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	<updated>2026-04-17T13:28:18Z</updated>
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	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=User_talk:Olaf_Simons&amp;diff=18041</id>
		<title>User talk:Olaf Simons</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=User_talk:Olaf_Simons&amp;diff=18041"/>
		<updated>2009-04-07T16:36:35Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: /* Neues Thema */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[User talk:Olaf Simons/Archive]]&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Neues Thema==&lt;br /&gt;
Vielen Dank noch mal Olaf!! Beste Grüße, Julia&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2009_BM1_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature,_Part_1&amp;diff=17969</id>
		<title>2009 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2009_BM1_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature,_Part_1&amp;diff=17969"/>
		<updated>2009-04-06T11:20:18Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:*Hannah Treffert: Di 8 - 10, A04 4-411 (starts Oct 28)&lt;br /&gt;
:*Soeren Koopmann: Do 8 - 10, A01 0-004 (starts Oct 30)&lt;br /&gt;
:*Sarina Lal: Fr 10 - 12, A13 0-027 (starts Oct 31)&lt;br /&gt;
&lt;br /&gt;
The first part of the Basismodul focuses on techniques of textual analysis in the context of discussing literature. We are offering five parallel courses (supported by tutorials). Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice. You will find information relating to your course under the individual course number and lecturer.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below) and as a master copy at Wersig. In addition you will need to purchase two books.&lt;br /&gt;
&lt;br /&gt;
*William Shakespeare. &#039;&#039;Antony and Cleopatra&#039;&#039; [1607]. Ed. E.A.J. Honigmann. London: Arden (3rd Series), 1996.&lt;br /&gt;
::*[[William Shakespeare, Antony and Cleopatra (1607)]]&lt;br /&gt;
*Herman Melville. &#039;&#039;Bartleby, the Scrivener: A Story of Wall Street&#039;&#039; [1853].&lt;br /&gt;
&lt;br /&gt;
[[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature:Curriculum|Course work]]: You will be asked to hand in three assignments (in session 6, 10 and 13 respectively) and produce a Research Paper Outline (due 02.03.09). The assignments are limited to a max. of 2-3 pages of text, formatted according to the [[Literary Studies:Style sheet|style sheet]], and will require you to analyse poetry, drama and fiction respectively. For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
Tutorials will help you to practise your analysis skills and support you in doing your assignments and Research Paper Outline.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignements:&lt;br /&gt;
*[[Survive Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - good for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, Oct 13-17: Literature and Education==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature:Curriculum|BM 1 Curriculum, Aims and Goals]]&lt;br /&gt;
*Introduction to the BM 1 Programme&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/bm1_poetry_reader.pdf Poetry Reader] includes:&lt;br /&gt;
#Rudyard Kipling, &amp;quot;The White Man&#039;s Burden&amp;quot; (1899)&lt;br /&gt;
#[[Langston Hughes, I, Too (1925)|Langston Hughes, &amp;quot;I, Too&amp;quot; (1925)]]&lt;br /&gt;
#[[Walt Whitman, &amp;quot;One&#039;s Self I Sing&amp;quot; (1867)]]&lt;br /&gt;
#John Donne: “Holy Sonnet XIV” (1633)&lt;br /&gt;
#John Milton: “Sonnet VII” (1645)&lt;br /&gt;
#John Milton: “Sonnet XIX” (1673)&lt;br /&gt;
#Stevie Smith: “The Galloping Cat”&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
http://upload.wikimedia.org/wikipedia/en/archive/a/a4/20060822115324%21McKinleyPhilippinesCartoon.jpg&lt;br /&gt;
&lt;br /&gt;
source [http://en.wikipedia.org/wiki/Image:McKinleyPhilippinesCartoon.jpg Wikipedia]&lt;br /&gt;
&lt;br /&gt;
==Session Two, Oct 20-24: Poetry 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [[Analysing Poetry 1]]&lt;br /&gt;
* Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1975_culler__structuralist_poetics.pdf Culler 161-178]; [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns.&lt;br /&gt;
&lt;br /&gt;
==Session Three, Oct 27-30: Poetry 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Handout [[Analysing Poetry 1]]&lt;br /&gt;
* Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1975_culler__structuralist_poetics.pdf Culler 161-178]; [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Four, Nov 3-7: Poetry 3==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 47-60]&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1969_leech__poetry.pdf Leech, 147-157]&lt;br /&gt;
*Handout: [[Figurative Speech]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
      [[2008-09 BM1 Assignment 1: Poetry|Assignment I: Poetry (Due: Session 6)]]&lt;br /&gt;
&lt;br /&gt;
==Session Five, Nov 10-14: Drama 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1979_plett__einfuehrung.pdf Plett 3-22, 102-105]&lt;br /&gt;
*[[Heinrich F. Plett, Einführung in die rhetorische Textanalyse (1971)|Excerpt from Plett]]&lt;br /&gt;
*Handout: [[Rhetoric]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, Nov 17-21: Drama 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1993_pfister__drama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
[[Manfred Pfister, Das Drama (1977)|Excerpt from Pfister]]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Analysing Dramatic Communication]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication, Exposition [assignment 1 due]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, Nov 24-28: Drama 3==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1993_pfister__drama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects&lt;br /&gt;
&lt;br /&gt;
==Session Eight, Dec 1-5: Literary Theory==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen Jay. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol.2. 561-80.]&lt;br /&gt;
*see also: &lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-1.pdf bm1-lit-theory-timeline-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-1a.pdf Brief Overview of Theoretical Approaches and Movements, Variety A]&lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-2.pdf bm1-lit-theory-timeline-2.pdf] and &lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/2007-02-06/2007-20c-lit-hist.html Theory and the Wider Market of Debates - A First Draft]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Postcolonial Studies&lt;br /&gt;
&lt;br /&gt;
      [[2008-09 BM1 Assignment 2: Drama|Assignment II: Drama (Due: Dec 19)]]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, Dec 9: Film Screening==&lt;br /&gt;
[[Francis Ford Coppola (dir.), Apocalypse Now (1979 film)]]&lt;br /&gt;
:*Venue: A14 1-101 (Hörsaal 1)&lt;br /&gt;
:*Time: 19.45 - 22.15 h&lt;br /&gt;
&lt;br /&gt;
==Session Ten, Dec 15-19: Film Analysis==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Handout: [[Film Analysis]]&lt;br /&gt;
* David Bordwell et al.; Korte, Einführung in die Systematische Filmanalyse (2000)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Francis Ford Coppola, Apocalypse Now (1979)&lt;br /&gt;
&lt;br /&gt;
* Essay on Apocalypse Now in: Moore, Gene M., &#039;&#039;Joseph Conrad&#039;s Heart of Darkness: a Casebook&#039;&#039;, place: publ., 183-196.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Spectacle, Narratives and Fiction. Film Analysis.&lt;br /&gt;
&lt;br /&gt;
[assignment 2 due]&lt;br /&gt;
&lt;br /&gt;
  Übungsblatt (practice sheet on research techniques) deadline: first session in January!&lt;br /&gt;
==Session Eleven, Jan 5-9: Fiction 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan 72-86]&lt;br /&gt;
&lt;br /&gt;
[[Rimmon-Kenan, Narrative Fiction: Contemporary Poetics, London 1983|Excerpt from Rimmon-Kenan]]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Narratology]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Conrad, Heart of Darkness (1899)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalisation. [assignment 2 returned]&lt;br /&gt;
&lt;br /&gt;
       [[2008-09 BM1 Assignment 3: Fiction|Assignment III: Fiction (Due: Session 13)]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, Jan 12-16: Fiction 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan 59-71]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Narratology]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Conrad, Heart of Darkness (1899)&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, Jan 19-23: Beyond the Literary Text or Recapitulation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1978_achebe_an_image_of_africa.pdf Achebe, Chinua. &amp;quot;An Image of Africa.&amp;quot; &#039;&#039;Research in African Literatures&#039;&#039; 9.1. Special Issue on Literary Criticism. (Spring, 1978): 1-15.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Literary Analysis and non-literary materials,&lt;br /&gt;
&lt;br /&gt;
[assignment 3 due]&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, Jan 26-30: Term Paper Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects [assignment 3 returned]&lt;br /&gt;
&lt;br /&gt;
      [http://wiki.angl-am.uni-oldenburg.de/index.php/BM1_-_Introduction_to_Literature_-_Assignment_4:_Research_Paper_Outline Assignment 4: Term Paper Projects (Due: 02.03.09)]&lt;br /&gt;
&lt;br /&gt;
==Further Reading==&lt;br /&gt;
*[[William Shakespeare, The Tempest (1611)]]&lt;br /&gt;
*[[Joseph Conrad, Heart of Darkness (1899)]]&lt;br /&gt;
*[[Francis Ford Coppola (dir.), Apocalypse Now (1979 film)]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2008-2009|2009-1]]&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2009_BM1_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature,_Part_1&amp;diff=17968</id>
		<title>2009 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2009_BM1_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature,_Part_1&amp;diff=17968"/>
		<updated>2009-04-06T11:16:52Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:*Hannah Treffert: Di 8 - 10, A04 4-411 (starts Oct 28)&lt;br /&gt;
:*Soeren Koopmann: Do 8 - 10, A01 0-004 (starts Oct 30)&lt;br /&gt;
:*Sarina Lal: Fr 10 - 12, A13 0-027 (starts Oct 31)&lt;br /&gt;
&lt;br /&gt;
The first part of the Basismodul focuses on techniques of textual analysis in the context of discussing literature. We are offering five parallel courses (supported by tutorials). Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice. You will find information relating to your course under the individual course number and lecturer.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below) and as a master copy at Wersig. In addition you will need to purchase two books.&lt;br /&gt;
&lt;br /&gt;
*William Shakespeare. &#039;&#039;Anthony and Cleopatra&#039;&#039; [1607]. Ed. E.A.J. Honigmann. London: Arden (3rd Series), 1996.&lt;br /&gt;
::*[[William Shakespeare, Antony and Cleopatra (1607)]]&lt;br /&gt;
*Joseph Conrad. &#039;&#039;Heart of Darkness&#039;&#039; [1899]. Eds. Owen Knowles, Robert Hampson, and J.H. Stape. London: Penguin Classics, 2007.&lt;br /&gt;
&lt;br /&gt;
[[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature:Curriculum|Course work]]: You will be asked to hand in three assignments (in session 6, 10 and 13 respectively) and produce a Research Paper Outline (due 02.03.09). The assignments are limited to a max. of 2-3 pages of text, formatted according to the [[Literary Studies:Style sheet|style sheet]], and will require you to analyse poetry, drama and fiction respectively. For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
Tutorials will help you to practise your analysis skills and support you in doing your assignments and Research Paper Outline.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignements:&lt;br /&gt;
*[[Survive Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - good for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, Oct 13-17: Literature and Education==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature:Curriculum|BM 1 Curriculum, Aims and Goals]]&lt;br /&gt;
*Introduction to the BM 1 Programme&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/bm1_poetry_reader.pdf Poetry Reader] includes:&lt;br /&gt;
#Rudyard Kipling, &amp;quot;The White Man&#039;s Burden&amp;quot; (1899)&lt;br /&gt;
#[[Langston Hughes, I, Too (1925)|Langston Hughes, &amp;quot;I, Too&amp;quot; (1925)]]&lt;br /&gt;
#[[Walt Whitman, &amp;quot;One&#039;s Self I Sing&amp;quot; (1867)]]&lt;br /&gt;
#John Donne: “Holy Sonnet XIV” (1633)&lt;br /&gt;
#John Milton: “Sonnet VII” (1645)&lt;br /&gt;
#John Milton: “Sonnet XIX” (1673)&lt;br /&gt;
#Stevie Smith: “The Galloping Cat”&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
http://upload.wikimedia.org/wikipedia/en/archive/a/a4/20060822115324%21McKinleyPhilippinesCartoon.jpg&lt;br /&gt;
&lt;br /&gt;
source [http://en.wikipedia.org/wiki/Image:McKinleyPhilippinesCartoon.jpg Wikipedia]&lt;br /&gt;
&lt;br /&gt;
==Session Two, Oct 20-24: Poetry 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [[Analysing Poetry 1]]&lt;br /&gt;
* Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1975_culler__structuralist_poetics.pdf Culler 161-178]; [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns.&lt;br /&gt;
&lt;br /&gt;
==Session Three, Oct 27-30: Poetry 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Handout [[Analysing Poetry 1]]&lt;br /&gt;
* Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1975_culler__structuralist_poetics.pdf Culler 161-178]; [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Four, Nov 3-7: Poetry 3==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 47-60]&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1969_leech__poetry.pdf Leech, 147-157]&lt;br /&gt;
*Handout: [[Figurative Speech]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
      [[2008-09 BM1 Assignment 1: Poetry|Assignment I: Poetry (Due: Session 6)]]&lt;br /&gt;
&lt;br /&gt;
==Session Five, Nov 10-14: Drama 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1979_plett__einfuehrung.pdf Plett 3-22, 102-105]&lt;br /&gt;
*[[Heinrich F. Plett, Einführung in die rhetorische Textanalyse (1971)|Excerpt from Plett]]&lt;br /&gt;
*Handout: [[Rhetoric]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, Nov 17-21: Drama 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1993_pfister__drama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
[[Manfred Pfister, Das Drama (1977)|Excerpt from Pfister]]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Analysing Dramatic Communication]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication, Exposition [assignment 1 due]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, Nov 24-28: Drama 3==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1993_pfister__drama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects&lt;br /&gt;
&lt;br /&gt;
==Session Eight, Dec 1-5: Literary Theory==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen Jay. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol.2. 561-80.]&lt;br /&gt;
*see also: &lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-1.pdf bm1-lit-theory-timeline-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-1a.pdf Brief Overview of Theoretical Approaches and Movements, Variety A]&lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-2.pdf bm1-lit-theory-timeline-2.pdf] and &lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/2007-02-06/2007-20c-lit-hist.html Theory and the Wider Market of Debates - A First Draft]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Postcolonial Studies&lt;br /&gt;
&lt;br /&gt;
      [[2008-09 BM1 Assignment 2: Drama|Assignment II: Drama (Due: Dec 19)]]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, Dec 9: Film Screening==&lt;br /&gt;
[[Francis Ford Coppola (dir.), Apocalypse Now (1979 film)]]&lt;br /&gt;
:*Venue: A14 1-101 (Hörsaal 1)&lt;br /&gt;
:*Time: 19.45 - 22.15 h&lt;br /&gt;
&lt;br /&gt;
==Session Ten, Dec 15-19: Film Analysis==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Handout: [[Film Analysis]]&lt;br /&gt;
* David Bordwell et al.; Korte, Einführung in die Systematische Filmanalyse (2000)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Francis Ford Coppola, Apocalypse Now (1979)&lt;br /&gt;
&lt;br /&gt;
* Essay on Apocalypse Now in: Moore, Gene M., &#039;&#039;Joseph Conrad&#039;s Heart of Darkness: a Casebook&#039;&#039;, place: publ., 183-196.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Spectacle, Narratives and Fiction. Film Analysis.&lt;br /&gt;
&lt;br /&gt;
[assignment 2 due]&lt;br /&gt;
&lt;br /&gt;
  Übungsblatt (practice sheet on research techniques) deadline: first session in January!&lt;br /&gt;
==Session Eleven, Jan 5-9: Fiction 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan 72-86]&lt;br /&gt;
&lt;br /&gt;
[[Rimmon-Kenan, Narrative Fiction: Contemporary Poetics, London 1983|Excerpt from Rimmon-Kenan]]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Narratology]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Conrad, Heart of Darkness (1899)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalisation. [assignment 2 returned]&lt;br /&gt;
&lt;br /&gt;
       [[2008-09 BM1 Assignment 3: Fiction|Assignment III: Fiction (Due: Session 13)]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, Jan 12-16: Fiction 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan 59-71]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Narratology]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Conrad, Heart of Darkness (1899)&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, Jan 19-23: Beyond the Literary Text or Recapitulation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1978_achebe_an_image_of_africa.pdf Achebe, Chinua. &amp;quot;An Image of Africa.&amp;quot; &#039;&#039;Research in African Literatures&#039;&#039; 9.1. Special Issue on Literary Criticism. (Spring, 1978): 1-15.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Literary Analysis and non-literary materials,&lt;br /&gt;
&lt;br /&gt;
[assignment 3 due]&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, Jan 26-30: Term Paper Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects [assignment 3 returned]&lt;br /&gt;
&lt;br /&gt;
      [http://wiki.angl-am.uni-oldenburg.de/index.php/BM1_-_Introduction_to_Literature_-_Assignment_4:_Research_Paper_Outline Assignment 4: Term Paper Projects (Due: 02.03.09)]&lt;br /&gt;
&lt;br /&gt;
==Further Reading==&lt;br /&gt;
*[[William Shakespeare, The Tempest (1611)]]&lt;br /&gt;
*[[Joseph Conrad, Heart of Darkness (1899)]]&lt;br /&gt;
*[[Francis Ford Coppola (dir.), Apocalypse Now (1979 film)]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2008-2009|2009-1]]&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2009_BM1_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature,_Part_1&amp;diff=17967</id>
		<title>2009 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2009_BM1_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature,_Part_1&amp;diff=17967"/>
		<updated>2009-04-06T11:14:37Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:*Hannah Treffert: Di 8 - 10, A04 4-411 (starts Oct 28)&lt;br /&gt;
:*Soeren Koopmann: Do 8 - 10, A01 0-004 (starts Oct 30)&lt;br /&gt;
:*Sarina Lal: Fr 10 - 12, A13 0-027 (starts Oct 31)&lt;br /&gt;
&lt;br /&gt;
The first part of the Basismodul focuses on techniques of textual analysis in the context of discussing literature. We are offering five parallel courses (supported by tutorials). Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice. You will find information relating to your course under the individual course number and lecturer.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below) and as a master copy at Wersig. In addition you will need to purchase two books.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*William Shakespeare. &#039;&#039;Anthony and Cleopatra&#039;&#039; [1607]. Ed. E.A.J. Honigmann. London: Arden (3rd Series), 1996.&lt;br /&gt;
*Joseph Conrad. &#039;&#039;Heart of Darkness&#039;&#039; [1899]. Eds. Owen Knowles, Robert Hampson, and J.H. Stape. London: Penguin Classics, 2007.&lt;br /&gt;
&lt;br /&gt;
[[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature:Curriculum|Course work]]: You will be asked to hand in three assignments (in session 6, 10 and 13 respectively) and produce a Research Paper Outline (due 02.03.09). The assignments are limited to a max. of 2-3 pages of text, formatted according to the [[Literary Studies:Style sheet|style sheet]], and will require you to analyse poetry, drama and fiction respectively. For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
Tutorials will help you to practise your analysis skills and support you in doing your assignments and Research Paper Outline.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignements:&lt;br /&gt;
*[[Survive Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - good for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, Oct 13-17: Literature and Education==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature:Curriculum|BM 1 Curriculum, Aims and Goals]]&lt;br /&gt;
*Introduction to the BM 1 Programme&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/bm1_poetry_reader.pdf Poetry Reader] includes:&lt;br /&gt;
#Rudyard Kipling, &amp;quot;The White Man&#039;s Burden&amp;quot; (1899)&lt;br /&gt;
#[[Langston Hughes, I, Too (1925)|Langston Hughes, &amp;quot;I, Too&amp;quot; (1925)]]&lt;br /&gt;
#[[Walt Whitman, &amp;quot;One&#039;s Self I Sing&amp;quot; (1867)]]&lt;br /&gt;
#John Donne: “Holy Sonnet XIV” (1633)&lt;br /&gt;
#John Milton: “Sonnet VII” (1645)&lt;br /&gt;
#John Milton: “Sonnet XIX” (1673)&lt;br /&gt;
#Stevie Smith: “The Galloping Cat”&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
http://upload.wikimedia.org/wikipedia/en/archive/a/a4/20060822115324%21McKinleyPhilippinesCartoon.jpg&lt;br /&gt;
&lt;br /&gt;
source [http://en.wikipedia.org/wiki/Image:McKinleyPhilippinesCartoon.jpg Wikipedia]&lt;br /&gt;
&lt;br /&gt;
==Session Two, Oct 20-24: Poetry 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [[Analysing Poetry 1]]&lt;br /&gt;
* Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1975_culler__structuralist_poetics.pdf Culler 161-178]; [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns.&lt;br /&gt;
&lt;br /&gt;
==Session Three, Oct 27-30: Poetry 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Handout [[Analysing Poetry 1]]&lt;br /&gt;
* Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1975_culler__structuralist_poetics.pdf Culler 161-178]; [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Four, Nov 3-7: Poetry 3==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 47-60]&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1969_leech__poetry.pdf Leech, 147-157]&lt;br /&gt;
*Handout: [[Figurative Speech]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
      [[2008-09 BM1 Assignment 1: Poetry|Assignment I: Poetry (Due: Session 6)]]&lt;br /&gt;
&lt;br /&gt;
==Session Five, Nov 10-14: Drama 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1979_plett__einfuehrung.pdf Plett 3-22, 102-105]&lt;br /&gt;
*[[Heinrich F. Plett, Einführung in die rhetorische Textanalyse (1971)|Excerpt from Plett]]&lt;br /&gt;
*Handout: [[Rhetoric]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, Nov 17-21: Drama 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1993_pfister__drama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
[[Manfred Pfister, Das Drama (1977)|Excerpt from Pfister]]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Analysing Dramatic Communication]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication, Exposition [assignment 1 due]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, Nov 24-28: Drama 3==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1993_pfister__drama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects&lt;br /&gt;
&lt;br /&gt;
==Session Eight, Dec 1-5: Literary Theory==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen Jay. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol.2. 561-80.]&lt;br /&gt;
*see also: &lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-1.pdf bm1-lit-theory-timeline-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-1a.pdf Brief Overview of Theoretical Approaches and Movements, Variety A]&lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-2.pdf bm1-lit-theory-timeline-2.pdf] and &lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/2007-02-06/2007-20c-lit-hist.html Theory and the Wider Market of Debates - A First Draft]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Postcolonial Studies&lt;br /&gt;
&lt;br /&gt;
      [[2008-09 BM1 Assignment 2: Drama|Assignment II: Drama (Due: Dec 19)]]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, Dec 9: Film Screening==&lt;br /&gt;
[[Francis Ford Coppola (dir.), Apocalypse Now (1979 film)]]&lt;br /&gt;
:*Venue: A14 1-101 (Hörsaal 1)&lt;br /&gt;
:*Time: 19.45 - 22.15 h&lt;br /&gt;
&lt;br /&gt;
==Session Ten, Dec 15-19: Film Analysis==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Handout: [[Film Analysis]]&lt;br /&gt;
* David Bordwell et al.; Korte, Einführung in die Systematische Filmanalyse (2000)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Francis Ford Coppola, Apocalypse Now (1979)&lt;br /&gt;
&lt;br /&gt;
* Essay on Apocalypse Now in: Moore, Gene M., &#039;&#039;Joseph Conrad&#039;s Heart of Darkness: a Casebook&#039;&#039;, place: publ., 183-196.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Spectacle, Narratives and Fiction. Film Analysis.&lt;br /&gt;
&lt;br /&gt;
[assignment 2 due]&lt;br /&gt;
&lt;br /&gt;
  Übungsblatt (practice sheet on research techniques) deadline: first session in January!&lt;br /&gt;
==Session Eleven, Jan 5-9: Fiction 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan 72-86]&lt;br /&gt;
&lt;br /&gt;
[[Rimmon-Kenan, Narrative Fiction: Contemporary Poetics, London 1983|Excerpt from Rimmon-Kenan]]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Narratology]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Conrad, Heart of Darkness (1899)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalisation. [assignment 2 returned]&lt;br /&gt;
&lt;br /&gt;
       [[2008-09 BM1 Assignment 3: Fiction|Assignment III: Fiction (Due: Session 13)]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, Jan 12-16: Fiction 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan 59-71]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Narratology]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Conrad, Heart of Darkness (1899)&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, Jan 19-23: Beyond the Literary Text or Recapitulation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1978_achebe_an_image_of_africa.pdf Achebe, Chinua. &amp;quot;An Image of Africa.&amp;quot; &#039;&#039;Research in African Literatures&#039;&#039; 9.1. Special Issue on Literary Criticism. (Spring, 1978): 1-15.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Literary Analysis and non-literary materials,&lt;br /&gt;
&lt;br /&gt;
[assignment 3 due]&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, Jan 26-30: Term Paper Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects [assignment 3 returned]&lt;br /&gt;
&lt;br /&gt;
      [http://wiki.angl-am.uni-oldenburg.de/index.php/BM1_-_Introduction_to_Literature_-_Assignment_4:_Research_Paper_Outline Assignment 4: Term Paper Projects (Due: 02.03.09)]&lt;br /&gt;
&lt;br /&gt;
==Further Reading==&lt;br /&gt;
*[[William Shakespeare, The Tempest (1611)]]&lt;br /&gt;
*[[Joseph Conrad, Heart of Darkness (1899)]]&lt;br /&gt;
*[[Francis Ford Coppola (dir.), Apocalypse Now (1979 film)]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2008-2009|2009-1]]&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2009_BM1_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature,_Part_1&amp;diff=17966</id>
		<title>2009 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2009_BM1_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature,_Part_1&amp;diff=17966"/>
		<updated>2009-04-06T11:11:56Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: New page: :*Hannah Treffert: Di 8 - 10, A04 4-411 (starts Oct 28) :*Soeren Koopmann: Do 8 - 10, A01 0-004 (starts Oct 30) :*Sarina Lal: Fr 10 - 12, A13 0-027 (starts Oct 31)  The first part of the B...&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;:*Hannah Treffert: Di 8 - 10, A04 4-411 (starts Oct 28)&lt;br /&gt;
:*Soeren Koopmann: Do 8 - 10, A01 0-004 (starts Oct 30)&lt;br /&gt;
:*Sarina Lal: Fr 10 - 12, A13 0-027 (starts Oct 31)&lt;br /&gt;
&lt;br /&gt;
The first part of the Basismodul focuses on techniques of textual analysis in the context of discussing literature. We are offering five parallel courses (supported by tutorials). Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice. You will find information relating to your course under the individual course number and lecturer.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below) and as a master copy at Wersig. In addition you will need to purchase two books.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Courses A-E&#039;&#039;&#039;:&lt;br /&gt;
*William Shakespeare. &#039;&#039;The Tempest&#039;&#039; [1611]. Ed. Virginia Mason Vaughan and Alden T. Vaughan. London: Arden (3rd Series), 2000.&lt;br /&gt;
*Joseph Conrad. &#039;&#039;Heart of Darkness&#039;&#039; [1899]. Eds. Owen Knowles, Robert Hampson, and J.H. Stape. London: Penguin Classics, 2007.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Course F&#039;&#039;&#039;:&lt;br /&gt;
*William Shakespeare. &#039;&#039;Othello&#039;&#039; [1603]. Ed. E.A.J. Honigmann. London: Arden (3rd Series), 1996.&lt;br /&gt;
*Joseph Conrad. &#039;&#039;Heart of Darkness&#039;&#039; [1899]. Eds. Owen Knowles, Robert Hampson, and J.H. Stape. London: Penguin Classics, 2007.&lt;br /&gt;
&lt;br /&gt;
[[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature:Curriculum|Course work]]: You will be asked to hand in three assignments (in session 6, 10 and 13 respectively) and produce a Research Paper Outline (due 02.03.09). The assignments are limited to a max. of 2-3 pages of text, formatted according to the [[Literary Studies:Style sheet|style sheet]], and will require you to analyse poetry, drama and fiction respectively. For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
Tutorials will help you to practise your analysis skills and support you in doing your assignments and Research Paper Outline.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignements:&lt;br /&gt;
*[[Survive Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - good for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, Oct 13-17: Literature and Education==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [[2007-08 BM1 Introduction to the Critical and Scholarly Discussion of Literature:Curriculum|BM 1 Curriculum, Aims and Goals]]&lt;br /&gt;
*Introduction to the BM 1 Programme&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/bm1_poetry_reader.pdf Poetry Reader] includes:&lt;br /&gt;
#Rudyard Kipling, &amp;quot;The White Man&#039;s Burden&amp;quot; (1899)&lt;br /&gt;
#[[Langston Hughes, I, Too (1925)|Langston Hughes, &amp;quot;I, Too&amp;quot; (1925)]]&lt;br /&gt;
#[[Walt Whitman, &amp;quot;One&#039;s Self I Sing&amp;quot; (1867)]]&lt;br /&gt;
#John Donne: “Holy Sonnet XIV” (1633)&lt;br /&gt;
#John Milton: “Sonnet VII” (1645)&lt;br /&gt;
#John Milton: “Sonnet XIX” (1673)&lt;br /&gt;
#Stevie Smith: “The Galloping Cat”&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
http://upload.wikimedia.org/wikipedia/en/archive/a/a4/20060822115324%21McKinleyPhilippinesCartoon.jpg&lt;br /&gt;
&lt;br /&gt;
source [http://en.wikipedia.org/wiki/Image:McKinleyPhilippinesCartoon.jpg Wikipedia]&lt;br /&gt;
&lt;br /&gt;
==Session Two, Oct 20-24: Poetry 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [[Analysing Poetry 1]]&lt;br /&gt;
* Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1975_culler__structuralist_poetics.pdf Culler 161-178]; [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns.&lt;br /&gt;
&lt;br /&gt;
==Session Three, Oct 27-30: Poetry 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Handout [[Analysing Poetry 1]]&lt;br /&gt;
* Sources: [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1975_culler__structuralist_poetics.pdf Culler 161-178]; [http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Four, Nov 3-7: Poetry 3==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/2005_ludwig__lyrikanalyse.pdf Ludwig, 47-60]&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1969_leech__poetry.pdf Leech, 147-157]&lt;br /&gt;
*Handout: [[Figurative Speech]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Poetry Reader&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
      [[2008-09 BM1 Assignment 1: Poetry|Assignment I: Poetry (Due: Session 6)]]&lt;br /&gt;
&lt;br /&gt;
==Session Five, Nov 10-14: Drama 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1979_plett__einfuehrung.pdf Plett 3-22, 102-105]&lt;br /&gt;
*[[Heinrich F. Plett, Einführung in die rhetorische Textanalyse (1971)|Excerpt from Plett]]&lt;br /&gt;
*Handout: [[Rhetoric]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, Nov 17-21: Drama 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1993_pfister__drama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
[[Manfred Pfister, Das Drama (1977)|Excerpt from Pfister]]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Analysing Dramatic Communication]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication, Exposition [assignment 1 due]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, Nov 24-28: Drama 3==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1993_pfister__drama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Shakespeare, The Tempest (1611)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects&lt;br /&gt;
&lt;br /&gt;
==Session Eight, Dec 1-5: Literary Theory==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen Jay. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol.2. 561-80.]&lt;br /&gt;
*see also: &lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-1.pdf bm1-lit-theory-timeline-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-1a.pdf Brief Overview of Theoretical Approaches and Movements, Variety A]&lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/pre/bm1-lit-theory-timeline-2.pdf bm1-lit-theory-timeline-2.pdf] and &lt;br /&gt;
:*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/2007-02-06/2007-20c-lit-hist.html Theory and the Wider Market of Debates - A First Draft]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Postcolonial Studies&lt;br /&gt;
&lt;br /&gt;
      [[2008-09 BM1 Assignment 2: Drama|Assignment II: Drama (Due: Dec 19)]]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, Dec 9: Film Screening==&lt;br /&gt;
[[Francis Ford Coppola (dir.), Apocalypse Now (1979 film)]]&lt;br /&gt;
:*Venue: A14 1-101 (Hörsaal 1)&lt;br /&gt;
:*Time: 19.45 - 22.15 h&lt;br /&gt;
&lt;br /&gt;
==Session Ten, Dec 15-19: Film Analysis==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
* Handout: [[Film Analysis]]&lt;br /&gt;
* David Bordwell et al.; Korte, Einführung in die Systematische Filmanalyse (2000)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Francis Ford Coppola, Apocalypse Now (1979)&lt;br /&gt;
&lt;br /&gt;
* Essay on Apocalypse Now in: Moore, Gene M., &#039;&#039;Joseph Conrad&#039;s Heart of Darkness: a Casebook&#039;&#039;, place: publ., 183-196.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Spectacle, Narratives and Fiction. Film Analysis.&lt;br /&gt;
&lt;br /&gt;
[assignment 2 due]&lt;br /&gt;
&lt;br /&gt;
  Übungsblatt (practice sheet on research techniques) deadline: first session in January!&lt;br /&gt;
==Session Eleven, Jan 5-9: Fiction 1==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan 72-86]&lt;br /&gt;
&lt;br /&gt;
[[Rimmon-Kenan, Narrative Fiction: Contemporary Poetics, London 1983|Excerpt from Rimmon-Kenan]]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Narratology]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Conrad, Heart of Darkness (1899)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalisation. [assignment 2 returned]&lt;br /&gt;
&lt;br /&gt;
       [[2008-09 BM1 Assignment 3: Fiction|Assignment III: Fiction (Due: Session 13)]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, Jan 12-16: Fiction 2==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1983_rimmonkenan__narrative_fiction.pdf Rimmon-Kenan 59-71]&lt;br /&gt;
&lt;br /&gt;
Handout: [[Narratology]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*Conrad, Heart of Darkness (1899)&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, Jan 19-23: Beyond the Literary Text or Recapitulation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[http://www.uni-oldenburg.de/anglistik/lit-wiss/intro-to-literature/d/1978_achebe_an_image_of_africa.pdf Achebe, Chinua. &amp;quot;An Image of Africa.&amp;quot; &#039;&#039;Research in African Literatures&#039;&#039; 9.1. Special Issue on Literary Criticism. (Spring, 1978): 1-15.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Literary Analysis and non-literary materials,&lt;br /&gt;
&lt;br /&gt;
[assignment 3 due]&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, Jan 26-30: Term Paper Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects [assignment 3 returned]&lt;br /&gt;
&lt;br /&gt;
      [http://wiki.angl-am.uni-oldenburg.de/index.php/BM1_-_Introduction_to_Literature_-_Assignment_4:_Research_Paper_Outline Assignment 4: Term Paper Projects (Due: 02.03.09)]&lt;br /&gt;
&lt;br /&gt;
==Further Reading==&lt;br /&gt;
*[[William Shakespeare, The Tempest (1611)]]&lt;br /&gt;
*[[Joseph Conrad, Heart of Darkness (1899)]]&lt;br /&gt;
*[[Francis Ford Coppola (dir.), Apocalypse Now (1979 film)]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2008-2009|2009-1]]&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=User:Julia_Meier&amp;diff=17965</id>
		<title>User:Julia Meier</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=User:Julia_Meier&amp;diff=17965"/>
		<updated>2009-04-06T11:10:55Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;this is a test, test, test&lt;br /&gt;
&lt;br /&gt;
==Courses==&lt;br /&gt;
*[[2009 BM2 Introduction to Anglophone Cultural Studies, Part 2]] Mon 18-19.30&lt;br /&gt;
*[[2009 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1]] Fr&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=User:Julia_Meier&amp;diff=17964</id>
		<title>User:Julia Meier</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=User:Julia_Meier&amp;diff=17964"/>
		<updated>2009-04-06T11:08:52Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;this is a test, test, test&lt;br /&gt;
&lt;br /&gt;
==Courses==&lt;br /&gt;
*[[2009 BM2 Introduction to Anglophone Cultural Studies, Part 2]] Mon 18-19.30&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=Courses&amp;diff=17963</id>
		<title>Courses</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=Courses&amp;diff=17963"/>
		<updated>2009-04-06T11:03:24Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: /* Summer 2009 */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{|cellpadding=&amp;quot;10&amp;quot;&lt;br /&gt;
|bgcolor=white align=&amp;quot;left&amp;quot; valign=&amp;quot;top&amp;quot;|&lt;br /&gt;
&lt;br /&gt;
Five web pages offer our course programs. Number six gives an outlook into the future and is an invitation to think about courses you would like to give or attend:&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&amp;lt;center&amp;gt;&lt;br /&gt;
{|width=&amp;quot;85%&amp;quot; cellpadding=&amp;quot;10&amp;quot;&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;| [http://www.studium.uni-oldenburg.de/lvstudip.php Lehrangebot]&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
[[Neue Darstellung des Lehrangebots]]&lt;br /&gt;
|-&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
[https://elearning.uni-oldenburg.de/ StudIP]&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
where you have to register&lt;br /&gt;
|-&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/31215.html Kommentiertes Veranstaltungsverzeichnis]&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
detailed course information&lt;br /&gt;
|-&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
[http://www.uni-oldenburg.de/anglistik/30273.html Wochenplan]&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
the week&#039;s schedule&lt;br /&gt;
|-&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|This Page&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|all courses that use the seminar&#039;s wiki&lt;br /&gt;
|-&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
[[Course Ideas]]&lt;br /&gt;
|valign=&amp;quot;top&amp;quot; bgcolor=&amp;quot;#F9F9F9&amp;quot;|&lt;br /&gt;
where you can develop your own ideas of courses you would like to give or attend&lt;br /&gt;
|}&amp;lt;/center&amp;gt;&lt;br /&gt;
&amp;lt;br&amp;gt;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==Summer 2009==&lt;br /&gt;
&#039;&#039;&#039;Basismodule&#039;&#039;&#039;&lt;br /&gt;
*[[2009 BM2 Introduction to Anglophone Cultural Studies, Part 2]]&lt;br /&gt;
*[[2009 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 2]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Aufbaumodule&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*[[3.02.282 Canterbury Tales|2009 AM Geoffrey Chaucer, &#039;&#039;Canterbury Tales&#039;&#039;]] Thu 16-18&lt;br /&gt;
*[[2009 AM Literature and the School System]]&lt;br /&gt;
*[[2009 AM Caribbean Crosscurrents in British Society]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mastermodule&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
*[[2009 MM African Intertextualities: Writing and Rewriting in Anglophone Fiction from Africa]]&lt;br /&gt;
*[[2009 MM Culture in the New South Africa]]&lt;br /&gt;
*[[2009 MM Gothic! Literature – Film – Music – Fashion]]&lt;br /&gt;
&lt;br /&gt;
==Winter 2008-2009==&lt;br /&gt;
&#039;&#039;&#039;Basismodule&#039;&#039;&#039;&lt;br /&gt;
*[[2008-09 BM1 Introduction to the Critical and Scholarly Discussion of Literature, Part 1]] &lt;br /&gt;
*[[2008-09 BM2 Introduction to Anglophone Cultural Studies, Part 1]]&lt;br /&gt;
*[[2008-09 BM3 Introduction to English Linguistics Part I]]&lt;br /&gt;
*[[2008-09 BM4 Einführung in die Englische Fachdidaktik Teil 1]]&lt;br /&gt;
*[[2008-09 BM5 Introduction to Integrated Language Skills, Part 1 (7 sections, registration via StudIP from Oct 10th-20th )]] &lt;br /&gt;
*[[2008-09 BM5 Presentation Skills (topic: US Presidential Election) - Introduction to Integrated Language Skills, Part 2 - ]](There is still room in this course!)&lt;br /&gt;
*[[2008-09 BM5 Presentation Skills (topic: Film Genres) - Introduction to Integrated Language Skills, Part 2 - (registration closed!!!)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Aufbaumodule&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Aufbaumodule 1: Sprachpraxis (registration closed as of Sept 5th!)&lt;br /&gt;
&lt;br /&gt;
Emphasis on spoken English:&lt;br /&gt;
&lt;br /&gt;
*[[2008-09 AM English Identities]]&lt;br /&gt;
*[[2008-09 AM News and Views]]&lt;br /&gt;
*[[2008-09 AM US Presidential Election]]&lt;br /&gt;
&lt;br /&gt;
Emphasis on written English:&lt;br /&gt;
&lt;br /&gt;
*[[2008-09 AM  Elements of Film]]&lt;br /&gt;
*[[2008-09 AM  Short Stories and a Play from South Africa]]&lt;br /&gt;
*[[2008-09 AM  America: Literature and Culture]]&lt;br /&gt;
&lt;br /&gt;
Kombinationsmodule Literatur-/Kulturwissenschaft &lt;br /&gt;
&lt;br /&gt;
*[[2008-09 AM British and Global Anglophone Youth Cultures]]&lt;br /&gt;
*[[2008-09 AM Postsecular Britain? Religion, Secularity, and Cultural Agency]]&lt;br /&gt;
*[[2008-09 AM Power Plays, or: Life of the Courtiers on the Early Modern Stage]]&lt;br /&gt;
*[[2008-09 AM The Transformation of British Cultural Identities]]&lt;br /&gt;
*[[2008-09 AM Trauma Narratives]]&lt;br /&gt;
&lt;br /&gt;
Kombinationsmodule Sprachwissenschaft/Didaktik&lt;br /&gt;
&lt;br /&gt;
*[[2008-09 AM Skills, Knowledge, Abilities]]&lt;br /&gt;
*[[2008-09 AM Teaching for Communicative Competence]]&lt;br /&gt;
*[[2008-09 AM Language Acquisition]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Mastermodule&#039;&#039;&#039;&lt;br /&gt;
*[[2008-09 MM The Booker Prize 2008 and the Culture of Literary Prizes]]&lt;br /&gt;
*[[2008-09 MM Multicultural Conviviality and Conflict in Britain]]&lt;br /&gt;
*[[2008-09 MM Fashion/Desire/Consumption in Literature]]&lt;br /&gt;
*[[2008-09 MM Innovations in ELT (fächerübergreifend)]]&lt;br /&gt;
&lt;br /&gt;
Master Module:  Language Practice (registration closed as of Sept 5th)&lt;br /&gt;
&lt;br /&gt;
*[[2008-09 MM Academic Discourse in Literature: Booker Prize]]&lt;br /&gt;
*[[2008-09 MM Academic Discourse in Literature and Cultural Studies: Charles Dickens and Oliver Twist]]&lt;br /&gt;
*[[2008-09 MM Academic Discourse in Cultural Studies: The US Presidential Election 2008]]&lt;br /&gt;
*[[2008-09 MM Academic Discourse in Linguistics: Global English]]&lt;br /&gt;
&lt;br /&gt;
==Archive==&lt;br /&gt;
*[[Courses:Archive|Archive of past seminars]]&lt;br /&gt;
&lt;br /&gt;
== Assignments, examinations, homework related materials ==&lt;br /&gt;
&lt;br /&gt;
* [http://wiki.angl-am.uni-oldenburg.de/index.php?title=Category:Assignment Assignments]&lt;br /&gt;
* [http://wiki.angl-am.uni-oldenburg.de/index.php?title=Category:Handout Handouts]&lt;br /&gt;
* [[Style sheet]]&lt;br /&gt;
* [http://wiki.angl-am.uni-oldenburg.de/index.php/Linguistics:Style_sheet_Hamann Style sheet (Linguistics)]&lt;br /&gt;
* [[Statement on &#039;Plagiarism&#039;]]&lt;br /&gt;
|bgcolor=white align=&amp;quot;left&amp;quot; valign=&amp;quot;top&amp;quot;|&lt;br /&gt;
http://www.uni-oldenburg.de/anglistik/lit-wiss/img/2007_kings_cross_tunnel-detail.jpg&lt;br /&gt;
|}&lt;br /&gt;
__NOTOC__&lt;br /&gt;
----&lt;br /&gt;
&amp;lt;small&amp;gt;Image detail: Courtesy of User:Salimfadhley [http://commons.wikimedia.org/wiki/Image:Kings_cross_tunnel_edit.jpg Wikimedia Commons]&amp;lt;/small&amp;gt;&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=User:Julia_Meier&amp;diff=17962</id>
		<title>User:Julia Meier</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=User:Julia_Meier&amp;diff=17962"/>
		<updated>2009-04-06T11:00:10Z</updated>

		<summary type="html">&lt;p&gt;Julia Meier: New page: this is a test, test, test&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;this is a test, test, test&lt;/div&gt;</summary>
		<author><name>Julia Meier</name></author>
	</entry>
</feed>