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|−|Provisorische uralte Infos über mich: |+|
|−|http://www. grimoires. de/inhalt. php?art=team&nr=1 |+|
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for the Magisterarbeit: |+|
Currently researching (-) . ,
|−|=Jasper Fforde's 'Thursday Next' ( 2001- 2007). Intertextuality, Metafiction, Postmodernism= |+|
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Questions I ponder== |+|
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|−|I here have a couple of fake titles modelled on existing ones... some I have found the reference ( or think so) and I am pretty sure the other ones have references as well... so if you have any idea of the model/reference, tell me : ) |+|
of . . . the
() and the of the , :
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|−|The War of the Words [War of the Worlds]<br> |+|
|−|Last Among Prequels [First Among Sequels]<br> |+|
|−|Apocalypse Next [Apocalypse Now]<br> |+|
|−|Dark Reading Matter [?]<br> |+|
|−|Paragraph Lost [Paradise Lost]<br> |+|
|−|Herrings Red [um... a red herring in this list?]<br> |+|
|−|The Palmipsets of Dr Caligari [The Cabinet of Dr. Caligari]<br> |+|
|−|The Legion of the Danvers [The Legion of the X, for X having LOTS of models]<br> |+|
|−|Some Other Title Entirely [probably just that]<br> |+|
|−|(the above are announcements of the next book in a series. Which will, I suppose, rather get the last suggestion in a literal way.)<p> |+|
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|−|Hosing the Dolly [?]<br> |+|
|−|Love among the begonias [~Chickens, ~Walnuts, ~Ruins, ~Cannibals; since it is a similar source probably referring to the walnuts. Totally "nuts" anyway. ]<br> |+|
, , , ; is a
Demonic Couplets by Salmon Thrusty [The Satanic Verses by Salman Rushdie]<br> |+|
to the . . The
|−|Bananas for Edward [Flowers for Algernon]<br> |+|
Mews of Doom [?]<br> |+|
The of the 
|−|Collecting the Undead [ ?] <br> |+|
Latest revision as of 10:30, 14 December 2009
Passed M.A. exam 2008.
Title of Magisterarbeit: Jasper Fforde's 'Thursday Next' (2001-2007). Intertextuality, Metafiction, Postmodernism
Currently researching about King Arthur in Early Modern England (1473-1800) and seeking employment as PhD student. (Researching on that very topic, obviously).
Dissertation Exposee - Introduction
King Arthur 1473-1800: Between History and Fiction
Even in the present day, King Arthur is part of popular myth building as well as scientific exploration, especially in connection with the European middle ages in which the Matière de Bretagne got widespread attention. There is no seamless connection from the high middle ages, the apex of the Arthurian Epic, to this day. The middle ages were afterwards shunned and had to be rediscovered by the Romantic Movement; Arthurian literature experiences a revival of its own at about 1800. This has been object of extensive research as has been the medieval treatment of Arthur.
The period of transfer between 1473 (the beginning of print) and 1800 (the rediscovery of the Middle Ages), on the other hand, has been hardly researched. The Arthurian matter was not lost. It can be found in:
- “Histories” and “Chronicles”
- Works of the humanities
- Encyclopaedic and lexical entries
- Operas, stage plays, and pageants
- Verse epics and (topographical) poems
- Peripheral references of non-fictional texts.
The project sketched herein aims to bridge the gap in Arthurian research with the development of a complex view on the options that bodies of knowledge have to survive in different genres and – in the extreme case – in derogatory glosses.
As a researcher, one will highlight some trends over others if one wants or not. How one does this, is interesting. At the same time, the big lines of negotiation are interesting. These negotiations took place within the process of re-invention of historical research from the 16th to the 19th century; by and by, historical research gained power as scientific battleground of societal controversies. A second process from the 17th to 19th century led to the establishment of fiction, literature in today’s meaning. The Arthurian matter changed from a historical to a literary body of knowledge in this time. The process is marked by doubts, re-evaluations and, ultimately, a massive valorisation within the newly established cultural history.
The aim is to fathom out how the knowledge about Arthur survived. This will show that changes in genre were used to allow re-evaluations without losing the value of the transmitted knowledge. The negotiations will show options to keep relevant a body of knowledge that cannot survive as historical truth any more. At this point, the proposed work promises a re-thinking of the function of genres.
This thesis focuses on the Arthurian matter in early modern Great Britain, a subject matter of national dimension in the midst of the process that shaped today’s meaning of nation. Thus, the nation was concerned about whatever remained to be discussed between historical research and literary science, in addition to requirements set upon it by politics. On the one hand, one wondered if King Arthur, the mystic hero, really existed; on the other hand, one created as national literature a fictional domain in which one could take renewed pride.
The work planned has thus components of the history of a subject matter, of politics, and of a fascinating discursive history. It will also deal with the creation of the category of literature an the early modern book market.[...]