Film Analysis: Difference between revisions
From Angl-Am
Jump to navigationJump to search
No edit summary |
No edit summary |
||
| Line 1: | Line 1: | ||
= | ==Imagetrack== | ||
Imagetrack | |||
Getting Started: Scenes vs. Sequences | Getting Started: Scenes vs. Sequences | ||
| Line 10: | Line 5: | ||
(1) Camera Distance | (1) Camera Distance | ||
* | *the establishing shot | ||
* | *extreme long shot | ||
* | *long shot | ||
* | *medium long shot | ||
* | *full shot | ||
* | *medium close shot | ||
* | *close shot | ||
* | *close-up | ||
* | *extreme close-up | ||
(2) | (2) Camera Angle | ||
* | *extreme low angle | ||
* | *low angle | ||
* | *normal camera height | ||
* | *high angle | ||
* | *bird’s eye view | ||
* | *Dutch angles | ||
(3) | (3) Editing | ||
* | *Cut, fade out/in, dissolve and wipe | ||
(4) | (4) Camera Movement | ||
* | *pan (swish pan) | ||
* | *tilt | ||
* | *tracking shot | ||
* | *crane shot | ||
(5) | (5) Zoom, hand-held camera, Steadicam and static camera | ||
(6) | (6) Lens Type | ||
* | *wide angle | ||
(7) | (7) Lighting | ||
* | *low and high key | ||
(8) | (8) Deep focus | ||
(9) Two diametrically opposed editing principles: Montage vs. the Long Take | (9) Two diametrically opposed editing principles: Montage vs. the Long Take | ||
| Line 60: | Line 55: | ||
(14) DV = Digital video | (14) DV = Digital video | ||
==Imagetrack== | |||
[[Category:Handout]] | [[Category:Handout]] | ||
Revision as of 11:10, 21 June 2007
Imagetrack
Getting Started: Scenes vs. Sequences
(1) Camera Distance
- the establishing shot
- extreme long shot
- long shot
- medium long shot
- full shot
- medium close shot
- close shot
- close-up
- extreme close-up
(2) Camera Angle
- extreme low angle
- low angle
- normal camera height
- high angle
- bird’s eye view
- Dutch angles
(3) Editing
- Cut, fade out/in, dissolve and wipe
(4) Camera Movement
- pan (swish pan)
- tilt
- tracking shot
- crane shot
(5) Zoom, hand-held camera, Steadicam and static camera
(6) Lens Type
- wide angle
(7) Lighting
- low and high key
(8) Deep focus
(9) Two diametrically opposed editing principles: Montage vs. the Long Take
(10) Parallel Editing / Cross cutting
(11) Time: Flash-forwards and Flashbacks
(12) Colour-coding
(13) Tying everything up: Mise en scène—An image’s setting, subjects and composition.
(14) DV = Digital video
