Difference between revisions of "Sir Thomas Malory, Le Morte Darthur (1485)"
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==Note on the text== | ==Note on the text== | ||
| − | + | For almost 450 years editors of Le Morte Darthur could not hope to get far beyond the text William Caxton had first presented in 1485. It was clear that the early printer had adapted a lost source to his own purposes – he stated this in his introduction. Succeeding editions adapted his text to their own various purposes. Good editions went back to the 1485 edition to get as close to the lost original as possible. | |
| − | + | A new era of scholarship began in 1934 with the discovery of the “Winchester Manuscript”. The hand written volume proved to be slightly older than the established text. Traces of ink found on its pages allowed the assumption that Caxton had actually had the volume in his shop – probably while working on his own edition. The manuscript contained passages the printer omitted, yet it was not the source he decided to use. Most of the editions that have appeared since have preferred the Winchester Manuscript as their textual source; it is the text that can better claim to lead us back to the lost original. The editors had to add passages from Caxton to make up for passages the manuscript had lost. Mixed editions were the resulte. | |
| − | The text | + | The text presented with this edition has returned to Caxton’s book. Malory might have written a text that came closer to the Winchester Manuscript’s rather than to Caxton’s edition. Yet it was Caxton’s text through which Malory’s compilation came to survive and became what it is today: a classic of English literature. The present text is technically based on the (freely available) edition Oskar Sommer published from 1889 to 1891. The makeshift edition thus produced should make the standard text available – and keep a good distance from the modernised alternative Caxton-version provided by the popular Penguin edition. The present text is at the same moment not the text Caxton would have produced had he used antiqua letters – his edition used a 15th century blackletter alphabet with its own choice of special characters. |
| − | * | + | *A “კ” appears in Caxton’s edition both as the Latin z and the English yogh – in 1485 not more than a shorter spelling of the alternative gh. The present edition introduces the “კ” in both functions. |
| − | * | + | *Caxton’s m- and n-abbreviations have been preserved thoughout: a dash over a, e, o, or u indicates an omitted next letter m or n. “Laūcelot” has thus to be expanded to “Launcelot”. |
| − | * An ħ appears twice in conventional abbreviations of | + | *An ħ appears twice in conventional abbreviations of “Jhesus”: “on whos soule Iħu haue mercy” (sig.ee1v) and “A Iħu mercy sayd the bysshop” (sig.ee5r). |
| − | * þ is a th variant; its use is in | + | *þ is a th variant; its use is in Caxton’s text restricted to the conventional spellings þe for “the” and þt for “that”. Occasionally a “ye” was also used to represent the “þe”. |
| − | * v and u were used as grapheme variants v at the beginning u within words. | + | *v and u were used as grapheme variants v at the beginning u within words. |
| − | * Capital I and J were used indiscriminately - our edition offers capital I throughout the text; j appears | + | *Capital I and J were used indiscriminately - our edition offers capital I throughout the text; j appears – as in Caxton’s text – at the end of words (as in the roman number “viij”). |
| − | * | + | *The present edition offers the old ſ as the regular lower case s at the beginning and within words. |
| − | == | + | ==Sheet signatures and pagination== |
| − | + | Caxton’s edition appeared without a title page (the imprint concluded the book), and it did not offer any pagination beyond the printer’s sheet signatures. The present edition gives these signatures and an auxiliary pagination of the original edition. The printed volume consisted of: | |
| − | + | ||
| − | + | ||
| − | + | *a front matter of 34 pages on 3 sheets (incoherently labeled), | |
| + | *a body of 52 sheets of which | ||
| + | :*24 sheets are signed with small letters from a to z plus &; | ||
| + | :*23 sheets with capital letters from A to Z; | ||
| + | :*5 sheets with double small letters from aa to ee. | ||
| − | + | Each sheet (with the exception of the last sheets both of the front matter and the text) gave 8 leafs (i.e. 16 pages), each with a recto and a verso side to refer to: a1r, a1v, a2r, a2v, a3r, a3v … a8r, a8v, b1r etc. The reference to sheet signatures is of convenience wherever the present edition is used alongside reproductions of the original edition (as available on the web in the EEBO-collection). | |
| − | + | ||
| − | + | ||
| − | + | ||
| − | + | ||
| − | + | ||
| − | + | ==Paragraph setting== | |
| − | + | Caxton’s paragraph setting has been preserved with his punctuation. This includes his use of “virgules”, even though antiqua letters, as used in the present edition, would have demanded commas instead of virgueles even in the 1480s. Caxton’s virgule proves to be a far more flexible punctuation mark than a modern comma would be. | |
| + | A number of pages ended with headlines which were then repeated on the succeeding pages (Q1v, R1v, X3r, Z7r) – the present edition has eliminated these duplicates. | ||
| − | + | ==Pronunciation== | |
| + | |||
| + | The English consonantism did not change very much since the 15th century. | ||
| + | *kn was still pronounced with a distinct k. | ||
| + | *gh were pronounced as the German “ch” in “ich” and “ach”, i.e. /x/ after the “dark” vowels a and o and u and /ç/ after i and e. | ||
| + | |||
| + | The English vowel system changed, by contrast, considerably in what came to be noted as the “great vowel shift”. The following table gives the historical steps. Caxton’s spelling does regularly give the best hints how a vowel was supposed to be pronounced. | ||
| + | |||
| + | When reading Caxton as spelled, one has, however, to keep in mind that v and u, and i, j and y had their own patterns of distribution. One has to read u and i as vowels where one would do so in modern spelling, they have to be read as v and j where consonants would appear today. | ||
| + | |||
| + | A special problem is the final e in many of Caxton's words (“kynge” etc.). It is likely that these final vowels where no longer pronounced on a regular basis. It is at the same time possible that one could pronounce them to stress words. | ||
| + | |||
| + | The present edition is an attempt to make this text freely available. Contact me if you detect mistakes or if you can improve the present edition otherwise. Corrections might help others using the text. | ||
==Pronunciation== | ==Pronunciation== | ||
Revision as of 13:15, 9 October 2007
Contents
Note on the text
For almost 450 years editors of Le Morte Darthur could not hope to get far beyond the text William Caxton had first presented in 1485. It was clear that the early printer had adapted a lost source to his own purposes – he stated this in his introduction. Succeeding editions adapted his text to their own various purposes. Good editions went back to the 1485 edition to get as close to the lost original as possible.
A new era of scholarship began in 1934 with the discovery of the “Winchester Manuscript”. The hand written volume proved to be slightly older than the established text. Traces of ink found on its pages allowed the assumption that Caxton had actually had the volume in his shop – probably while working on his own edition. The manuscript contained passages the printer omitted, yet it was not the source he decided to use. Most of the editions that have appeared since have preferred the Winchester Manuscript as their textual source; it is the text that can better claim to lead us back to the lost original. The editors had to add passages from Caxton to make up for passages the manuscript had lost. Mixed editions were the resulte.
The text presented with this edition has returned to Caxton’s book. Malory might have written a text that came closer to the Winchester Manuscript’s rather than to Caxton’s edition. Yet it was Caxton’s text through which Malory’s compilation came to survive and became what it is today: a classic of English literature. The present text is technically based on the (freely available) edition Oskar Sommer published from 1889 to 1891. The makeshift edition thus produced should make the standard text available – and keep a good distance from the modernised alternative Caxton-version provided by the popular Penguin edition. The present text is at the same moment not the text Caxton would have produced had he used antiqua letters – his edition used a 15th century blackletter alphabet with its own choice of special characters.
- A “კ” appears in Caxton’s edition both as the Latin z and the English yogh – in 1485 not more than a shorter spelling of the alternative gh. The present edition introduces the “კ” in both functions.
- Caxton’s m- and n-abbreviations have been preserved thoughout: a dash over a, e, o, or u indicates an omitted next letter m or n. “Laūcelot” has thus to be expanded to “Launcelot”.
- An ħ appears twice in conventional abbreviations of “Jhesus”: “on whos soule Iħu haue mercy” (sig.ee1v) and “A Iħu mercy sayd the bysshop” (sig.ee5r).
- þ is a th variant; its use is in Caxton’s text restricted to the conventional spellings þe for “the” and þt for “that”. Occasionally a “ye” was also used to represent the “þe”.
- v and u were used as grapheme variants v at the beginning u within words.
- Capital I and J were used indiscriminately - our edition offers capital I throughout the text; j appears – as in Caxton’s text – at the end of words (as in the roman number “viij”).
- The present edition offers the old ſ as the regular lower case s at the beginning and within words.
Sheet signatures and pagination
Caxton’s edition appeared without a title page (the imprint concluded the book), and it did not offer any pagination beyond the printer’s sheet signatures. The present edition gives these signatures and an auxiliary pagination of the original edition. The printed volume consisted of:
- a front matter of 34 pages on 3 sheets (incoherently labeled),
- a body of 52 sheets of which
- 24 sheets are signed with small letters from a to z plus &;
- 23 sheets with capital letters from A to Z;
- 5 sheets with double small letters from aa to ee.
Each sheet (with the exception of the last sheets both of the front matter and the text) gave 8 leafs (i.e. 16 pages), each with a recto and a verso side to refer to: a1r, a1v, a2r, a2v, a3r, a3v … a8r, a8v, b1r etc. The reference to sheet signatures is of convenience wherever the present edition is used alongside reproductions of the original edition (as available on the web in the EEBO-collection).
Paragraph setting
Caxton’s paragraph setting has been preserved with his punctuation. This includes his use of “virgules”, even though antiqua letters, as used in the present edition, would have demanded commas instead of virgueles even in the 1480s. Caxton’s virgule proves to be a far more flexible punctuation mark than a modern comma would be. A number of pages ended with headlines which were then repeated on the succeeding pages (Q1v, R1v, X3r, Z7r) – the present edition has eliminated these duplicates.
Pronunciation
The English consonantism did not change very much since the 15th century.
- kn was still pronounced with a distinct k.
- gh were pronounced as the German “ch” in “ich” and “ach”, i.e. /x/ after the “dark” vowels a and o and u and /ç/ after i and e.
The English vowel system changed, by contrast, considerably in what came to be noted as the “great vowel shift”. The following table gives the historical steps. Caxton’s spelling does regularly give the best hints how a vowel was supposed to be pronounced.
When reading Caxton as spelled, one has, however, to keep in mind that v and u, and i, j and y had their own patterns of distribution. One has to read u and i as vowels where one would do so in modern spelling, they have to be read as v and j where consonants would appear today.
A special problem is the final e in many of Caxton's words (“kynge” etc.). It is likely that these final vowels where no longer pronounced on a regular basis. It is at the same time possible that one could pronounce them to stress words.
The present edition is an attempt to make this text freely available. Contact me if you detect mistakes or if you can improve the present edition otherwise. Corrections might help others using the text.
Pronunciation
Vowels
The English vowel system went through a fundamental shift between 1350 and 1500. The table bellow gives the individual steps (ignoring that not all the English dialects performed these steps according to the pattern). The spelling - in Caxton's days closer to the pronunciation than today - does regularly give the best hints how a vowel was supposed to be pronounced.
http://www.pierre-marteau.com/editions/1485-morte-darthur/vowelshift.png
When reading Caxton as spelled, one has, however, to keep in mind that "v" and "u", and "i", "j" and "y" had their own pattern of distribution within a sequence of letters. Read u and i as vowels where you would do so in modern English, read them as consonants v and j where you would do it today.
A special problem is the final e in many of Caxton's words ("kynge" where we write "king", "synne" instead of "sin"). It is likely that these final vowels where no longer pronounced on a regular basis. It is at the same time possible that the pronunciations coexisted as they still do in modern German where one can stress a nouns grammatical case and thus the word itself with the lost letter ("dem Manne kann geholfen werden").
Consonants
Most of the consonants remained stable, the spelling gives indications of differences.
- kn was still pronounced with a distinct k.
- ʒ and gh were pronounced as the German "ch" in "ich" and "ach", i.e. /x/ after the "dark" vowels a and o and u and /ç/ after i and e.
