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		<summary type="html">&lt;p&gt;Michaela Koch: /* Bibliographies &amp;amp; Databases */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*[http://www.uni-oldenburg.de/anglistik/index.html The seminar&#039;s webpage]&lt;br /&gt;
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__TOC__&lt;br /&gt;
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==General==&lt;br /&gt;
====Search Engines====&lt;br /&gt;
*[http://www.google.com/ncr Google]&lt;br /&gt;
*[http://scholar.google.de/schhp?hl=de/ Google Scholar]&lt;br /&gt;
*[http://search.msn.com/ MSN]&lt;br /&gt;
*[http://www.alltheweb.com/ alltheweb]&lt;br /&gt;
*[http://search.yahoo.com/ Yahoo]&lt;br /&gt;
*[http://books.google.com/advanced_book_search? Google Book Search]&lt;br /&gt;
&lt;br /&gt;
====Dictionaries====&lt;br /&gt;
*[http://dict.leo.org/ LEO]&lt;br /&gt;
*[http://www.dict.cc/ dict.cc]&lt;br /&gt;
*[http://www.m-w.com/ Merriam-Webster]&lt;br /&gt;
*[http://dictionary.oed.com/ OED]&lt;br /&gt;
*[http://dictionary.cambridge.org/ Cambridge]&lt;br /&gt;
&lt;br /&gt;
====Wikipedia====&lt;br /&gt;
*[http://commons.wikimedia.org/ Wikimedia Commons]&lt;br /&gt;
*[http://de.wikipedia.org de.wikipedia]&lt;br /&gt;
*[http://en.wikipedia.org en.wikipedia]&lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
==Libraries, Texts, Bibliographies==&lt;br /&gt;
====Important Libraries====&lt;br /&gt;
*[http://blpc.bl.uk/ BLC] &amp;amp;mdash; British Library Catalogue&lt;br /&gt;
*[http://bvba2.bib-bvb.de/V?RN=655740480 BVB] &amp;amp;mdash; Bayerischer Verbundkatalog&lt;br /&gt;
*[http://gso.gbv.de/DB=2.2/ADVANCED_SEARCHFILTER GBV] &amp;amp;mdash; Gemeinsamer Verbundkatalog Niedersachsen etc.&lt;br /&gt;
**[http://katalog.bis.uni-oldenburg.de/ Oldenburg&#039;s University library]&lt;br /&gt;
*[http://www.ubka.uni-karlsruhe.de/kvk.html KVK] &amp;amp;mdash; Karlsruher Virtueller Katalog&lt;br /&gt;
*[http://library.ox.ac.uk/ OLIS] &amp;amp;mdash; Oxford University&#039;s online union library catalogue&lt;br /&gt;
&lt;br /&gt;
====Bibliographies &amp;amp; Databases====&lt;br /&gt;
*[http://rzblx10.uni-regensburg.de/dbinfo/dbliste.php?bib_id=ub_r&amp;amp;colors=15&amp;amp;ocolors=40&amp;amp;lett=f&amp;amp;gebiete=12 DBIS] Research databases available in Germany&lt;br /&gt;
----&lt;br /&gt;
*[http://rzblx10.uni-regensburg.de/dbinfo/warpto.php?bib_id=ubol&amp;amp;color=2&amp;amp;titel_id=2521&amp;amp;url=http%3A%2F%2Fcollections.chadwyck.co.uk ABELL] &amp;amp;mdash; Annual Bibliography of English Language and Literature, 880,000 records, monographs, periodical articles, critical editions of literary works, book reviews and collections of essays published anywhere in the world from 1920 onwards.&lt;br /&gt;
*[http://estc.bl.uk/F/?func=file&amp;amp;file_name=login-bl-list ESTC] &amp;amp;mdash; English Short Title Catalogue, bibliography of all books published between 1473 and 1800, description of materials, library shelf marks. &lt;br /&gt;
*[http://rzblx1.uni-regensburg.de/ezeit/fl.phtml?bibid=UBFRE&amp;amp;colors=7&amp;amp;lang=de&amp;amp;notation=H EZF] Elektronische Zeitschriftenbibliothek Freiburg&lt;br /&gt;
*[http://www.imdb.com/ IMDb] Internet Movie Database&lt;br /&gt;
*[http://rzblx10.uni-regensburg.de/dbinfo/dbliste.php?bib_id=ubol&amp;amp;colors=7&amp;amp;ocolors=40&amp;amp;lett=f&amp;amp;gebiete=12 MLA] Standard Research Bibliography&lt;br /&gt;
*[http://pao.chadwyck.co.uk/home.do PAO] &amp;amp;mdash; Periodicals Archive Online&lt;br /&gt;
*[http://www.zdb-opac.de ZDB] &amp;amp;mdash; Zeitschriftendatenbank, Titel- und Besitznachweise, 1,2 Mio. Titel in allen Sprachen von 1500 bis heute, keine Aufsatztitel.&lt;br /&gt;
*[http://muse.jhu.edu/ Muse]&lt;br /&gt;
&lt;br /&gt;
====E-Sources====&lt;br /&gt;
*[http://eebo.chadwyck.com/home EEBO] &amp;amp;mdash; book production 1473-1700&lt;br /&gt;
*[http://galenet.galegroup.com/servlet/ECCO?locID=bis ECCO] &amp;amp;mdash; the book production of the 18th century&lt;br /&gt;
*[http://www.gutenberg.org/ Gutenberg]&lt;br /&gt;
*[http://galenet.galegroup.com/servlet/LitRC?locID=bis LRC]&lt;br /&gt;
*[http://quod.lib.umich.edu/c/cme/browse.html Corpus of Middle English texts]&lt;br /&gt;
*[http://galenet.galegroup.com/servlet/MOML?locID=bis MOML] &amp;amp;mdash; The Making of Modern Law, covering the watershed period of legal development during the nineteenth and early twentieth centuries&lt;br /&gt;
*[http://galenet.galegroup.com/servlet/MOME?locID=bis MOME] &amp;amp;mdash; The Making of the Modern World, presents more than 61,000 books from the period 1460-1850, and 466 pre-1906 serials, focuses on economics interpreted in the widest sense, including political science, history, sociology, and special collections on banking, finance, transportation and manufacturing.&lt;br /&gt;
*[http://www.munseys.com/site/home Munseys]&lt;br /&gt;
*[http://web1.infotrac.galegroup.com/itw/infomark/1/1/1/purl=rc6_TTDA The Times 1785-1985]&lt;br /&gt;
*[http://infotrac.galegroup.com/itweb/?db=TLS TLS]&lt;br /&gt;
*[http://www.wga.hu/index1.html Web Gallery of Art]&lt;br /&gt;
*[http://www.archive.org Internet Archive]&lt;br /&gt;
&#039;&#039;&#039;Bibles&#039;&#039;&#039;&lt;br /&gt;
*[http://etext.lib.virginia.edu/kjv.browse.html Bible (King James)]&lt;br /&gt;
*[http://classic.net.bible.org/home.php classic.net.bible.org (commented modern)]&lt;br /&gt;
*[http://www.usccb.org/nab/bible/index.shtml Bible (New American Catholic Bible)]&lt;br /&gt;
&lt;br /&gt;
|-&lt;br /&gt;
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&lt;br /&gt;
==Culture &amp;amp; History==&lt;br /&gt;
&lt;br /&gt;
====Important Institutions====&lt;br /&gt;
*[http://www.britishstudies.de/ British Council]&lt;br /&gt;
&lt;br /&gt;
====Media====&lt;br /&gt;
*[http://www.nytimes.com/ New York Times]&lt;br /&gt;
*[http://www.sfgate.com/ San Francisco Chronicle]&lt;br /&gt;
*[http://www.npr.org/ National Public Radio - US]&lt;br /&gt;
&lt;br /&gt;
====History====&lt;br /&gt;
*[http://www.davidappleyard.com/dynasties/1701_1800.htm Dynasties]&lt;br /&gt;
*[http://rzblx10.uni-regensburg.de/dbinfo/warpto.php?bib_id=ubol&amp;amp;color=2&amp;amp;titel_id=3723&amp;amp;url=http%3A%2F%2Fwww.oxforddnb.com%2Fsubscribed%2F DNB] &amp;amp;mdash; Dictionary of National Biography&lt;br /&gt;
*[http://www.archive.org/details/dictionaryofnati00leesuoft DNB 1903] &lt;br /&gt;
*[http://www.historyguide.de/start.php Göttingen&#039;s History Guide]&lt;br /&gt;
*[http://www.anglistikguide.de/index.html Göttingen&#039;s Anglistik Guide]&lt;br /&gt;
&lt;br /&gt;
====Research Sites====&lt;br /&gt;
*[http://www.personal.psu.edu/special/C18/c18-l.htm C18] 18th century mailing list and more &lt;br /&gt;
*[http://www2.h-net.msu.edu H-Net] History in general&lt;br /&gt;
*[http://www2.h-net.msu.edu/~albion/ H-Albion] History British Isles&lt;br /&gt;
*[http://www.sharpweb.org/ SHARP] Book history&lt;br /&gt;
&lt;br /&gt;
====Mailing Lists====&lt;br /&gt;
*[http://pages.towson.edu/duncan/litlists.html Literary Academic Discussion Groups - Overview]&lt;br /&gt;
&lt;br /&gt;
====Tools====&lt;br /&gt;
*[http://www.pierre-marteau.com/currency/coins/engl-01.html £ Calculator] if you have to do sums in old English currency&lt;br /&gt;
*[http://www.timeanddate.com/calendar/index.html?year=1700&amp;amp;amp;country=8 Calendar] &lt;br /&gt;
*[http://www.polysyllabic.com/ChCalendar.html Ecclesiastical Calendar]&lt;br /&gt;
*[http://pierre-marteau.com/wiki/index.php?title=Prices_and_Wages_%28Great_Britain%29 Prices &amp;amp; Wages]&lt;br /&gt;
*[http://www.blbtools.de/einheitenrechner/rechner.htm World Units]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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==Linguistics==&lt;br /&gt;
====Databases====&lt;br /&gt;
*[http://childes.psy.cmu.edu/ CHILDES]&lt;br /&gt;
*[http://www.natcorp.ox.ac.uk/ British National Corpus]&lt;br /&gt;
*[http://www.linguistics.ucsb.edu/research/sbcorpus.html/ Santa Barbara Corpus of Spoken American English]&lt;br /&gt;
*[http://quod.lib.umich.edu/m/micase/ MICASE]&lt;br /&gt;
&lt;br /&gt;
====Resources====&lt;br /&gt;
*[http://www.linguistlist.org/ The Linguist List]&lt;br /&gt;
*[http://www.glottopedia.org/ Glottopedia]&lt;br /&gt;
*[http://ling.auf.net/lingBuzz/ LingBuzz]&lt;br /&gt;
&lt;br /&gt;
====Bibliographies====&lt;br /&gt;
*[http://www.blonline.nl/ Linguistics]&lt;br /&gt;
*[http://www.carla.umn.edu/speechacts/bibliography/index.html#menu/ Speech Acts]&lt;br /&gt;
*[http://www.linguistlist.org/sp/Bibs.html/ Linguist List]&lt;br /&gt;
&lt;br /&gt;
====Journals====&lt;br /&gt;
General:&lt;br /&gt;
*[http://muse.uq.edu.au/journals/language/ Language]&lt;br /&gt;
*[http://www.atypon-link.com/WDG/loi/ling/ Linguistics]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Pragmatics &amp;amp; Discourse:&lt;br /&gt;
*[http://www.elsevier.com/wps/find/journaldescription.cws_home/505593/description#description/ Journal of Pragmatics]&lt;br /&gt;
*[http://www.degruyter.de/journals/jpr/detailEn.cfm/ Journal of Politeness]&lt;br /&gt;
*[http://dis.sagepub.com/ Discourse Studies]&lt;br /&gt;
*[http://www.degruyter.de/journals/text/detail.cfm/ Text &amp;amp; Talk]&lt;br /&gt;
*[http://www.sciencedirect.com/science/journal/02715309/ Language and Communication]&lt;br /&gt;
*[http://versita.metapress.com/content/120719/ Lodz Papers in Pragmatics]&lt;br /&gt;
*[http://www.benjamins.com/cgi-bin/t_seriesview.cgi?series=Jhp/ Journal of Historical Pragmatics]&lt;br /&gt;
*[http://www.benjamins.com/cgi-bin/t_seriesview.cgi?series=P%26C/ Pragmatics and Cognition]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Sociolinguistics:&lt;br /&gt;
*[http://journals.cambridge.org/action/displayJournal?jid=LSY/ Language in Society]&lt;br /&gt;
*[http://das.sagepub.com/ Discourse &amp;amp; Society]&lt;br /&gt;
*[http://www.blackwell-synergy.com/loi/JOSL/ Journal of Sociolinguistics]&lt;br /&gt;
*[http://www.equinoxjournals.com/ojs/index.php/GL/ Gender and Language]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Intercultural &amp;amp; Cross-cultural Communication:&lt;br /&gt;
*[http://www.atypon-link.com/WDG/loi/iprg?cookieSet=1/ Intercultural Pragmatics]&lt;br /&gt;
*[http://www.multilingual-matters.net/laic/ Language and Intercultural Communication]&lt;br /&gt;
*[http://www.degruyter.de/journals/multilin/ Multilingua]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Semantics:&lt;br /&gt;
*[http://jos.oxfordjournals.org/archive/ Journal of Semantics]&lt;br /&gt;
*[http://semprag.org/ Semantics and Pragmatics]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Applied Linguistics:&lt;br /&gt;
*[http://applij.oxfordjournals.org/ Applied Linguistics]&lt;br /&gt;
*[http://www.blackwell-synergy.com/loi/ijal/ International Journal of Applied Linguistics]&lt;br /&gt;
*[http://journals.cambridge.org/action/displayJournal?jid=APL/ Annual Review of Applied Linguistics]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Working Papers:&lt;br /&gt;
*[http://www.ling-phil.ox.ac.uk/pages/publications.html/ Oxford Working Papers in Linguistics]&lt;br /&gt;
*[http://www.chass.utoronto.ca/~twpl/ Toronto Working Papers in Linguistics]&lt;br /&gt;
*[http://www.phon.ucl.ac.uk/publications/WPL/ UCL Working Papers in Linguistics]&lt;br /&gt;
*[http://journals.tc-library.org/index.php/tesol/ Working Papers in TESOL &amp;amp; Applied Linguistics]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
German Journals:&lt;br /&gt;
*[http://www.gespraechsforschung-ozs.de/ Gesprächsforschung]&lt;br /&gt;
*[http://www.dgfs.de/zs/ Zeitschrift für Sprachwissenschaft]&lt;br /&gt;
*[http://www.linguistik-online.de/ Linguistik online]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
==Didactics, Language Aquisition &amp;amp; Practice==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== &#039;&#039;&#039;Language Practice&#039;&#039;&#039; ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;General Language&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Reference works:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Grammar:&#039;&#039;&#039;  Advanced Grammar in Use. With Answers and CD-ROM. (Taschenbuch)&lt;br /&gt;
von Martin Hewings (Autor) &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dictionary:&#039;&#039;&#039; Longman Dictionary of Contemporary English (DCE), m. CD-ROM&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;German-English Dictionary:&#039;&#039;&#039; PONS Großwörterbuch Englisch: Englisch-Deutsch / Deutsch-Englisch. Rund 390.000 Stichwörter und Wendungen &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Visual Thesaurus&#039;&#039;&#039; http://www.visualthesaurus.com/  (You can try this out online.)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dave&#039;s ESL Cafe&#039;&#039;&#039;  (covers everything from grammar to pronunciation to job opportunities and teacher training programs)   http://www.eslcafe.com/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Individual Skills&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Reading comprehension:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Newspapers:&lt;br /&gt;
&lt;br /&gt;
http://nytimes.com/ , especially  The Learning Network at the New York Times: http://learning.blogs.nytimes.com/&lt;br /&gt;
&lt;br /&gt;
The Guardian (UK) http://www.guardian.co.uk/&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Writing&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
To improve your own writing, especially in the areas of grammar and punctuation, please consult this website from the Online Writing Lab at Purdue University in the US.  &lt;br /&gt;
&lt;br /&gt;
http://owl.english.purdue.edu/handouts/grammar/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
You can find many exercises to help improve your writing:    Writing exercises - Paraphrasing http://web.grinnell.edu/writinglab/CitationGuides/Indivex.html&lt;br /&gt;
http://owl.english.purdue.edu/handouts/index2.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Proofreading your work: Punctuation&lt;br /&gt;
   &lt;br /&gt;
http://www.prenhall.com/bluepencil/bluepencil.html&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Listening Comprehension&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;University Lectures&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
Here you can find a variety of lectures which various universities &lt;br /&gt;
make available to the public:&lt;br /&gt;
&lt;br /&gt;
This is a general website where you can find lectures as well as online courses: &lt;br /&gt;
http://www.openculture.com/2007/07/freeonlinecourses.html&lt;br /&gt;
&lt;br /&gt;
Here is one specific example of US university which makes its lectures available to the public:&lt;br /&gt;
&lt;br /&gt;
University of California at San Diego:http://www.uctv.tv/education/&lt;br /&gt;
&lt;br /&gt;
But check other universities, since most have similar websites. Another source is youtube, where you can find lectures and seminars.&lt;br /&gt;
&lt;br /&gt;
http://www.youtube.com/results?search_query=university+lectures&amp;amp;search_type=&amp;amp;aq=f&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Radio&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
National Public Radio (US)  http://www.npr.org&lt;br /&gt;
&lt;br /&gt;
Minnesota Public Radio (US) Prairie Home Companion http://www.phc.mpr.org&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
BBC NEWS http://news.bbc.co.uk/&lt;br /&gt;
&lt;br /&gt;
Learning English  http://www.bbc.co.uk/worldservice/learningenglish/&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
BBC PODCASTS&lt;br /&gt;
&lt;br /&gt;
6 Minute English  http://www.bbc.co.uk/podcasts/series/how2&lt;br /&gt;
&lt;br /&gt;
Grammar Challenge http://www.bbc.co.uk/podcasts/series/gc&lt;br /&gt;
&lt;br /&gt;
NewsPod  http://www.bbc.co.uk/podcasts/series/newspod&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Political Satire&lt;br /&gt;
&lt;br /&gt;
TV shows - full episodes available on line:&lt;br /&gt;
&lt;br /&gt;
http://www.thedailyshow.com&lt;br /&gt;
&lt;br /&gt;
http://www.thecolbertshow.com&lt;br /&gt;
&lt;br /&gt;
Parodies of Songs:  http://www.capitolsteps.com&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;In addition, here are some sites on regional, social and ethnic dialects of modern English.&#039;&#039;&#039; &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;New online access to &amp;quot;Varieties of English&amp;quot; and  &amp;quot;The Atlas of North American English&amp;quot;&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
You can now access the online version  to &amp;quot;Varieties of English&amp;quot;, which covers varieties of English spoken all over the world.   This works the same way as the &amp;quot;Atlas of North American English&amp;quot; (actually, since it is the same publisher, the format is identical, making it much easier to use)&lt;br /&gt;
&lt;br /&gt;
Varieties of English website: &lt;br /&gt;
http://rzblx10.uni-regensburg.de/dbinfo/detail.php?bib_id=ubol&amp;amp;colors=&amp;amp;ocolors=&amp;amp;lett=f&amp;amp;titel_id=7174&lt;br /&gt;
&lt;br /&gt;
You just type in your new library username and password (the one that has four letters and four numbers).&lt;br /&gt;
&lt;br /&gt;
The great thing is that you can even use this databank at home (ah, the glories of cyberspace!) You will need earphones to hear the audio samples. The websites allow you to listen to reading passages as well as free passages from English accents all over the world (VAE) as well as from different parts of North America (ANAE).&lt;br /&gt;
&lt;br /&gt;
Here is the link to the Atlas of North American English:&lt;br /&gt;
&lt;br /&gt;
http://www.atlas.mouton-content.com.p-serv2.bis.uni-oldenburg.de/&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;This is the British Library&#039;s Sounds Familiar website, which shows the different dialects found in the UK today&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
http://www.bl.uk/learning/langlit/sounds/index.html&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; &amp;quot;Do You Speak American&amp;quot; website&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
This is the website that accompanies the DVD and book &amp;quot;Do You Speak American?&amp;quot;, both of which are available in the university library.  http://www.pbs.org/speak/seatosea/americanvarieties/&lt;br /&gt;
&lt;br /&gt;
Among other fascinating spots on this website is the following map, which you can click on to listen to radio stations from all over the US.  http://www.pbs.org/speak/seatosea/americanvarieties/radio/#&lt;br /&gt;
&lt;br /&gt;
I would encourage to just look around on the site; there is a plethora of audio and visual material here which will help you in your study of American dialects.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;America&#039;s Regional Accents, Holding Fast&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
http://www.npr.org/templates/story/story.php?storyId=6883700&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Dictionary of American Regional English&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
This is the website of the Dictionary of American Regional English. It includes dialect maps, but also audio files of samples of speech from speakers of many different American dialects.&lt;br /&gt;
&lt;br /&gt;
http://polyglot.lss.wisc.edu/dare/dare.html&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484981</id>
		<title>2017-18 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484981"/>
		<updated>2017-11-01T16:41:20Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eight, December 07/08: Critical Debate and Literary Theory I */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2017/18 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the ten courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010a&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A14 1-112&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Fri, 12:00-14:00 Room A01 0-010a&lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room V02 0-003&lt;br /&gt;
*3.02.045 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 1-114&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00 Room A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00 Room A01 0-009&lt;br /&gt;
*3.02.049 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.050 - Julius Greve - Thu, 12:00-14:00 Room: A14 1-112 &lt;br /&gt;
*3.02.051 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 10:00-12:00 Room A10 1-121 (Hörsaal F)&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.055  - Tutorin: Julia Janßen - Thu, 18:00-20:00 Room: A05 1-160&lt;br /&gt;
*3.02.056a - Tutor: Simon Freisem - Tue, 18:00-19:00 Room: A14 1-114&lt;br /&gt;
*3.02.056b - Tutor: Simon Freisem - Tue, 19:00-20:00 Room: A14 1-114&lt;br /&gt;
*3.02.057  - Tutorin: Clara Sophie Schenck - Wed, 18:00-20:00 Room: S2-205&lt;br /&gt;
*3.02.058a  - Tutor: Jascha Kattmann - Thu, 18:00-19:00 Room: A11 0-018&lt;br /&gt;
*3.02.058b  - Tutor: Jascha Kattmann - Thu, 19:00-20:00 Room: A11 0-018&lt;br /&gt;
*3.02.059  - Tutorin: Alena Jansen - Mon, 08:00-10:00 Room: A11 0-018&lt;br /&gt;
*3.02.060  - Tutor: Kim Ole Henneke - Tue, 08:00-10:00 Room: V03 0-E202&lt;br /&gt;
*3.02.061a  - Tutorin: Myriam Metry - Thu, 09:00-10:00 Room: A05 0-055&lt;br /&gt;
*3.02.061b  - Tutorin: Myriam Metry - Thu, 08:00-09:00 Room: A05 0-055&lt;br /&gt;
*3.02.062  - Tutorin: Miriam Goy - Fri, 08:00-10:00 Room: S2-206&lt;br /&gt;
*3.02.063  - Tutorin: Rebecca Käpernick - Fri, 08:00-10:00 Room: A14 0-030&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar is part of the Basismodul ang070 and focuses on techniques of textual analysis in the context of discussing literature. We are offering ten parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;. Ed. Sukanta Chaudhuri. The Arden Shakespeare, third series. London: Bloomsbury, 2017.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Time Machine: An Invention&#039;&#039;. Ed. Stephen Arata. New York, NY: Norton, 2008.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three ungraded exercise assignments (max. 3 pages) and produce a Research Paper Outline &#039;Plus&#039; (RPOplus), consisting of a research paper outline and a problem-oriented sample analysis (6 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively.  For the RPOplus you will need to find your own topic to work on, document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography) and write up a formal and genre-specific analysis of a passage that fits in with the research question and thesis statement put forward in your RPO.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 19/20: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Curriculum_2seitig.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Seminarplan_SU-_WiSe2017_18_2seitig.pdf ang070 Syllabus] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_handout_Literature_and_representation_2017-18_final.pdf Literature &amp;amp; Representation]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Poetry_Reader_2017_10_18_final.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 26/27: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_poetry-2seitig.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Poetry_Reader_2017_10_18_final.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 02/03: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_figurative-speech-2seitig.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Poetry_Reader_2017_10_18_final.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 09/10: Analysing Poetry III: From Close Reading to Problem-Oriented Textual Analysis==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Poetry_Reader_2017_10_18_final.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 16/17: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_rhetoric-2seitig.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 23/24: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 30/December 01: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 07/08: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Sanchez_QueerFeminismEarlyModernMSND-1.pdf Sanchez, Melissa E. &amp;quot;&#039;Use Me But as Your Spaniel&#039;: Feminism, Queer Theory, and Early Modern Sexualities.&amp;quot; &#039;&#039;PMLA&#039;&#039; 127.3 (2012): 493-511. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 14/15: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 21/22: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 11/12: Analysing Fiction III: From Close Reading to Problem-Oriented Textual Analysis==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_MoreauX.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau_erwartungshorizontX.pdf Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 18/19: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013X.pdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 25/26: Recap==&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 01/02: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[ang070 - Introduction to Literary and Cultural Studies - RPOplus| [Assignment IV: RPOplus]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484916</id>
		<title>2017-18 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484916"/>
		<updated>2017-10-19T11:50:18Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 19/20: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2017/18 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the ten courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010a&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A14 1-112&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Fri, 12:00-14:00 Room A01 0-010a&lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room V02 0-003&lt;br /&gt;
*3.02.045 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 1-114&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00 Room A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00 Room A01 0-009&lt;br /&gt;
*3.02.049 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.050 - Julius Greve - Thu, 12:00-14:00 Room: A14 1-112 &lt;br /&gt;
*3.02.051 - N.N. - Fri, 10:00-12:00 Room tba&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.055  - Tutorin: Julia Janßen - Thu, 18:00-20:00 Room: A05 1-160&lt;br /&gt;
*3.02.056a - Tutor: Simon Freisem - Tue, 18:00-19:00 Room: A14 1-114&lt;br /&gt;
*3.02.056b - Tutor: Simon Freisem - Tue, 19:00-20:00 Room: A14 1-114&lt;br /&gt;
*3.02.057  - Tutorin: Clara Sophie Schenck - Wed, 18:00-20:00 Room: S2-205&lt;br /&gt;
*3.02.058  - Tutor: Jascha Kattmann - Thu, 18:00-20:00 Room: A11 0-018&lt;br /&gt;
*3.02.059  - Tutorin: Alena Jansen - Mon, 08:00-10:00 Room: A11 0-018&lt;br /&gt;
*3.02.060  - Tutor: Kim Ole Henneke - Tue, 08:00-10:00 Room: V03 0-E202&lt;br /&gt;
*3.02.061  - Tutorin: Myriam Metry - Thu, 08:00-10:00 Room: A05 0-055&lt;br /&gt;
*3.02.062  - Tutorin: Miriam Goy - Fri, 08:00-10:00 Room: S2-206&lt;br /&gt;
*3.02.063  - Tutorin: Rebecca Käpernick - Fri, 08:00-10:00 Room: A14 0-030&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar is part of the Basismodul ang070 and focuses on techniques of textual analysis in the context of discussing literature. We are offering ten parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;. Ed. Sukanta Chaudhuri. The Arden Shakespeare, third series. London: Bloomsbury, 2017.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Time Machine: An Invention&#039;&#039;. Ed. Stephen Arata. New York, NY: Norton, 2008.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three ungraded exercise assignments (max. 3 pages) and produce a Research Paper Outline &#039;Plus&#039; (RPOplus), consisting of a research paper outline and a problem-oriented sample analysis (6 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively.  For the RPOplus you will need to find your own topic to work on, document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography) and write up a formal and genre-specific analysis of a passage that fits in with the research question and thesis statement put forward in your RPO.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 19/20: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Curriculum_2seitig.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Seminarplan_SU-_WiSe2017_18_2seitig.pdf ang070 Syllabus] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_handout_Literature_and_representation_2017-18_final.pdf Literature &amp;amp; Representation]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Poetry_Reader_2017_10_18_final.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 26/27: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_poetry-2seitig.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 02/03: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_figurative-speech-2seitig.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 09/10: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 16/17: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_rhetoric-2seitig.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 23/24: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 30/December 01: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 07/08: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.Xpdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 14/15: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 21/22: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 11/12: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_MoreauX.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau_erwartungshorizontX.pdf Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 18/19: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013X.pdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 25/26: Recap==&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 01/02: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[ang070 - Introduction to Literary and Cultural Studies - RPOplus| [Assignment IV: RPOplus]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484915</id>
		<title>2017-18 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484915"/>
		<updated>2017-10-19T09:51:05Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2017/18 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the ten courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010a&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A14 1-112&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Fri, 12:00-14:00 Room A01 0-010a&lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room V02 0-003&lt;br /&gt;
*3.02.045 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 1-114&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00 Room A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00 Room A01 0-009&lt;br /&gt;
*3.02.049 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.050 - Julius Greve - Thu, 12:00-14:00 Room: A14 1-112 &lt;br /&gt;
*3.02.051 - N.N. - Fri, 10:00-12:00 Room tba&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.055  - Tutorin: Julia Janßen - Thu, 18:00-20:00 Room: A05 1-160&lt;br /&gt;
*3.02.056a - Tutor: Simon Freisem - Tue, 18:00-19:00 Room: A14 1-114&lt;br /&gt;
*3.02.056b - Tutor: Simon Freisem - Tue, 19:00-20:00 Room: A14 1-114&lt;br /&gt;
*3.02.057  - Tutorin: Clara Sophie Schenck - Wed, 18:00-20:00 Room: S2-205&lt;br /&gt;
*3.02.058  - Tutor: Jascha Kattmann - Thu, 18:00-20:00 Room: A11 0-018&lt;br /&gt;
*3.02.059  - Tutorin: Alena Jansen - Mon, 08:00-10:00 Room: A11 0-018&lt;br /&gt;
*3.02.060  - Tutor: Kim Ole Henneke - Tue, 08:00-10:00 Room: V03 0-E202&lt;br /&gt;
*3.02.061  - Tutorin: Myriam Metry - Thu, 08:00-10:00 Room: A05 0-055&lt;br /&gt;
*3.02.062  - Tutorin: Miriam Goy - Fri, 08:00-10:00 Room: S2-206&lt;br /&gt;
*3.02.063  - Tutorin: Rebecca Käpernick - Fri, 08:00-10:00 Room: A14 0-030&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar is part of the Basismodul ang070 and focuses on techniques of textual analysis in the context of discussing literature. We are offering ten parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;. Ed. Sukanta Chaudhuri. The Arden Shakespeare, third series. London: Bloomsbury, 2017.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Time Machine: An Invention&#039;&#039;. Ed. Stephen Arata. New York, NY: Norton, 2008.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three ungraded exercise assignments (max. 3 pages) and produce a Research Paper Outline &#039;Plus&#039; (RPOplus), consisting of a research paper outline and a problem-oriented sample analysis (6 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively.  For the RPOplus you will need to find your own topic to work on, document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography) and write up a formal and genre-specific analysis of a passage that fits in with the research question and thesis statement put forward in your RPO.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 19/20: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Curriculum_2seitig.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Seminarplan_SU-_WiSe2017_18_2seitig.pdf ang070 Syllabus] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [insert link Literature &amp;amp; Representation]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Poetry_Reader_2017_10_18_final.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 26/27: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_poetry-2seitig.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 02/03: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_figurative-speech-2seitig.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 09/10: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 16/17: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_rhetoric-2seitig.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 23/24: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 30/December 01: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 07/08: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.Xpdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 14/15: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 21/22: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 11/12: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_MoreauX.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau_erwartungshorizontX.pdf Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 18/19: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013X.pdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 25/26: Recap==&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 01/02: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[ang070 - Introduction to Literary and Cultural Studies - RPOplus| [Assignment IV: RPOplus]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484914</id>
		<title>2017-18 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484914"/>
		<updated>2017-10-19T09:46:24Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 19/20: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;!!! UNDER CONSTRUCTION !!!&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2017/18 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the ten courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010a&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A14 1-112&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Fri, 12:00-14:00 Room A01 0-010a&lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room V02 0-003&lt;br /&gt;
*3.02.045 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 1-114&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00 Room A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00 Room A01 0-009&lt;br /&gt;
*3.02.049 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.050 - Julius Greve - Thu, 12:00-14:00 Room: A14 1-112 &lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.055  - Tutorin: Julia Janßen - Thu, 18:00-20:00 Room: A05 1-160&lt;br /&gt;
*3.02.056a - Tutor: Simon Freisem - Tue, 18:00-19:00 Room: A14 1-114&lt;br /&gt;
*3.02.056b - Tutor: Simon Freisem - Tue, 19:00-20:00 Room: A14 1-114&lt;br /&gt;
*3.02.057  - Tutorin: Clara Sophie Schenck - Wed, 18:00-20:00 Room: S2-205&lt;br /&gt;
*3.02.058  - Tutor: Jascha Kattmann - Thu, 18:00-20:00 Room: A11 0-018&lt;br /&gt;
*3.02.059  - Tutorin: Alena Jansen - Mon, 08:00-10:00 Room: A11 0-018&lt;br /&gt;
*3.02.060  - Tutor: Kim Ole Henneke - Tue, 08:00-10:00 Room: V03 0-E202&lt;br /&gt;
*3.02.061  - Tutorin: Myriam Metry - Thu, 08:00-10:00 Room: A05 0-055&lt;br /&gt;
*3.02.062  - Tutorin: Miriam Goy - Fri, 08:00-10:00 Room: S2-206&lt;br /&gt;
*3.02.063  - Tutorin: Rebecca Käpernick - Fri, 08:00-10:00 Room: A14 0-030&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar is part of the Basismodul ang070 and focuses on techniques of textual analysis in the context of discussing literature. We are offering ten parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;. Ed. Sukanta Chaudhuri. The Arden Shakespeare, third series. London: Bloomsbury, 2017.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Time Machine: An Invention&#039;&#039;. Ed. Stephen Arata. New York, NY: Norton, 2008.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three ungraded exercise assignments (max. 3 pages) and produce a Research Paper Outline &#039;Plus&#039; (RPOplus), consisting of a research paper outline and a problem-oriented sample analysis (6 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively.  For the RPOplus you will need to find your own topic to work on, document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography) and write up a formal and genre-specific analysis of a passage that fits in with the research question and thesis statement put forward in your RPO.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 19/20: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Curriculum_2seitig.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Seminarplan_SU-_WiSe2017_18_2seitig.pdf ang070 Syllabus] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [insert link Literature &amp;amp; Representation]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Poetry_Reader_2017_10_18_final.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 26/27: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_poetry-2seitig.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 02/03: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_figurative-speech-2seitig.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 09/10: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 16/17: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_rhetoric-2seitig.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 23/24: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 30/December 01: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 07/08: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.Xpdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 14/15: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 21/22: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 11/12: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_MoreauX.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau_erwartungshorizontX.pdf Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 18/19: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013X.pdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 25/26: Recap==&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 01/02: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[ang070 - Introduction to Literary and Cultural Studies - RPOplus| [Assignment IV: RPOplus]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484913</id>
		<title>2017-18 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017-18_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484913"/>
		<updated>2017-10-19T09:44:14Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 19/20: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;!!! UNDER CONSTRUCTION !!!&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2017/18 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the ten courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010a&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A14 1-112&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Fri, 12:00-14:00 Room A01 0-010a&lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room V02 0-003&lt;br /&gt;
*3.02.045 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 1-114&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00 Room A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00 Room A01 0-009&lt;br /&gt;
*3.02.049 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.050 - Julius Greve - Thu, 12:00-14:00 Room: A14 1-112 &lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.055  - Tutorin: Julia Janßen - Thu, 18:00-20:00 Room: A05 1-160&lt;br /&gt;
*3.02.056a - Tutor: Simon Freisem - Tue, 18:00-19:00 Room: A14 1-114&lt;br /&gt;
*3.02.056b - Tutor: Simon Freisem - Tue, 19:00-20:00 Room: A14 1-114&lt;br /&gt;
*3.02.057  - Tutorin: Clara Sophie Schenck - Wed, 18:00-20:00 Room: S2-205&lt;br /&gt;
*3.02.058  - Tutor: Jascha Kattmann - Thu, 18:00-20:00 Room: A11 0-018&lt;br /&gt;
*3.02.059  - Tutorin: Alena Jansen - Mon, 08:00-10:00 Room: A11 0-018&lt;br /&gt;
*3.02.060  - Tutor: Kim Ole Henneke - Tue, 08:00-10:00 Room: V03 0-E202&lt;br /&gt;
*3.02.061  - Tutorin: Myriam Metry - Thu, 08:00-10:00 Room: A05 0-055&lt;br /&gt;
*3.02.062  - Tutorin: Miriam Goy - Fri, 08:00-10:00 Room: S2-206&lt;br /&gt;
*3.02.063  - Tutorin: Rebecca Käpernick - Fri, 08:00-10:00 Room: A14 0-030&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar is part of the Basismodul ang070 and focuses on techniques of textual analysis in the context of discussing literature. We are offering ten parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;. Ed. Sukanta Chaudhuri. The Arden Shakespeare, third series. London: Bloomsbury, 2017.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Time Machine: An Invention&#039;&#039;. Ed. Stephen Arata. New York, NY: Norton, 2008.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three ungraded exercise assignments (max. 3 pages) and produce a Research Paper Outline &#039;Plus&#039; (RPOplus), consisting of a research paper outline and a problem-oriented sample analysis (6 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively.  For the RPOplus you will need to find your own topic to work on, document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography) and write up a formal and genre-specific analysis of a passage that fits in with the research question and thesis statement put forward in your RPO.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 19/20: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Curriculum_2seitig.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Seminarplan_SU-_WiSe2017_18_2seitig.pdf ang070 Syllabus] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Poetry_Reader_2017_10_18_final.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 26/27: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_poetry-2seitig.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 02/03: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_figurative-speech-2seitig.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 09/10: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 16/17: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_rhetoric-2seitig.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 23/24: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 30/December 01: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_analysing_dramatic_communication-2seitig.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;A Midsummer Night&#039;s Dream&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 07/08: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.Xpdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 14/15: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 21/22: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 11/12: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_narratology-2seitig.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Time Machine&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_MoreauX.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau_erwartungshorizontX.pdf Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 18/19: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/handout_littheory_movements_timeline_2014-12-11.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013X.pdf TBA]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 25/26: Recap==&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 01/02: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[ang070 - Introduction to Literary and Cultural Studies - RPOplus| [Assignment IV: RPOplus]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484623</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484623"/>
		<updated>2017-06-28T08:47:22Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Assignment_1_SampleSolution.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Assignment_II_VForVendetta_Erwartungshorizont.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Ass3_Film_Calamity_Jane_SampleSolution-1.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;, &#039;&#039;V for Vendetta&#039;&#039;, &#039;&#039;Calamity Jane&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484619</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484619"/>
		<updated>2017-06-22T09:36:42Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Assignment_1_SampleSolution.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Assignment_II_VForVendetta_Erwartungshorizont.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;, &#039;&#039;V for Vendetta&#039;&#039;, &#039;&#039;Calamity Jane&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484618</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484618"/>
		<updated>2017-06-14T10:05:53Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&amp;#039;d.) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Assignment_1_SampleSolution.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Assignment_II_VForVendetta_Erwartungshorizont.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484564</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484564"/>
		<updated>2017-05-17T12:48:18Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_Assignment_1_SampleSolution.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484543</id>
		<title>2016-17 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484543"/>
		<updated>2017-04-13T08:26:13Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 20/21: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2016/17 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.041 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010A&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00 Room A01 0-010B&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00 Room A 01 0-010B&lt;br /&gt;
*3.02.046 - Martin Butler - Thu, 16:00-18:00 Room A10 0-010B&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00 Room A01 0-008&lt;br /&gt;
*3.02.049 - [[User:Michaela Koch|Michaela Koch]] - Thu, 18:00-20:00 Room A06 0-001&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.050  - Tutorin: Kirstin Bogat - Tue, 18:00-20:00 Room: A10 1-121A &lt;br /&gt;
*3.02.051  - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room: W03 1-154&lt;br /&gt;
*3.02.052  - Tutor: Simon Freisem - Thu, 18:00-20:00 Room: A14 1-112&lt;br /&gt;
*3.02.053  - Tutorin: Franziska Schultz - Thu, 18:00-20:00 Room: V02 0-003&lt;br /&gt;
*3.02.054  - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 14:00-16:00 Room: A10 1-121A&lt;br /&gt;
*3.02.055  - Tutorin: Clara Sophie Schenck - Fri, 14:00-15:00 Room: W03 2-240&lt;br /&gt;
*3.02.055b - Tutorin: Clara Sophie Schenck - Fri, 15:00-16:00 Room: W03 2-240&lt;br /&gt;
*3.02.056  - Tutorin: Rebecca Käpernick - Fri, 14:00-15:00 Room: W32 1-113&lt;br /&gt;
*3.02.056b - Tutorin: Rebecca Käpernick - Fri, 15:00-16:00 Room: W32 1-113&lt;br /&gt;
*3.02.057  - Tutorin: Sina Menke - Fri, 14:00-16:00 Room: W04 1-171&lt;br /&gt;
*3.02.058  - Tutor: Kim Ole Henneke - Fri, 08:00-09:00 Room A10 1-121A&lt;br /&gt;
*3.02.058b - Tutor: Kim Ole Henneke - Fri, 09:00-10:00 Room A10 1-121A&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering nine parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Island of Doctor Moreau&#039;&#039;. Ed. Mason Harris. Peterborough, Ontario: Broadview, 2009.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three optional exercise assignments (max. 3 pages), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 20/21: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the ang070 Syllabus (will be uploaded soon)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 27/28: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 03/04: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 10/11: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 17/18: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 24/25: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, December 01/02: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 08/09: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 15/16: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 22/23: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 12/13: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau_erwartungshorizont.pdf Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 19/20: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013.pdf Taneja, Payal. &amp;quot;The Tropical Empire: Exotic Animals and Beastly Men in &#039;&#039;The Island of Dr. Moreau&#039;&#039;.&amp;quot; &#039;&#039;ESC&#039;&#039; 39.2-3 (2013): 139-159.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 26/27: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 02/03: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 04.02.2017, 15:00-17:00 Uhr, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484542</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484542"/>
		<updated>2017-04-13T08:24:51Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484541</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484541"/>
		<updated>2017-04-12T11:44:19Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484519</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484519"/>
		<updated>2017-04-05T10:37:09Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484518</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484518"/>
		<updated>2017-04-05T10:36:51Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture and Representation, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484517</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484517"/>
		<updated>2017-04-05T10:35:54Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/2017_Hall_Representation_2013.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484516</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484516"/>
		<updated>2017-04-05T09:36:20Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/ang070_Seminarplan_2017.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484515</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484515"/>
		<updated>2017-04-05T09:32:50Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199606 ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199607 ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484514</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484514"/>
		<updated>2017-04-05T09:32:14Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199606 ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199607 ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/HO_key_concepts_Culture_Representation.pdf Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484513</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484513"/>
		<updated>2017-04-04T15:28:38Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199606 ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199607 ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199609 Key Concepts in Cultural Studies: Culture and Representation]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484512</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484512"/>
		<updated>2017-04-04T14:19:42Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199606 ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [https://www.uni-oldenburg.de/typo3/index.php?M=user_MediaM1&amp;amp;moduleToken=96088b2d2135f50dc16b11f4be302f2e38c2f998&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=199607 ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14: No class.==&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13, April 21: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20, April 28: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27, May 05: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04, May 12: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11, May 19: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18, May 26: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484495</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484495"/>
		<updated>2017-03-21T16:41:15Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13/14: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27/28: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11/12: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class. Join  the other groups for the mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24/26: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, 15:00-17:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484494</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484494"/>
		<updated>2017-03-21T16:34:59Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13/14: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27/28: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11/12: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class. Join  the other groups for the mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24/26: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Butler__ImitationandGenderInsubordination_pw.pdf Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484493</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484493"/>
		<updated>2017-03-21T16:33:55Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13/14: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27/28: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11/12: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class. Join  the other groups for the mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24/26: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Savoy_Doris_Day_pw.pdf Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass3_Calamity_Jane.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484492</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484492"/>
		<updated>2017-03-21T16:32:13Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13/14: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27/28: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass1_SlaveGirl_SampleSolutionX.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11/12: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class. Join  the other groups for the mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24/26: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484491</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484491"/>
		<updated>2017-03-21T16:30:35Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13/14: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Woloch_BenevolenceReformSlavery_pw.pdf Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27/28: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11/12: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class. Join  the other groups for the mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24/26: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484490</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484490"/>
		<updated>2017-03-21T16:29:32Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&amp;#039;d.) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13/14: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27/28: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11/12: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class. Join  the other groups for the mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24/26: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/ang070_KC_Ass2_VForVendetta.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484489</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484489"/>
		<updated>2017-03-21T16:28:15Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&amp;#039;d.) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13/14: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27/28: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11/12: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class. Join  the other groups for the mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24/26: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Keller_VsGallery_pw.pdf Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/x.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484488</id>
		<title>2017 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2017_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484488"/>
		<updated>2017-03-21T16:27:05Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;S/Ü Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A07 0-025&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A01 0-010a&lt;br /&gt;
*3.02.046 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: W06 0-008&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010b&lt;br /&gt;
*3.02.049 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A06 0-009&lt;br /&gt;
*3.02.052 - Sharif Bitar - Fri, 10:00-12:00, Room: A01 0-007&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 05/06/07: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 12/13/14: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 19/20/21: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Woloch, Nancy. &amp;quot;Benevolence, Reform, and Slavery.&amp;quot; &#039;&#039;Women and the Great American Experience&#039;&#039;. Second Ed. New York et al.: McGraw-Hill, 1994. 170-203. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 26/27/28: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Smith, Valerie. &amp;quot;Form and Ideology in Three Slave Narratives.&amp;quot; &#039;&#039;Self-Discovery and Authority in Afro-American Narrative.&#039;&#039; Cambridge, MA: Harvard UP, 1987. 9-43. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 222-36. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 03/04/05: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl&#039;&#039;. Eds. Nellie Y. McKay and Frances Smith Foster. New York and London: Norton, 2001. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Accomando, Christina. &amp;quot;&#039;The Laws Were Laid Down to Me Anew&#039;: Harriet Jacobs and the Reframing of Legal Fictions&amp;quot; &#039;&#039;African American Review&#039;&#039; 32.2 (1998): 229-44. Reprinted in: Jacobs, Harriet. &#039;&#039;Incidents in the Life of a Slave Girl.&#039;&#039; Eds. Nellie Y. McKay and Frances Smith Foster. New York: Norton, 2001. 365-85. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 10/11/12: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Lloyd. &#039;Introduction.&#039; &#039;&#039;V for Vendetta&#039;&#039;. New York: Vertigo, 2008. 3-4. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 17/18/19: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/materials/Call_AnarchyVendettaImagesGuyFawkes_pw.pdf Call, Lewis. &amp;quot;A is for Anarchy, V is for Vendetta: Images of Guy Fawkes and the Creation of Postmodern Anarchism.&amp;quot; &#039;&#039;Anarchist Studies&#039;&#039; 16.2 (2008): 154-72.] &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 25: No class. Join  the other groups for the mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 24/26: Mid-term recap==&lt;br /&gt;
&lt;br /&gt;
==Session Nine, May 31 and June 01/02: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and David Lloyd. &#039;&#039;V for Vendetta.&#039;&#039; New York: Vertigo, 2008. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Keller, James R. &amp;quot;&#039;Monuments of Unaging Intellect&#039;: The Shadow&#039;s in V&#039;s Gallery.&amp;quot; V for Vendetta &#039;&#039;as Cultural Pastiche: A Critical Study of the Graphic Novel and the Film.&#039;&#039; Jefferson, NC, and London: McFarland, 2008. 165-190.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/x.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 07/08/09: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 14/15/16: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Butler, Judith. “Imitation and Gender Insubordination.” &#039;&#039;Inside/ Out: Lesbian Theories, Gay Theories.&#039;&#039; Ed. Diana Fuss. New York and London: Routledge, 1991. 13-31. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 21/22/23: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Calamity Jane&#039;&#039;. Dir. David Butler. Perf. Doris Day and Howard Keel. 1953. Warner Home Video, 2003. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* Savoy, Eric. &amp;quot;&#039;That Ain&#039;t All She Ain&#039;t&#039;: Doris Day and Queer Performativity.&amp;quot; &#039;&#039;Out Takes: Essays on Queer Performativity and Film.&#039;&#039; Ed. Ellis Hanson. Durham and London: Duke UP, 1999. 151-82. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 28/29/30: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 05/06/07: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 08, 2017, TBA, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484429</id>
		<title>2016-17 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484429"/>
		<updated>2017-01-18T12:57:01Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eleven, January 12/13: Analysing Fiction III: Close Reading */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2016/17 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.041 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010A&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00 Room A01 0-010B&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00 Room A 01 0-010B&lt;br /&gt;
*3.02.046 - Martin Butler - Thu, 16:00-18:00 Room A10 0-010B&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00 Room A01 0-008&lt;br /&gt;
*3.02.049 - [[User:Michaela Koch|Michaela Koch]] - Thu, 18:00-20:00 Room A06 0-001&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.050  - Tutorin: Kirstin Bogat - Tue, 18:00-20:00 Room: A10 1-121A &lt;br /&gt;
*3.02.051  - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room: W03 1-154&lt;br /&gt;
*3.02.052  - Tutor: Simon Freisem - Thu, 18:00-20:00 Room: A14 1-112&lt;br /&gt;
*3.02.053  - Tutorin: Franziska Schultz - Thu, 18:00-20:00 Room: V02 0-003&lt;br /&gt;
*3.02.054  - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 14:00-16:00 Room: A10 1-121A&lt;br /&gt;
*3.02.055  - Tutorin: Clara Sophie Schenck - Fri, 14:00-15:00 Room: W03 2-240&lt;br /&gt;
*3.02.055b - Tutorin: Clara Sophie Schenck - Fri, 15:00-16:00 Room: W03 2-240&lt;br /&gt;
*3.02.056  - Tutorin: Rebecca Käpernick - Fri, 14:00-15:00 Room: W32 1-113&lt;br /&gt;
*3.02.056b - Tutorin: Rebecca Käpernick - Fri, 15:00-16:00 Room: W32 1-113&lt;br /&gt;
*3.02.057  - Tutorin: Sina Menke - Fri, 14:00-16:00 Room: W04 1-171&lt;br /&gt;
*3.02.058  - Tutor: Kim Ole Henneke - Fri, 08:00-09:00 Room A10 1-121A&lt;br /&gt;
*3.02.058b - Tutor: Kim Ole Henneke - Fri, 09:00-10:00 Room A10 1-121A&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering nine parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Island of Doctor Moreau&#039;&#039;. Ed. Mason Harris. Peterborough, Ontario: Broadview, 2009.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three optional exercise assignments (max. 3 pages), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 20/21: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the ang070 Syllabus (will be uploaded soon)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 27/28: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 03/04: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 10/11: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 17/18: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 24/25: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, December 01/02: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 08/09: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 15/16: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 22/23: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 12/13: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau_erwartungshorizont.pdf Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 19/20: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013.pdf Taneja, Payal. &amp;quot;The Tropical Empire: Exotic Animals and Beastly Men in &#039;&#039;The Island of Dr. Moreau&#039;&#039;.&amp;quot; &#039;&#039;ESC&#039;&#039; 39.2-3 (2013): 139-159.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 26/27: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 02/03: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 04.02.2017, 15:00-17:00 Uhr, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484426</id>
		<title>2016-17 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484426"/>
		<updated>2017-01-10T17:20:36Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Twelve, January 19/20: Critical Debate and Literary Theory II */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2016/17 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.041 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010A&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00 Room A01 0-010B&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00 Room A 01 0-010B&lt;br /&gt;
*3.02.046 - Martin Butler - Thu, 16:00-18:00 Room A10 0-010B&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00 Room A01 0-008&lt;br /&gt;
*3.02.049 - [[User:Michaela Koch|Michaela Koch]] - Thu, 18:00-20:00 Room A06 0-001&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.050  - Tutorin: Kirstin Bogat - Tue, 18:00-20:00 Room: A10 1-121A &lt;br /&gt;
*3.02.051  - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room: W03 1-154&lt;br /&gt;
*3.02.052  - Tutor: Simon Freisem - Thu, 18:00-20:00 Room: A14 1-112&lt;br /&gt;
*3.02.053  - Tutorin: Franziska Schultz - Thu, 18:00-20:00 Room: V02 0-003&lt;br /&gt;
*3.02.054  - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 14:00-16:00 Room: A10 1-121A&lt;br /&gt;
*3.02.055  - Tutorin: Clara Sophie Schenck - Fri, 14:00-15:00 Room: W03 2-240&lt;br /&gt;
*3.02.055b - Tutorin: Clara Sophie Schenck - Fri, 15:00-16:00 Room: W03 2-240&lt;br /&gt;
*3.02.056  - Tutorin: Rebecca Käpernick - Fri, 14:00-15:00 Room: W32 1-113&lt;br /&gt;
*3.02.056b - Tutorin: Rebecca Käpernick - Fri, 15:00-16:00 Room: W32 1-113&lt;br /&gt;
*3.02.057  - Tutorin: Sina Menke - Fri, 14:00-16:00 Room: W04 1-171&lt;br /&gt;
*3.02.058  - Tutor: Kim Ole Henneke - Fri, 08:00-09:00 Room A10 1-121A&lt;br /&gt;
*3.02.058b - Tutor: Kim Ole Henneke - Fri, 09:00-10:00 Room A10 1-121A&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering nine parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Island of Doctor Moreau&#039;&#039;. Ed. Mason Harris. Peterborough, Ontario: Broadview, 2009.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three optional exercise assignments (max. 3 pages), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 20/21: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the ang070 Syllabus (will be uploaded soon)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 27/28: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 03/04: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 10/11: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 17/18: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 24/25: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, December 01/02: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 08/09: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 15/16: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 22/23: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 12/13: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 19/20: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013.pdf Taneja, Payal. &amp;quot;The Tropical Empire: Exotic Animals and Beastly Men in &#039;&#039;The Island of Dr. Moreau&#039;&#039;.&amp;quot; &#039;&#039;ESC&#039;&#039; 39.2-3 (2013): 139-159.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 26/27: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 02/03: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 04.02.2017, 15:00-17:00 Uhr, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484425</id>
		<title>2016-17 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484425"/>
		<updated>2016-12-21T13:54:11Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eleven, January 12/13: Analysing Fiction III: Close Reading */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2016/17 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.041 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010A&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00 Room A01 0-010B&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00 Room A 01 0-010B&lt;br /&gt;
*3.02.046 - Martin Butler - Thu, 16:00-18:00 Room A10 0-010B&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00 Room A01 0-008&lt;br /&gt;
*3.02.049 - [[User:Michaela Koch|Michaela Koch]] - Thu, 18:00-20:00 Room A06 0-001&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.050  - Tutorin: Kirstin Bogat - Tue, 18:00-20:00 Room: A10 1-121A &lt;br /&gt;
*3.02.051  - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room: W03 1-154&lt;br /&gt;
*3.02.052  - Tutor: Simon Freisem - Thu, 18:00-20:00 Room: A14 1-112&lt;br /&gt;
*3.02.053  - Tutorin: Franziska Schultz - Thu, 18:00-20:00 Room: V02 0-003&lt;br /&gt;
*3.02.054  - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 14:00-16:00 Room: A10 1-121A&lt;br /&gt;
*3.02.055  - Tutorin: Clara Sophie Schenck - Fri, 14:00-15:00 Room: W03 2-240&lt;br /&gt;
*3.02.055b - Tutorin: Clara Sophie Schenck - Fri, 15:00-16:00 Room: W03 2-240&lt;br /&gt;
*3.02.056  - Tutorin: Rebecca Käpernick - Fri, 14:00-15:00 Room: W32 1-113&lt;br /&gt;
*3.02.056b - Tutorin: Rebecca Käpernick - Fri, 15:00-16:00 Room: W32 1-113&lt;br /&gt;
*3.02.057  - Tutorin: Sina Menke - Fri, 14:00-16:00 Room: W04 1-171&lt;br /&gt;
*3.02.058  - Tutor: Kim Ole Henneke - Fri, 08:00-09:00 Room A10 1-121A&lt;br /&gt;
*3.02.058b - Tutor: Kim Ole Henneke - Fri, 09:00-10:00 Room A10 1-121A&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering nine parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Island of Doctor Moreau&#039;&#039;. Ed. Mason Harris. Peterborough, Ontario: Broadview, 2009.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three optional exercise assignments (max. 3 pages), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 20/21: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the ang070 Syllabus (will be uploaded soon)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 27/28: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 03/04: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 10/11: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 17/18: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 24/25: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, December 01/02: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 08/09: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 15/16: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 22/23: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 12/13: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/assignment_fiction_Moreau.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 19/20: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/typo3/mod.php?M=user_MediaM1&amp;amp;moduleToken=ed974c7e18934658f584733496766645a790cc89&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=193566 Taneja, Payal. &amp;quot;The Tropical Empire: Exotic Animals and Beastly Men in &#039;&#039;The Island of Dr. Moreau&#039;&#039;.&amp;quot; &#039;&#039;ESC&#039;&#039; 39.2-3 (2013): 139-159.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 26/27: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 02/03: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 04.02.2017, 15:00-17:00 Uhr, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484424</id>
		<title>2016-17 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484424"/>
		<updated>2016-12-21T13:33:43Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Twelve, January 19/20: Critical Debate and Literary Theory II */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2016/17 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.041 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010A&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00 Room A01 0-010B&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00 Room A 01 0-010B&lt;br /&gt;
*3.02.046 - Martin Butler - Thu, 16:00-18:00 Room A10 0-010B&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00 Room A01 0-008&lt;br /&gt;
*3.02.049 - [[User:Michaela Koch|Michaela Koch]] - Thu, 18:00-20:00 Room A06 0-001&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.050  - Tutorin: Kirstin Bogat - Tue, 18:00-20:00 Room: A10 1-121A &lt;br /&gt;
*3.02.051  - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room: W03 1-154&lt;br /&gt;
*3.02.052  - Tutor: Simon Freisem - Thu, 18:00-20:00 Room: A14 1-112&lt;br /&gt;
*3.02.053  - Tutorin: Franziska Schultz - Thu, 18:00-20:00 Room: V02 0-003&lt;br /&gt;
*3.02.054  - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 14:00-16:00 Room: A10 1-121A&lt;br /&gt;
*3.02.055  - Tutorin: Clara Sophie Schenck - Fri, 14:00-15:00 Room: W03 2-240&lt;br /&gt;
*3.02.055b - Tutorin: Clara Sophie Schenck - Fri, 15:00-16:00 Room: W03 2-240&lt;br /&gt;
*3.02.056  - Tutorin: Rebecca Käpernick - Fri, 14:00-15:00 Room: W32 1-113&lt;br /&gt;
*3.02.056b - Tutorin: Rebecca Käpernick - Fri, 15:00-16:00 Room: W32 1-113&lt;br /&gt;
*3.02.057  - Tutorin: Sina Menke - Fri, 14:00-16:00 Room: W04 1-171&lt;br /&gt;
*3.02.058  - Tutor: Kim Ole Henneke - Fri, 08:00-09:00 Room A10 1-121A&lt;br /&gt;
*3.02.058b - Tutor: Kim Ole Henneke - Fri, 09:00-10:00 Room A10 1-121A&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering nine parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Island of Doctor Moreau&#039;&#039;. Ed. Mason Harris. Peterborough, Ontario: Broadview, 2009.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three optional exercise assignments (max. 3 pages), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 20/21: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the ang070 Syllabus (will be uploaded soon)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 27/28: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 03/04: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 10/11: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 17/18: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 24/25: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, December 01/02: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 08/09: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 15/16: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 22/23: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 12/13: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/xxx.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 19/20: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://www.uni-oldenburg.de/typo3/mod.php?M=user_MediaM1&amp;amp;moduleToken=ed974c7e18934658f584733496766645a790cc89&amp;amp;tx_media_user_mediam1%5Bcontroller%5D=Asset&amp;amp;tx_media_user_mediam1%5Baction%5D=download&amp;amp;tx_media_user_mediam1%5Bfile%5D=193566 Taneja, Payal. &amp;quot;The Tropical Empire: Exotic Animals and Beastly Men in &#039;&#039;The Island of Dr. Moreau&#039;&#039;.&amp;quot; &#039;&#039;ESC&#039;&#039; 39.2-3 (2013): 139-159.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 26/27: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 02/03: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 04.02.2017, 15:00-17:00 Uhr, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484423</id>
		<title>2016-17 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484423"/>
		<updated>2016-12-21T13:28:41Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eleven, January 12/13: Analysing Fiction III: Close Reading */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2016/17 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.041 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010A&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00 Room A01 0-010B&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00 Room A 01 0-010B&lt;br /&gt;
*3.02.046 - Martin Butler - Thu, 16:00-18:00 Room A10 0-010B&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00 Room A01 0-008&lt;br /&gt;
*3.02.049 - [[User:Michaela Koch|Michaela Koch]] - Thu, 18:00-20:00 Room A06 0-001&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.050  - Tutorin: Kirstin Bogat - Tue, 18:00-20:00 Room: A10 1-121A &lt;br /&gt;
*3.02.051  - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room: W03 1-154&lt;br /&gt;
*3.02.052  - Tutor: Simon Freisem - Thu, 18:00-20:00 Room: A14 1-112&lt;br /&gt;
*3.02.053  - Tutorin: Franziska Schultz - Thu, 18:00-20:00 Room: V02 0-003&lt;br /&gt;
*3.02.054  - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 14:00-16:00 Room: A10 1-121A&lt;br /&gt;
*3.02.055  - Tutorin: Clara Sophie Schenck - Fri, 14:00-15:00 Room: W03 2-240&lt;br /&gt;
*3.02.055b - Tutorin: Clara Sophie Schenck - Fri, 15:00-16:00 Room: W03 2-240&lt;br /&gt;
*3.02.056  - Tutorin: Rebecca Käpernick - Fri, 14:00-15:00 Room: W32 1-113&lt;br /&gt;
*3.02.056b - Tutorin: Rebecca Käpernick - Fri, 15:00-16:00 Room: W32 1-113&lt;br /&gt;
*3.02.057  - Tutorin: Sina Menke - Fri, 14:00-16:00 Room: W04 1-171&lt;br /&gt;
*3.02.058  - Tutor: Kim Ole Henneke - Fri, 08:00-09:00 Room A10 1-121A&lt;br /&gt;
*3.02.058b - Tutor: Kim Ole Henneke - Fri, 09:00-10:00 Room A10 1-121A&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering nine parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Island of Doctor Moreau&#039;&#039;. Ed. Mason Harris. Peterborough, Ontario: Broadview, 2009.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three optional exercise assignments (max. 3 pages), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 20/21: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the ang070 Syllabus (will be uploaded soon)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 27/28: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 03/04: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 10/11: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 17/18: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 24/25: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, December 01/02: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 08/09: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 15/16: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 22/23: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 12/13: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/xxx.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 19/20: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*TBA&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 26/27: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 02/03: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 04.02.2017, 15:00-17:00 Uhr, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484422</id>
		<title>2016-17 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484422"/>
		<updated>2016-12-21T13:27:51Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eleven, January 12/13: Analysing Fiction III: Close Reading */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2016/17 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.041 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010A&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00 Room A01 0-010B&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00 Room A 01 0-010B&lt;br /&gt;
*3.02.046 - Martin Butler - Thu, 16:00-18:00 Room A10 0-010B&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00 Room A01 0-008&lt;br /&gt;
*3.02.049 - [[User:Michaela Koch|Michaela Koch]] - Thu, 18:00-20:00 Room A06 0-001&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.050  - Tutorin: Kirstin Bogat - Tue, 18:00-20:00 Room: A10 1-121A &lt;br /&gt;
*3.02.051  - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room: W03 1-154&lt;br /&gt;
*3.02.052  - Tutor: Simon Freisem - Thu, 18:00-20:00 Room: A14 1-112&lt;br /&gt;
*3.02.053  - Tutorin: Franziska Schultz - Thu, 18:00-20:00 Room: V02 0-003&lt;br /&gt;
*3.02.054  - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 14:00-16:00 Room: A10 1-121A&lt;br /&gt;
*3.02.055  - Tutorin: Clara Sophie Schenck - Fri, 14:00-15:00 Room: W03 2-240&lt;br /&gt;
*3.02.055b - Tutorin: Clara Sophie Schenck - Fri, 15:00-16:00 Room: W03 2-240&lt;br /&gt;
*3.02.056  - Tutorin: Rebecca Käpernick - Fri, 14:00-15:00 Room: W32 1-113&lt;br /&gt;
*3.02.056b - Tutorin: Rebecca Käpernick - Fri, 15:00-16:00 Room: W32 1-113&lt;br /&gt;
*3.02.057  - Tutorin: Sina Menke - Fri, 14:00-16:00 Room: W04 1-171&lt;br /&gt;
*3.02.058  - Tutor: Kim Ole Henneke - Fri, 08:00-09:00 Room A10 1-121A&lt;br /&gt;
*3.02.058b - Tutor: Kim Ole Henneke - Fri, 09:00-10:00 Room A10 1-121A&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering nine parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Island of Doctor Moreau&#039;&#039;. Ed. Mason Harris. Peterborough, Ontario: Broadview, 2009.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three optional exercise assignments (max. 3 pages), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 20/21: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the ang070 Syllabus (will be uploaded soon)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 27/28: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 03/04: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 10/11: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 17/18: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 24/25: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, December 01/02: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 08/09: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 15/16: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 22/23: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 12/13: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 19/20: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*TBA&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 26/27: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 02/03: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 04.02.2017, 15:00-17:00 Uhr, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484421</id>
		<title>2016-17 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016-17_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484421"/>
		<updated>2016-12-21T13:26:54Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eleven, January 12/13: Analysing Fiction III: Close Reading */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2016/17 need to enroll in one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND in a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.040 - [[User:Anton Kirchhofer|Anton Kirchhofer]] - Thu, 10:00-12:00 Room A06 0-001&lt;br /&gt;
*3.02.041 - [[User:Anna Auguscik|Anna Auguscik]] - Fri, 08:00-10:00 Room A01 0-010A&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 08:00-10:00 Room A01 0-010B&lt;br /&gt;
*3.02.043 - [[User:Michaela Keck|Michaela Keck]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Fri, 10:00-12:00 Room A 01 0-010B&lt;br /&gt;
*3.02.046 - Martin Butler - Thu, 16:00-18:00 Room A10 0-010B&lt;br /&gt;
*3.02.047 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.048 - [[User:Michaela Koch|Michaela Koch]] - Wed, 16:00-18:00 Room A01 0-008&lt;br /&gt;
*3.02.049 - [[User:Michaela Koch|Michaela Koch]] - Thu, 18:00-20:00 Room A06 0-001&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.050  - Tutorin: Kirstin Bogat - Tue, 18:00-20:00 Room: A10 1-121A &lt;br /&gt;
*3.02.051  - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room: W03 1-154&lt;br /&gt;
*3.02.052  - Tutor: Simon Freisem - Thu, 18:00-20:00 Room: A14 1-112&lt;br /&gt;
*3.02.053  - Tutorin: Franziska Schultz - Thu, 18:00-20:00 Room: V02 0-003&lt;br /&gt;
*3.02.054  - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 14:00-16:00 Room: A10 1-121A&lt;br /&gt;
*3.02.055  - Tutorin: Clara Sophie Schenck - Fri, 14:00-15:00 Room: W03 2-240&lt;br /&gt;
*3.02.055b - Tutorin: Clara Sophie Schenck - Fri, 15:00-16:00 Room: W03 2-240&lt;br /&gt;
*3.02.056  - Tutorin: Rebecca Käpernick - Fri, 14:00-15:00 Room: W32 1-113&lt;br /&gt;
*3.02.056b - Tutorin: Rebecca Käpernick - Fri, 15:00-16:00 Room: W32 1-113&lt;br /&gt;
*3.02.057  - Tutorin: Sina Menke - Fri, 14:00-16:00 Room: W04 1-171&lt;br /&gt;
*3.02.058  - Tutor: Kim Ole Henneke - Fri, 08:00-09:00 Room A10 1-121A&lt;br /&gt;
*3.02.058b - Tutor: Kim Ole Henneke - Fri, 09:00-10:00 Room A10 1-121A&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering nine parallel courses. Please make sure that you are registered under ONE of these in Stud.IP.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Wells, H.G. &#039;&#039;The Island of Doctor Moreau&#039;&#039;. Ed. Mason Harris. Peterborough, Ontario: Broadview, 2009.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to write three optional exercise assignments (max. 3 pages), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 20/21: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the ang070 Syllabus (will be uploaded soon)&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 27/28: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, November 03/04: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 10/11: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 17/18: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 24/25: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, December 01/02: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare, &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 08/09: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 15/16: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 22/23: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 12/13: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*H.G. Wells, &#039;&#039;The Island of Doctor Moreau&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Taneja_TropicalEmpire_Moreau_2013.pdf Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 19/20: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*TBA&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 26/27: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, February 02/03: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 04.02.2017, 15:00-17:00 Uhr, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484162</id>
		<title>2016 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484162"/>
		<updated>2016-06-01T08:43:23Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Nine, June 02/03: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&amp;#039;d.) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Martin Butler|Martin Butler]] - Fri, 08:00-10:00, Room: A01 0-005&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010a&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A13 0-027&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00, Room: A06 5-531&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederic Douglass, an American Slave, Written By Himself&#039;&#039;. 1845. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Breakfast on Pluto&#039;&#039;. Dir. Neil Jordan. Perf. Cillian Murphy, Ruth Negga, Liam Neeson, Stephen Rea, and Brendan Gleeson. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 07/08: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14/15: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 21/22: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_the_peculiar_institution.pdf Foner, Eric. “The Peculiar Institution.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction&#039;&#039;. New York: Vintage, 2005. 3-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 28/29: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_true_likenesses.pdf Foner, Eric. “True Likenesses.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction.&#039;&#039; New York: Vintage, 2005. 34-40. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 05: No Class: Please Join the Friday Groups!==&lt;br /&gt;
==Session Five, May 06: Mid-Term Recap==&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 12/13: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself.&#039;&#039; Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2009_nwankwo_douglass_black-atlantic.pdf Nwankwo, Ifeoma C.K. “Douglass’ Black Atlantic: The Caribbean.” &#039;&#039;The Cambridge Companion to Frederick Douglass&#039;&#039;. Ed. Maurice S. Lee. Cambridge: CUP, 2009. 146-59. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 19/20: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;Introduction.&#039; &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. 6-7. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 26/27: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/anglistikwikinew/texts/Hughes_IdeologyAndRealWorldSuperheroes.pdf Hughes, Jamie A. &amp;quot;&#039;Who Watches the Watchmen?&#039;: Ideology and &#039;Real World&#039; Superheroes.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 39.4 (2006): 546-57. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 02/03: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Keating, Erin M. &amp;quot;The Female Link: Citation and Continuity in &#039;&#039;Watchmen&#039;&#039;.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 45.6 (2012): 1266-88.Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/x.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 09/10: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 16/17: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Nunes_National-Security.pdf Nunes, Charlotte. &amp;quot;In the Name of National Security: Torture and Imperialist Ideology in Sheridan&#039;s &#039;&#039;In the Name of the Father&#039;&#039; and Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Human Rights Quarterly&#039;&#039; 31.4 (2009): 916-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 23/24: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Lassen, Christian. &amp;quot;The Passion of Saint Kitten, or: Desperately Seeking Mitzi, the Phantom Lady. Camp Responses to Interpellation and Subjection in Neil Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Anglistentag 2012 Potsdam: Proceedings.&#039;&#039; Eds. Katrin Röder and Ilse Wischer. Trier: WVT, 2013. 81-92. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 30/July 01: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 07/08: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484161</id>
		<title>2016 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484161"/>
		<updated>2016-06-01T08:26:41Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Nine, June 02/03: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&amp;#039;d.) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Martin Butler|Martin Butler]] - Fri, 08:00-10:00, Room: A01 0-005&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010a&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A13 0-027&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00, Room: A06 5-531&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederic Douglass, an American Slave, Written By Himself&#039;&#039;. 1845. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Breakfast on Pluto&#039;&#039;. Dir. Neil Jordan. Perf. Cillian Murphy, Ruth Negga, Liam Neeson, Stephen Rea, and Brendan Gleeson. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 07/08: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14/15: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 21/22: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_the_peculiar_institution.pdf Foner, Eric. “The Peculiar Institution.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction&#039;&#039;. New York: Vintage, 2005. 3-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 28/29: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_true_likenesses.pdf Foner, Eric. “True Likenesses.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction.&#039;&#039; New York: Vintage, 2005. 34-40. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 05: No Class: Please Join the Friday Groups!==&lt;br /&gt;
==Session Five, May 06: Mid-Term Recap==&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 12/13: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself.&#039;&#039; Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2009_nwankwo_douglass_black-atlantic.pdf Nwankwo, Ifeoma C.K. “Douglass’ Black Atlantic: The Caribbean.” &#039;&#039;The Cambridge Companion to Frederick Douglass&#039;&#039;. Ed. Maurice S. Lee. Cambridge: CUP, 2009. 146-59. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 19/20: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;Introduction.&#039; &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. 6-7. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 26/27: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/anglistikwikinew/texts/Hughes_IdeologyAndRealWorldSuperheroes.pdf Hughes, Jamie A. &amp;quot;&#039;Who Watches the Watchmen?&#039;: Ideology and &#039;Real World&#039; Superheroes.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 39.4 (2006): 546-57. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 02/03: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Keating, Erin M. &amp;quot;The Female Link: Citation and Continuity in &#039;&#039;Watchmen&#039;&#039;.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 45.6 (2012): 1266-88.Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [https://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Watchmen_Assigment.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 09/10: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 16/17: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Nunes_National-Security.pdf Nunes, Charlotte. &amp;quot;In the Name of National Security: Torture and Imperialist Ideology in Sheridan&#039;s &#039;&#039;In the Name of the Father&#039;&#039; and Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Human Rights Quarterly&#039;&#039; 31.4 (2009): 916-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 23/24: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Lassen, Christian. &amp;quot;The Passion of Saint Kitten, or: Desperately Seeking Mitzi, the Phantom Lady. Camp Responses to Interpellation and Subjection in Neil Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Anglistentag 2012 Potsdam: Proceedings.&#039;&#039; Eds. Katrin Röder and Ilse Wischer. Trier: WVT, 2013. 81-92. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 30/July 01: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 07/08: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484160</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484160"/>
		<updated>2016-05-18T09:17:10Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484159</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484159"/>
		<updated>2016-05-18T08:57:45Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Test&#039;&#039;&#039;&lt;br /&gt;
*Testupload [http://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Assignment_VisualMedia_2013-05-23.pdf Test PDF]&lt;br /&gt;
*Testupload2 [http://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/AnimalStudies/Schedule_AnimalStudies.pdf Test PDF2]&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484158</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484158"/>
		<updated>2016-05-18T08:56:05Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Test&#039;&#039;&#039;&lt;br /&gt;
*Testupload [http://www.uni-oldenburg.de/fileadmin/user_upload/anglistik/download/BM7/Assignment_VisualMedia_2013-05-23.pdf Test PDF]&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484157</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484157"/>
		<updated>2016-04-27T08:57:48Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484156</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484156"/>
		<updated>2016-04-27T08:56:59Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Test&#039;&#039;&#039;&lt;br /&gt;
* 123&lt;br /&gt;
* Link [ftp://rida4400@upload.uni-oldenburg.de/upload/en_users_guide_document_camera_big_one.pdf docu]&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484155</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484155"/>
		<updated>2016-04-27T08:55:53Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
Test&lt;br /&gt;
123&lt;br /&gt;
Link [ftp://rida4400@upload.uni-oldenburg.de/upload/en_users_guide_document_camera_big_one.pdf]&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484154</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484154"/>
		<updated>2016-04-27T08:55:01Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
Test&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484153</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484153"/>
		<updated>2016-04-27T08:51:14Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Welcome&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484152</id>
		<title>2015-16 Introduction to the Critical and Scholarly Discussion of Literature</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2015-16_Introduction_to_the_Critical_and_Scholarly_Discussion_of_Literature&amp;diff=484152"/>
		<updated>2016-04-27T08:50:38Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session One, October 15/16: Introduction */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the current winter term), &lt;br /&gt;
*a tutorial (TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; [aka &amp;quot;Research Methods&amp;quot;], offered in the current winter term),&lt;br /&gt;
*a seminar (S/Ü &amp;quot;Key Concepts in Cultural Studies&amp;quot;, offered in the following summer term), and &lt;br /&gt;
*a lecture (VL &amp;quot;Historical Background and Critical Concepts&amp;quot;, offered in the following summer term). &lt;br /&gt;
All students beginning in the winter term 2015/16 need to enroll for one of the tutorials called &lt;br /&gt;
TUT &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; (aka &amp;quot;Reasearch Methods&amp;quot;), AND for a seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot; in ang070. Registration is via Stud.IP.&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the eight courses of our seminar S/Ü &amp;quot;Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Seminars&lt;br /&gt;
*3.02.041 - [[User:Michaela Keck|Michaela Keck]] - Thu, 10:00-12:00 Room A01 0-010B&lt;br /&gt;
*3.02.042 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00 Room A07 0-025&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]]  - Thu, 16:00-18:00 Room A07 0-025&lt;br /&gt;
*3.02.044 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 12:00-14:00 Room A06 0-001&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00 - 10:00 Room A 01 0-010B&lt;br /&gt;
*3.02.047 - Natalie Roxburgh - Thu, 08:00-10:00 Room A14 0-031&lt;br /&gt;
*3.02.048 - Katharina Bieloch - Thu, 16:00-18:00 Room V02 0-002&lt;br /&gt;
*3.02.049 - Katharina Bieloch - Thu, 18:00-20:00 Room V02 0-002&lt;br /&gt;
*3.02.050 - Daniel Sip - Fri, 12:00-14:00 Room A01 0-010A&lt;br /&gt;
&lt;br /&gt;
Tutorials&lt;br /&gt;
*3.02.051 - Tutorin: Kirstin Bogat - Tue, 08:00-10:00 Room: W03 2-240 &lt;br /&gt;
*3.02.052 - Tutor: Maximilian Rugen - Wed, 09:00-10:00 Room: W06 0-008&lt;br /&gt;
*3.02.053 - Tutorin: Kerstin Doerfel - Tue, 18:00-20:00 Room:  W32 1-113&lt;br /&gt;
*3.02.054 - Tutorin: Sophia Pauline Schepker-Thiele - Fri, 08:00-10:00 Room: A01 0-010A&lt;br /&gt;
*3.02.055 - Tutor: Hendrik Meyer - Mon, 18:00-20:00 Room: A01 0-009&lt;br /&gt;
*3.02.056 - Tutor: Kim Ole Henneke - Tue, 18:00-19:00 Room: A07 0-025&lt;br /&gt;
*3.02.057 - Tutorin: Sina Menke - Wed, 18:00-20:00 Room: A01 0-010B&lt;br /&gt;
*3.02.058 - Tutor: Kim Ole Henneke - Tue, 19:00-20:00 Room: A07 0-025&lt;br /&gt;
*3.02.059 - Tutorin: Rebecca Käpernick - Mon, 08:00-10:00 Room A06 0-009&lt;br /&gt;
*3.02.080 - Tutor: Maximilian Rugen - Wed, 08:00-09:00 Room: W06 0-008&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
This seminar part of the Basismodul ang070 focuses on techniques of textual analysis in the context of discussing literature. We are offering eight parallel courses. Please make sure that you are registered under ONE of these in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
All parallel courses have a common structure. The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session.&lt;br /&gt;
&lt;br /&gt;
Both the texts and the other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase two books:&lt;br /&gt;
&lt;br /&gt;
* Shakespeare, William. &#039;&#039;The Tempest&#039;&#039;. Eds. Virginia Mason Vaughan and Alden T. Vaughan. The Arden Shakespeare, third series. London: A&amp;amp;C Black, 2011.&lt;br /&gt;
* Shelley, Mary. &#039;&#039;Frankenstein&#039;&#039;. Ed. Paul Hunter. New York and London: Norton, 2012.&lt;br /&gt;
&lt;br /&gt;
Course work: You will be asked to hand in three optional exercise assignments (max. 3 pages, due on November 20/21, December 11/12 and January 22/23 respectively), complete a Written Test, and produce a Research Paper Outline (2 pages, due on February 28). The assignments are to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet], and will require you to analyse poetry, drama and fiction respectively, one of which will be tested at the end of the term (Written Test).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Useful Hints for Assignments]]&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, October 15/16: Introduction==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&lt;br /&gt;
*Introduction to the [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
*Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_WiSe2015_16.pdf ang070 Syllabus]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries for seminar communication.&lt;br /&gt;
&lt;br /&gt;
==Session Two, October 22/23: Analysing Poetry I: Poetic Conventions, Rhyme and Metre==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_poetry.pdf Analysing Poetry]&lt;br /&gt;
* Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/CullerJonathanStructuralistPoetics.pdf Culler 161-178]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 31-33]; Cambridge Companion to Literatures in English&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Structural approach to poetry: communicative situation, themes, metrics and language. Acquire a basic checklist of what to look (first) for in a poem. Recapitulate the basics of metrics and rhyme patterns. Recognise the features of a particular genre and genre conventions: the sonnet.&lt;br /&gt;
&lt;br /&gt;
==Session Three, October 29/30: Analysing Poetry II: Figurative Speech==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
==Session Four, November 05/06: Analysing Poetry III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_figurative_speech.pdf Figurative Speech]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/LudwigHansWernerLyrikanalyse.pdf Ludwig, 47-60]; [http://www.anglistik.uni-oldenburg.de/download/BM7/LeechGeoffreyNALinguisticGuidetoEnglishPoetry.pdf Leech, 147-157]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_Poetry_Reader.pdf Poetry Reader]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Figurative language, interplay. Spot metaphors, similes, etc. the metric pattern and valorise the points where it is broken. Reinforce basic checklist of previous week. Analyse particular features of poetic language (figures of speech, metrical effects).&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_students.pdf Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
     [https://dl.dropboxusercontent.com/u/4800026/BM7/ang070_assignment_01_poetry_sample_solution_Ko.pdf Sample Solution Assignment I: Poetry]&lt;br /&gt;
&lt;br /&gt;
==Session Five, November 12/13: Analysing Drama I: Rhetoric==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_rhetoric.pdf Rhetoric]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/Plett_EinfuehrungRhetorischeTextanalyse.pdf Plett 3-22, 102-105]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
A speech from the Shakespeare play&lt;br /&gt;
&lt;br /&gt;
==Session Six, November 19/20: Analysing Drama II: Dramatic Communication and Plot Structure==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 49 - 57, 86 - 94, 126 - 147]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dramatic Structures and Communication; Exposition.&lt;br /&gt;
&lt;br /&gt;
==Session Seven, November 26/27: Analysing Drama III: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_analysing_dramatic_communication.pdf Analysing Dramatic Communication]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/PfisterManfredTheTheoryandAnalysisofDrama.pdf Pfister 183 - 195]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*William Shakespeare &#039;&#039;The Tempest&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characters and Genre Aspects.&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/BM7/assignment%20drama%20WiSe%202015-16_Tempest%20%28students%29.pdf Assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
 [[https://dl.dropboxusercontent.com/u/4800026/bm7/assignment%20drama%20WiSe%202015-16_Tempest%20%28lecturers%29.pdf Sample solution assignment II: Drama]]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, December 03/04: Critical Debate and Literary Theory I==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
* [https://dl.dropboxusercontent.com/u/4800026/bm7/1976_greenblatt_learning_to_curse.pdf Greenblatt, Stephen J. &amp;quot;Learning to Curse: Aspects of Linguistic Colonialism in the Sixteenth Century.&amp;quot; &#039;&#039;First Images of America: The Impact of the New World on the Old&#039;&#039;. Ed. Fredi Chiappelli. Berkeley: U of California P, 1976. Vol. 2. 561-80. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Nine, December 10/11: Analysing Fiction I: Narration and Focalisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Narration, Focalization.&lt;br /&gt;
&lt;br /&gt;
==Session Ten, December 17/18: Analysing Fiction II: Characterisation==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Characterisation.&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, January 07/08: Analysing Fiction III: Close Reading==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
*Sources: [http://www.anglistik.uni-oldenburg.de/download/BM7/RimmonKenanShlomithNarrativeFiction.pdf Rimmon-Kenan, Chapter 5, 59-71 and Chapter 6, 72-86]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Mary Shelley, &#039;&#039;Frankenstein&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Close Reading&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/cyuqxfin9w950oe/assignment_fiction_Frankenstein.pdf?dl=0 Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
   [[https://www.dropbox.com/s/0xwn3rg3v4ru5o6/assignment_fiction_Frankenstein_Erwartungshorizont.pdf?dl=0 Sample Solution Assignment III: Fiction]]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, January 14/15: Critical Debate and Literary Theory II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Material&#039;&#039;&#039;&lt;br /&gt;
*[https://dl.dropboxusercontent.com/u/4800026/BM7/handout_littheory_movements_timeline_2014-12-11-1.pdf Brief Overview of Theoretical Approaches and Movements]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Texts&#039;&#039;&#039;&lt;br /&gt;
*Butler, Marilyn. &amp;quot;&#039;&#039;Frankenstein&#039;&#039; and Radical Sciences.&amp;quot; &#039;&#039;Frankenstein&#039;&#039;. By Mary Shelley. Ed. Paul Hunter. New York and London: Norton, 2012. 404-16.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Theory and Critical Discussion. Secondary Material.&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, January 21/22: Recap==&lt;br /&gt;
&lt;br /&gt;
Preparation for written test&lt;br /&gt;
&lt;br /&gt;
Assignments Poetry, Drama, Fiction&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, January 28/29: RPO Projects==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[BM1 - Introduction to Literature - Assignment 4: Research Paper Outline|Assignment 4: Research Paper Outline ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
      [[Written Test: Saturday, 30.01.2016, 13:00-15:00, A14 HS 1+2  ]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Winter 2015-16]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484141</id>
		<title>2016 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484141"/>
		<updated>2016-03-31T11:55:06Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eight, May 26/27: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Martin Butler|Martin Butler]] - Fri, 08:00-10:00, Room: A01 0-005&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010a&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A13 0-027&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00, Room: A06 5-531&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederic Douglass, an American Slave, Written By Himself&#039;&#039;. 1845. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Breakfast on Pluto&#039;&#039;. Dir. Neil Jordan. Perf. Cillian Murphy, Ruth Negga, Liam Neeson, Stephen Rea, and Brendan Gleeson. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 07/08: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14/15: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 21/22: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_the_peculiar_institution.pdf Foner, Eric. “The Peculiar Institution.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction&#039;&#039;. New York: Vintage, 2005. 3-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 28/29: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_true_likenesses.pdf Foner, Eric. “True Likenesses.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction.&#039;&#039; New York: Vintage, 2005. 34-40. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 05: No Class: Please Join the Friday Groups!==&lt;br /&gt;
==Session Five, May 06: Mid-Term Recap==&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 12/13: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself.&#039;&#039; Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2009_nwankwo_douglass_black-atlantic.pdf Nwankwo, Ifeoma C.K. “Douglass’ Black Atlantic: The Caribbean.” &#039;&#039;The Cambridge Companion to Frederick Douglass&#039;&#039;. Ed. Maurice S. Lee. Cambridge: CUP, 2009. 146-59. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 19/20: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;Introduction.&#039; &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. 6-7. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 26/27: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/anglistikwikinew/texts/Hughes_IdeologyAndRealWorldSuperheroes.pdf Hughes, Jamie A. &amp;quot;&#039;Who Watches the Watchmen?&#039;: Ideology and &#039;Real World&#039; Superheroes.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 39.4 (2006): 546-57. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 02/03: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Keating, Erin M. &amp;quot;The Female Link: Citation and Continuity in &#039;&#039;Watchmen&#039;&#039;.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 45.6 (2012): 1266-88.Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 09/10: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 16/17: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Nunes_National-Security.pdf Nunes, Charlotte. &amp;quot;In the Name of National Security: Torture and Imperialist Ideology in Sheridan&#039;s &#039;&#039;In the Name of the Father&#039;&#039; and Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Human Rights Quarterly&#039;&#039; 31.4 (2009): 916-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 23/24: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Lassen, Christian. &amp;quot;The Passion of Saint Kitten, or: Desperately Seeking Mitzi, the Phantom Lady. Camp Responses to Interpellation and Subjection in Neil Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Anglistentag 2012 Potsdam: Proceedings.&#039;&#039; Eds. Katrin Röder and Ilse Wischer. Trier: WVT, 2013. 81-92. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 30/July 01: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 07/08: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484140</id>
		<title>2016 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484140"/>
		<updated>2016-03-31T11:51:14Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Eight, May 26/27: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation) */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Martin Butler|Martin Butler]] - Fri, 08:00-10:00, Room: A01 0-005&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010a&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A13 0-027&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00, Room: A06 5-531&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederic Douglass, an American Slave, Written By Himself&#039;&#039;. 1845. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Breakfast on Pluto&#039;&#039;. Dir. Neil Jordan. Perf. Cillian Murphy, Ruth Negga, Liam Neeson, Stephen Rea, and Brendan Gleeson. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 07/08: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14/15: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 21/22: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_the_peculiar_institution.pdf Foner, Eric. “The Peculiar Institution.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction&#039;&#039;. New York: Vintage, 2005. 3-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 28/29: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_true_likenesses.pdf Foner, Eric. “True Likenesses.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction.&#039;&#039; New York: Vintage, 2005. 34-40. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 05: No Class: Please Join the Friday Groups!==&lt;br /&gt;
==Session Five, May 06: Mid-Term Recap==&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 12/13: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself.&#039;&#039; Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2009_nwankwo_douglass_black-atlantic.pdf Nwankwo, Ifeoma C.K. “Douglass’ Black Atlantic: The Caribbean.” &#039;&#039;The Cambridge Companion to Frederick Douglass&#039;&#039;. Ed. Maurice S. Lee. Cambridge: CUP, 2009. 146-59. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 19/20: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;Introduction.&#039; &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. 6-7. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 26/27: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://anglistikwikinew/texts/Hughes_Ideology and Real World Superheroes.pdf Hughes, Jamie A. &amp;quot;&#039;Who Watches the Watchmen?&#039;: Ideology and &#039;Real World&#039; Superheroes.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 39.4 (2006): 546-57. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 02/03: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Keating, Erin M. &amp;quot;The Female Link: Citation and Continuity in &#039;&#039;Watchmen&#039;&#039;.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 45.6 (2012): 1266-88.Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 09/10: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 16/17: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Nunes_National-Security.pdf Nunes, Charlotte. &amp;quot;In the Name of National Security: Torture and Imperialist Ideology in Sheridan&#039;s &#039;&#039;In the Name of the Father&#039;&#039; and Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Human Rights Quarterly&#039;&#039; 31.4 (2009): 916-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 23/24: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Lassen, Christian. &amp;quot;The Passion of Saint Kitten, or: Desperately Seeking Mitzi, the Phantom Lady. Camp Responses to Interpellation and Subjection in Neil Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Anglistentag 2012 Potsdam: Proceedings.&#039;&#039; Eds. Katrin Röder and Ilse Wischer. Trier: WVT, 2013. 81-92. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 30/July 01: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 07/08: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
	<entry>
		<id>https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484139</id>
		<title>2016 Ü Key Concepts in Cultural Studies</title>
		<link rel="alternate" type="text/html" href="https://wiki.angl-am.uni-oldenburg.de/wiki/index.php?title=2016_%C3%9C_Key_Concepts_in_Cultural_Studies&amp;diff=484139"/>
		<updated>2016-03-31T11:42:33Z</updated>

		<summary type="html">&lt;p&gt;Michaela Koch: /* Session Fourteen, July 07/08: Presentation and Discussion of RPOs */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;     PLEASE NOTE: THIS PAGE IS CURRENTLY UNDER CONSTURCTION. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Please note&#039;&#039;&#039;: The ang070 module consists of &lt;br /&gt;
*a seminar (&amp;quot;S/Ü: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a tutorial (&amp;quot;TUT: Introduction to the Critical and Scholarly Discussion of Literature&amp;quot;, offered in the previous winter term), &lt;br /&gt;
*a (biweekly) lecture (&amp;quot;Historical Backgrounds and Critcal Concepts&amp;quot;, offered this term) and &lt;br /&gt;
*a seminar (&amp;quot;Key Concepts of Cultural Studies&amp;quot;, offered this term). &lt;br /&gt;
&lt;br /&gt;
If you have already completed parts, but not the entire Basismodul in literary and/or cultural studies in previous semesters, please contact [[User:Michaela Koch|Michaela Koch]].&lt;br /&gt;
&lt;br /&gt;
On this page you will find detailed information on the lecture &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and on the courses &amp;quot;Key Concepts in Cultural Studies&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
{|&lt;br /&gt;
|&lt;br /&gt;
Lecture: VL Historical Backgrounds and Critical Concepts&lt;br /&gt;
*3.02.040 - [[User:Martin Butler|Martin Butler]] and [[Anton Kirchhofer|Anton Kirchhofer]] - Thu, 12:00 - 14:00, Room: A14 1-102 (Hörsaal 2)&lt;br /&gt;
&lt;br /&gt;
Courses: S/Ü Key Concepts in Cultural Studies &lt;br /&gt;
*3.02.041 - [[User:Martin Butler|Martin Butler]] - Fri, 08:00-10:00, Room: A01 0-005&lt;br /&gt;
*3.02.042 - [[User:Michaela Keck|Michaela Keck]] - Fri, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.043 - [[User:Michaela Koch|Michaela Koch]] - Thu, 14:00-16:00, Room: A01 0-010a &lt;br /&gt;
*3.02.044 - [[User:Michaela Koch|Michaela Koch]] - Thu, 16:00-18:00, Room: A01 0-010a&lt;br /&gt;
*3.02.045 - [[User:Christian Lassen|Christian Lassen]] - Thu, 08:00-10:00, Room: A13 0-027&lt;br /&gt;
*3.02.046 - [[User:Christian Lassen|Christian Lassen]] - Thu, 10:00-12:00, Room: A01 0-010b&lt;br /&gt;
*3.02.047 - [[User:Christian Lassen|Christian Lassen]] - Fri, 08:00-10:00, Room: A01 0-010b&lt;br /&gt;
*3.02.048 - [[User:Christian Lassen|Christian Lassen]] - Fri, 12:00-14:00, Room: A06 5-531&lt;br /&gt;
&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
Both the lecture and the courses are part of the Basismodul ang070 and focus on key concepts in cultural studies and techniques of textual analysis in the context of discussing culture. The &#039;&#039;VL/Ü Key Concepts of Cultural Studies&#039;&#039; consists of 6 lectures on &amp;quot;Historical Backgrounds and Critical Concepts&amp;quot; and 13 courses/Übungen on &amp;quot;Key Concepts of Cultural Studies&amp;quot;.&lt;br /&gt;
 &lt;br /&gt;
The Übung analyzes material and is relying on concepts and approaches complemented by the lectures. The analysis of the material from a cultural studies perspective is based on three guiding questions:&lt;br /&gt;
*1. What are the specific and medial characteristics of the Material? (See Handouts: Conceptual Tools)&lt;br /&gt;
*2. How is the material situated and what institutions are responsible for its existence and discussion?&lt;br /&gt;
*3. What function and effect for identity formation can the material have?&lt;br /&gt;
&lt;br /&gt;
Please make sure that you are registered for the lecture and ONE of the courses in Stud.IP and open a [[Help:Account|wiki account]] which will enable you to participate in online discussions.&lt;br /&gt;
&lt;br /&gt;
The texts for our courses will come from a common pool, though each course may have a different choice.&lt;br /&gt;
&lt;br /&gt;
The &amp;quot;analytical tools&amp;quot; will be presented by the lecturers (on a handout) in each meeting. The additional reading from which these &#039;tools&#039; are taken is not obligatory, and it can be done either before or after each session. Mandatory texts and other materials will be made accessible to you electronically (cf. the links below). In addition you will need to purchase the following works:&lt;br /&gt;
&lt;br /&gt;
    Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederic Douglass, an American Slave, Written By Himself&#039;&#039;. 1845. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
    Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Breakfast on Pluto&#039;&#039;. Dir. Neil Jordan. Perf. Cillian Murphy, Ruth Negga, Liam Neeson, Stephen Rea, and Brendan Gleeson. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
[http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf Course Work]: You will be asked to complete a Written Test (Date: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2), and produce a Research Paper Outline (2 pages, due on Aug 15).  For the Research Paper Outline you will need to find your own topic to work on and document the preliminary work (this includes finding an appropriate title, writing a paragraph on the state of the art of your problem and one that describes your problem and your goal, and presenting a tentative table of contents as well as a short bibliography).&lt;br /&gt;
The RPO is to be formatted according to the [http://www.anglistik.uni-oldenburg.de/download/BM7/leitfaden_lit-cult_2012.pdf style sheet].&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
Two useful links for all assignments:&lt;br /&gt;
*[[Literary Studies:Writing academic texts]] - esp. for the research paper outline&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
__TOC__&lt;br /&gt;
&lt;br /&gt;
==Session One, April 07/08: Working With Key Concepts in Cultural Studies I ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Welcome&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Preliminaries and General Course Information.&lt;br /&gt;
&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download/BM7/ang070_Curriculum.pdf ang070 Curriculum, Aims and Goals]&lt;br /&gt;
* Introduction to the [http://www.anglistik.uni-oldenburg.de/download//BM7/ang070_Seminarplan_2015.pdf ang070 Programme]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Hall_Representation_1997.pdf &amp;quot;Representation.&amp;quot; Hall, Stuart (ed.). &#039;&#039;Representation. Cultural Representations and Signifying Practices&#039;&#039;. London: Sage Publications, 1997. 1-29.]&lt;br /&gt;
* You may also watch Stuart Hall explain his notions of representation on [https://www.youtube.com/watch?v=aTzMsPqssOY youtube]&lt;br /&gt;
&lt;br /&gt;
==Session Two, April 14/15: Working with Key Concepts in Cultural Studies II==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools: Culture, Discourse, Media, Identity&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_discourse.pdf Key Concepts in Cultural Studies: Discourse]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_culture.pdf Key Concepts in Cultural Studies: Culture]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_identity.pdf Key Concepts in Cultural Studies: Identity]&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-05_HO_key_concepts_media.pdf Key Concepts in Cultural Studies: Media]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Further Reading&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Ang_Cultural-Studies.pdf Ang, Ien. &amp;quot;Cultural Studies.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 227-48. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Chouliaraki_Discourse-Analysis.pdf Chouliaraki, Lilie. &amp;quot;Discourse Analysis.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 674-96. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Clarke_Culture-and-Identity.pdf Clarke, Simon. &amp;quot;Culture and Identity.&amp;quot; &#039;&#039;The SAGE Handbook of Cultural Studies.&#039;&#039; London: SAGE, 2008. 510-29. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Kaplan_Identity.pdf Kaplan, Carla. &amp;quot;Identity.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 123-7. Print.]&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Yudice_Culture.pdf Yúdice, George. &amp;quot;Culture.&amp;quot; &#039;&#039;Keywords for American Cultural Studies.&#039;&#039; Eds. Bruce Burgett and Glenn Hendler. New York: NY: New York UP, 2007. 71-6. Print.]&lt;br /&gt;
&lt;br /&gt;
==Session Three, April 21/22: Analyzing Print Media: Slave Narrative I (Introduction: Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_the_peculiar_institution.pdf Foner, Eric. “The Peculiar Institution.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction&#039;&#039;. New York: Vintage, 2005. 3-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Four, April 28/29: Analyzing Print Media: Slave Narrative II (Focal Point: Identity and Genre)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself&#039;&#039;. Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2005_foner_true_likenesses.pdf Foner, Eric. “True Likenesses.” &#039;&#039;Forever Free: The Story of Emancipation and Reconstruction.&#039;&#039; New York: Vintage, 2005. 34-40. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
==Session Five, May 05: No Class: Please Join the Friday Groups!==&lt;br /&gt;
==Session Five, May 06: Mid-Term Recap==&lt;br /&gt;
&lt;br /&gt;
==Session Six, May 12/13: Analyzing Print Media: Slave Narrative III (Focal Point: Discourse)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Douglass, Frederick. &#039;&#039;Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself.&#039;&#039; Eds. William L. Andrews and William S. McFeely. New York: Norton, 1997. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2009_nwankwo_douglass_black-atlantic.pdf Nwankwo, Ifeoma C.K. “Douglass’ Black Atlantic: The Caribbean.” &#039;&#039;The Cambridge Companion to Frederick Douglass&#039;&#039;. Ed. Maurice S. Lee. Cambridge: CUP, 2009. 146-59. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
*Handout: [http://www.anglistik.uni-oldenburg.de/download/BM7/handout_narratology.pdf Narratology]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf WRITTEN ASSIGNMENT I published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT I: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Seven, May 19/20: Analyzing Visual Media: Graphic Novel I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Text&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;Introduction.&#039; &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. 6-7. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Eight, May 26/27: Analyzing Visual Media: Graphic Novel II (Graphic Narrative &amp;amp; Identity Formation)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Hughes, Jamie A. &amp;quot;&#039;Who Watches the Watchmen?&#039;: Ideology and &#039;Real World&#039; Superheroes.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 39.4 (2006): 546-57. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
==Session Nine, June 02/03: Analyzing Visual Media: Graphic Novel III (Graphic Narrative &amp;amp; Identity Formation cont&#039;d.)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* Moore, Alan and Dave Gibbons. &#039;&#039;Watchmen&#039;&#039;. Burbank, CA: DC Comics, 2014. Print.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Keating, Erin M. &amp;quot;The Female Link: Citation and Continuity in &#039;&#039;Watchmen&#039;&#039;.&amp;quot; &#039;&#039;The Journal of Popular Culture&#039;&#039; 45.6 (2012): 1266-88.Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-21_conceptual_tools_for_graphic_novel_analysis.pdf Conceptual Tools for the Analysis of Comics and Graphic Novels]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT II: Sample solution]&lt;br /&gt;
&lt;br /&gt;
==Session Ten, June 09/10: Analyzing Audiovisual Media: Film I (Medium, Genre, Context)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/2012_Bischoff_Ordon_handhout_syntax_of_film.pdf Bischoff, Mark, and Ulrike Ordon, eds. &#039;&#039;The Syntax of Film: A Glossary&#039;&#039; 3rd ed. Seesen, 2012.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Eleven, June 16/17: Analyzing Audiovisual Media: Film II (Film &amp;amp; Ideology)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/Nunes_National-Security.pdf Nunes, Charlotte. &amp;quot;In the Name of National Security: Torture and Imperialist Ideology in Sheridan&#039;s &#039;&#039;In the Name of the Father&#039;&#039; and Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Human Rights Quarterly&#039;&#039; 31.4 (2009): 916-33. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
==Session Twelve, June 23/24: Analyzing Audiovisual Media: Film III (Screening Gender)==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Primary Material&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;Breakfast on Pluto.&#039;&#039; Dir. Neil Jordan. 2005. Sony Pictures Home Entertainment, 2006. DVD.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039; Secondary Material&#039;&#039;&#039;&lt;br /&gt;
* [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf Lassen, Christian. &amp;quot;The Passion of Saint Kitten, or: Desperately Seeking Mitzi, the Phantom Lady. Camp Responses to Interpellation and Subjection in Neil Jordan&#039;s &#039;&#039;Breakfast on Pluto&#039;&#039;.&amp;quot; &#039;&#039;Anglistentag 2012 Potsdam: Proceedings.&#039;&#039; Eds. Katrin Röder and Ilse Wischer. Trier: WVT, 2013. 81-92. Print.]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Analytical Tools&#039;&#039;&#039;&lt;br /&gt;
* Handout [http://www.anglistik.uni-oldenburg.de/download/BM7/2012-06-13_conceptual_tools_for_film_analysis.pdf Conceptual tools for the Analysis of Film]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/BM7_SoSe2013_Assignment3_Film.pdf ASSIGNMENT III published]&lt;br /&gt;
&lt;br /&gt;
     [http://www.anglistik.uni-oldenburg.de/download/BM7/x.pdf ASSIGNMENT III: Sample solution]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Thirteen, June 30/July 01: Recap in Preparation for Written Test / Course Evaluation==&lt;br /&gt;
&lt;br /&gt;
In preparation for the recap meeting, please review the handouts &#039;&#039;Conceptual Tools for the Analysis of Graphic Novels and Comics&#039;&#039; and &#039;&#039;Conceptual Tools for the Analysis of Film&#039;&#039; and &#039;&#039;Key Concepts in Cultural Studies: Culture / Media / Identity / Discourse&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Session Fourteen, July 07/08: Presentation and Discussion of RPOs==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Skills and Activities&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Brief Report on &#039;Work in Progress&#039;: Your Term Paper Projects &lt;br /&gt;
&lt;br /&gt;
      [[http://wiki.angl-am.uni-oldenburg.de/index.php/BM7_-_Introduction_to_Literary_and_Cultural_Studies_-_Research_Paper_Outline ang070 - Introduction to Literary and Cultural Studies - Research Paper Outline (due on Aug 15)]]&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Guidelines for finding your RPO topic:&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
1. Your RPO topic needs to be related to at least one of the four key concepts: identity, media, discourse, culture &amp;lt;br&amp;gt;&lt;br /&gt;
2. As the material basis for your analysis you will need to pick material from the Übungen: &#039;&#039;Narrative of the Life of Frederick Douglass&#039;&#039;, &#039;&#039;Watchmen&#039;&#039;, &#039;&#039;Breakfast on Pluto&#039;&#039;&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
You have access to the scholarly discourse on the material from the Übung through the MLA database.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
     WRITTEN TEST: Saturday, July 09, 2016, 10:00-12:00, A14 Hörsaal 1 und 2&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Basismodul]]&lt;br /&gt;
[[Category:Summer 2016]]&lt;/div&gt;</summary>
		<author><name>Michaela Koch</name></author>
	</entry>
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