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'''Narrative Film'''
'''Narrative Film'''
The Essentials of Film Analysis


(Helmut Korte, ''Einführung in die systematische Fimlanalyse. Ein Arbeitsbuch'', Berlin: Erich Schmidt Verlag, 2nd ed. 2001, 1st ed. 2000.)
Imagetrack


:Einstellung
Getting Started: Scenes vs. Sequences
::Einstellungsgrößen (p. 25 ff):
::Panorama, Totale, Halbtotale, knee-shot, nah, groß, Detail.


:Kamerabewegungen:
::Ranfahrt, Rückfahrt, Seitfahrt, Parallelfahrt.
::Schwenk
::[zoom]


:Einstellungverbindungen:
(1) Camera Distance
::Überblendung
the establishing shot
::Schnitt (weich oder hart)
 extreme long shot
::Schuss-Gegenschuss (‘Over-the-shoulder-shot’)
 long shot
 medium long shot
 full shot
 medium close shot
 close shot
 close-up
 extreme close-up


:Kamera-, Blickperspektive: [unten oben]
(2) Camera Angle
::Subjektive Kamera (‘Point of view shot’)
 extreme low angle
 low angle
 normal camera height
 high angle
 bird’s eye view
 Dutch angles
 
(3) Editing
 Cut, fade out/in, dissolve and wipe
 
(4) Camera Movement
 pan (swish pan)
 tilt
 tracking shot
 crane shot
 
(5) Zoom, hand-held camera, Steadicam and static camera
 
(6) Lens Type
 wide angle
 
(7) Lighting
 
 low and high key
 
(8) Deep focus
 
(9) Two diametrically opposed editing principles: Montage vs. the Long Take
 
(10) Parallel Editing / Cross cutting
 
(11) Time: Flash-forwards and Flashbacks
 
(12) Colour-coding (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. (14) DV = Digital video


:Transkriptionen:
::Einstellungsprotokoll (numerierung pro einstellung; länge in sekunden; Kameraaktivitäten; Beschreibung des Bildinhalts, Handlungsablaufs etc.; Tontrakt: Dialoge, Geräusche, Musik)
::Sequenzprotokoll


[[Category:Handout]]
[[Category:Handout]]

Revision as of 18:17, 19 June 2007

Formal Elements of Film Analysis

Narrative Film The Essentials of Film Analysis

Imagetrack

Getting Started: Scenes vs. Sequences


(1) Camera Distance  the establishing shot  extreme long shot  long shot  medium long shot  full shot  medium close shot  close shot  close-up  extreme close-up

(2) Camera Angle  extreme low angle  low angle  normal camera height  high angle  bird’s eye view  Dutch angles

(3) Editing  Cut, fade out/in, dissolve and wipe

(4) Camera Movement  pan (swish pan)  tilt  tracking shot  crane shot

(5) Zoom, hand-held camera, Steadicam and static camera

(6) Lens Type  wide angle

(7) Lighting

 low and high key

(8) Deep focus

(9) Two diametrically opposed editing principles: Montage vs. the Long Take

(10) Parallel Editing / Cross cutting

(11) Time: Flash-forwards and Flashbacks

(12) Colour-coding (13) Tying everything up: Mise en scène—An image’s setting, subjects and composition. (14) DV = Digital video

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