Speech Genres and Other Late Essays ["The Problem of Speech Genres"]
• Ferdinand de Saussure: Course in General Linguistics (1916, posthumously)
• Claude Lévi-Strauss: Structural Anthropology ["The Structural Study of Myth"; "Four Winnebago Myths"; "History and Dialectic"] (1958)
• Roland Barthes: Mythologies (1957) ["Dominici, or the Triumph of Literature", "Myth Today"]; Image, Music, Text (1977) ["Introduction to the Structural Analysis of Narratives," "The Struggle with the Angel"]
• Umberto Eco: Theory of Semiotics (1975; engl. 1976)
• Tzvetan Todorov: The Fantastic: A Structural Approach to a Literary Genre (1970); The Poetics of Prose (1971) ["Narrative-Men", "The Typology of Detective Fiction", "The Secret of Narrative"]
• Gérard Genette: Narrative Discourse: An Essay in Method (1972)
• Jonathan Culler: Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature (1975); The Pursuit of Signs: Semiotics, Literature, Deconstruction [Chapters 1 and 5] (1980)
• Mary Louise Pratt: Towards a Speech Act Theory of Literary Discourse (1977)
• Teresa de Lauretis: Alice Doesn't: Feminism, Semiotics, Cinema (1984) [Introduction, Chapters 1, 2, 5, 6]

Post-Structuralism

• Roland Barthes: Mythologies (1958); S/Z (1970); The Pleasure of the Text (1975); Image, Music, Text ["The Death of the Author", "From Work to Text"] (1977)
• Jacques Derrida: "Structure, Sign, and Play in the Discourse of the Human Sciences" (1966); Of Grammatology (1967) [Part 1, Chs. 1, 2; Part 2, Ch. 2]; Margins of Philosophy ["Differance", "White Mythology", "Signature Event Context"]; Writing and Difference (1972) [Chapters 1, 2, 7, 9, 10]; Disseminations (1972) ["Plato's Pharmacy", "The Double Seance", "Hymen"]
• Michel Foucault: "What is an Author?" (1970); The Order of Discourse (1971)
• Deleuze and Guattari: Capitalism and Schizophrenia 1: Anti-Oedipus (1972); Capitalism and Schizophrenia 1: A Thousand Plateaus (1980) ["Introduction: Rhizome")
• Jean-François Lyotard: The Postmodern Condition: A Report on Knowledge (1979) ["Answering the Question: What is Postmodernism?"]
• Jean Baudrillard: "Precession of Simulacra"; L'échange symbolique et la mort (1976); Simulacra and Simulation (1981) ["The Process of Simulacra", "Hypermarket and Hypercommodity", "The Implosion of Meaning In the Media" and "Clone Story"]
• Paul de Man: Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust (1979) ["Excuses (Confessions)"]; The Rhetoric of Romanticism (1984) ["Autobiography As De-Facement"]
• Richard Rorty: The Consequences of Pragmatism (1982) [Introduction, Chapters 6-8]
• Henry Louis Gates, Jr.: The Signifying Monkey: A Theory of African-American Literary Criticism (1989)

Phenomenology, Hermeneutics, Reader Response, Pragmatism

• Martin Heidegger: Poetry, Language, Thought ["Being, Dwelling, Thinking"]; Being and Time (1927) [sections 31-33]
• Georges Poulet: The Interior Distance ["Marivaux", "Mallarme"]
• Hans-Georg Gadamer: Truth and Method ["Foundations of a Theory of Hermeneutical Experience"]
• E.D. Hirsch: Validity in Interpretation ["Objective Interpretation"]
• Paul Ricoeur: The Philosophy of Paul Ricoeur [Section 3: "Language and Hermeneutics", Section 4: "Freud and Psychoanalysis"]; Hermeneutics and the Human Sciences [Part 1: "Studies in the History of Hermeneutics", Part 2: "Studies in the Theory of Interpretation", Part 3, Ch. 8: "The Model of the Text"]
• Norman Holland: The Dynamics of Literary Response (1968); 5 Readers Reading (1975)
• Harold Bloom: A Map of Misreading (1975)
• Wolfgang Iser: "The Reading Process: A Phenomenological Approach"; The Implied Reader [Chapter 11]; The Act of Reading: : A Theory of Aesthetic Response (1978)
• Stanley Fish: "Interpreting the Variorum"; Is There a Text in This Class? The Authority of Interpretive Communities (1980)
• Hans Robert Jauss: Towards an Aesthetics of Reception ["Literary History as a Challenge to Literary Theory"]

New Historicism

• Michel Foucault: Discipline and Punish (1979)
• Stephen Greenblatt: "The Improvisation of Power" (1980); Renaissance Self-Fashioning (1980)
• Louis Adrian Montrose: "'Eliza, Queene of Shepheardes' and the Pastoral of Power" (1980); "Renaissance Literary Studies and the Subject of History" (1986)
• H. Aram Veeser (Ed): The New Historicism (1989)

Cultural Studies

• Raymond Williams: Culture and Society (1958); Keywords: A Vocabulary of Culture and Society (1976)
• Michel Foucault: The History of Sexuality [The Will to Knowledge, Vol.1, 1976]; The Archeology of Knowledge (1969), Discipline and Punish (1979)
• Clifford Geertz: The Interpretation of Culture (1973) [Chapter 1]

Feminism, Gender Theory, Queer Studies

• Virginia Woolf: "Mr. Bennett and Mrs. Brown" (1924); A Room of One's Own (1929)
• Simone de Beauvoir: The Second Sex (1949; engl. 1953)
• Susan Sontag: "Notes On 'Camp'" (1964); Against Interpretation and Other Essays (1966)
• Kate Millett: Sexual Politics (1970) [Ch. 2]
• Gayle Rubin: "The Traffic in Women" (1975)
• Luce Irigaray: Speculum of the Other Woman ["The Blind Spot of an Old Dream of Symmetry"]; This Sex Which is Not One (1977; engl. 1985) ["This Sex Which Is Not One", "The Power of Discourse and the Subordination of the Feminine", "The Mechanics of Fluids", "When Our Lips Speak Together", "When the Goods Get Together"]
• Hélène Cixous: "The Laugh of the Medusa"; "Sorties: Out & Out: Attacks/Ways Out/Forays"; with Catherine Clément: The Newly Born Woman
• Barbara Smith: "Towards a Black Feminist Criticism" (1977)
• Sandra Gilbert and Susan Gubar: The Madwoman in the Attic (1979) [Chapters 1-3, 10]
• Elaine Showalter: A Literature of Their Own (1977) [Ch. 1, 4, 10]; "Feminist Criticism in the Wilderness" (1980); Sexual Anarchy: Gender and Culture at the Fin the Siècle (1992)
• Adrienne Rich: "Compulsory Heterosexuality and Lesbian Existence" (1980)
• bell hooks: Ain't I a Woman: Black Women and Feminism (1981)
• Eve Kosofsky Sedgwick: Between Men: English Literature and Male Homosocial Desire (1985); Epistemology of the Closet (1990) ["Axiomatic"]
• Judith Butler: Gender Trouble: Feminism and the Subversion of Identity (1989); Bodies That Matter: On the Discursive Limits of "Sex" (1993)
• Christopher Castiglia: "Rebel Without a Closet" (1990)
• Wayne Koestenbaum: Engendering Men: The Question of Male Feminist Criticism (1990)
• Judith Roof: A Lure of Knowledge (1991)
• Lee Edelman: Homographesis (1994)

Postcolonial Theory

• Frantz Fanon: Black Skin, White Masks (1952; engl. 1967); The Wretched of the Earth (1961; engl. 1963) ["On National Culture"]
• Edward Said: Orienalism (1978); Culture and Imperialism (1993)
• Gayatri Chakravorty Spivak: In Other Worlds: Essays in Cultural Politics (1987); Marxism and the Interpretation of Culture (1988) "Can the Subaltern Speak?"
• Kwame Anthony Appiah: "Is the 'Post-' in 'Postcolonial' the 'Post-' in 'Postmodern'?" (1991); In My Father's House (1992)
• Sara Suleri: The Rhetoric of English India (1992)
• Aijaz Ahmad: In Theory: Classes, Nations and Literatures (1992)
• Paul Gilroy: The Black Atlantic: Modernity and Double Consciousness (1993)
• Homi Bhabha: The Location of Culture (1994) ["Of Mimicry and Men: The Ambivalence of Colonial Discourse"]
• Arjun Appadurai: Modernity at Large: Cultural Dimensions of Globalization (1996)
• Graham Huggan: The Postcolonial Exotic: Marketing the Margins (2001)

History of the Book

• David Finkelstein and Alistair McCleery: An Introduction to Book History (2005); The Book History Reader (2002; repr. 2008)
• Simon Eliot, Andrew Nash, and Ian Willison: Literary Cultures and the Material Book (2007)
• Simon Eliot and Jonathan Rose: A Companion to the History of the Book (2007; repr. 2008)