Film Analysis: Difference between revisions
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(1) Camera Distance | (1) Camera Distance | ||
* the establishing shot | |||
* extreme long shot | |||
* long shot | |||
* medium long shot | |||
* full shot | |||
* medium close shot | |||
* close shot | |||
* close-up | |||
* extreme close-up | |||
(2) Camera Angle | (2) Camera Angle | ||
* extreme low angle | |||
* low angle | |||
* normal camera height | |||
* high angle | |||
* bird’s eye view | |||
* Dutch angles | |||
(3) | (3) Editing | ||
* Cut, fade out/in, dissolve and wipe | |||
(4) | (4) Camera Movement | ||
* pan (swish pan) | |||
* tilt | |||
* tracking shot | |||
* crane shot | |||
(5) | (5) Zoom, hand-held camera, Steadicam and static camera | ||
(6) | (6) Lens Type | ||
* wide angle | |||
(7) | (7) Lighting | ||
* low and high key | |||
(8) | (8) Deep focus | ||
(9) Two diametrically opposed editing principles: Montage vs. the Long Take | (9) Two diametrically opposed editing principles: Montage vs. the Long Take | ||
(10) Parallel Editing / Cross cutting | (10) Parallel Editing / Cross cutting | ||
(11) Time: Flash-forwards and Flashbacks | (11) Time: Flash-forwards and Flashbacks | ||
(12) Colour-coding (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. | (12) Colour-coding | ||
(13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. | |||
(14) DV = Digital video | |||
[[Category:Handout]] | [[Category:Handout]] | ||
Revision as of 08:40, 20 June 2007
Formal Elements of Film Analysis
Narrative Film The Essentials of Film Analysis
Imagetrack
Getting Started: Scenes vs. Sequences
(1) Camera Distance
- the establishing shot
- extreme long shot
- long shot
- medium long shot
- full shot
- medium close shot
- close shot
- close-up
- extreme close-up
(2) Camera Angle
- extreme low angle
- low angle
- normal camera height
- high angle
- bird’s eye view
- Dutch angles
(3) Editing
- Cut, fade out/in, dissolve and wipe
(4) Camera Movement
- pan (swish pan)
- tilt
- tracking shot
- crane shot
(5) Zoom, hand-held camera, Steadicam and static camera
(6) Lens Type
- wide angle
(7) Lighting
- low and high key
(8) Deep focus
(9) Two diametrically opposed editing principles: Montage vs. the Long Take
(10) Parallel Editing / Cross cutting
(11) Time: Flash-forwards and Flashbacks
(12) Colour-coding
(13) Tying everything up: Mise en scène—An image’s setting, subjects and composition.
(14) DV = Digital video
